Mehwish Hayat has recently shifted her interest from dramas to films. After performing an item number in NaMaloom Afraad Mehwish Hayat is proud that she has an important role to play in the new Pakistani film Jawani PhirNahi Aani. Talking to a local newspaper about her experience in the film Mehwish Hayat said, “After Na Maloom Afraad I got a lot of offers to work in films – even from India – but I wanted to make a proper film debut in Pakistan first. The story of Jawani Phir Nahi Aani appealed to me that is why I decided to be a part of it.” Mehwish Hayat thinks that the film has a lot of potential and it will be a blockbuster.
When asked how Mehwish Hayat felt about her sequence in a bikini in the film she said, “First of all let me clarify one thing: what I am wearing in that scene is not a bikini. If you look at it, then you will know that it is a sarong and trust me we made sure to avoid a bikini. The sarong is a local dress and covers most of your body. I think it should be acceptable to the audience. People love to make issues out of nothing and then they go and watch the movie as well!”
Mehwish Hayat said that her first song is due to be released soon and she is very excited about that. She also said, “I have offers from both sides of the border. I am not revealing anything as yet because I am a big believer in one should only talk about things once they are confirmed. I might go to India – if need be.”
Mehwish Hayat mentions offers Bollywood offers repeatedly in her interview which gives us a feeling that she might be the next Pakistan actress to be seen in a Bollywood film.
After making the record opening day business record in Pakistani cinemas of 2.07 crore (20.7 million), now Jawani Phir Nahin Aani, has surpassed its own record of a single day business. On the second day of the Eidul Azha (Saturday, 26th September 2015), the film has earned 2.68 crores (26.8 million) which is an all time record for a single day of business on Pakistani box office surpassing the 2.5 crore record of Furious 7 which it made in April 2015 (Saturday, 4th April, 2015 to be precise). The film JPNA has more than 200 shows daily which surely helped in making this record.
Though producers of Pakistani films seldom shares the revenue figures officially, the producers of JPNA the ARY Films has shared this information in a tweet on their official twitter account.
Seeing this trend the film is now expected to earn further on the third day of Eid (Sunday 27th September, 2015) and challenging the record of highest weekend collection of 7.25 crores made by Hollywood’s Furious 7 in April 2015.
Hollywood films are released on latest technology screens like IMAX and 3D and therefore that ticket price is quite high ranging from 700 – 1500 or even higher. So the high price of tickets results in high revenue collection of Hollywood films even if a Hollywood film is released on less number of screens. As compared to Hollywood films tickets of Bollywood and Urdu films start from 200-400 rupees.
JPNA is also released simultaneously in many countries like UAE, Qatar, Bahrain, Oman, UK, Canada and USA. On the whole it is an encouraging sign for Pakistani film industry that cine goers are now also watching local Urdu films in huge numbers, along with the routine activity of endorsing Bollywood films.
The market of Hindi/Urdu films as well as Hollywood films in Pakistan is limited to the provinces of Punjab, Sindh and Federal capital Islamabad. In the other two provinces namely Balochistan and Khyber Pakhtunkhwa only Pashto films are released due to limited demand of Hindi/Urdu films. The market of Hollywood films is mainly restricted to big multiplexes cinemas in the urban centers.
Our country is blessed with many heavenly locations which exist in all the federal regions and provinces. However our media seldom pays attention to this aspect of our country, perhaps too busy in promoting negativity which brings more ratings as compared to promoting positive aspects. There is a distinction and one such program was aired on Geo News named Geo Ajooba few years ago which shows some breath taking scenery of Pakistan.
However soon multiple channels will air a show which covers many beautiful locations of Pakistan. The reason for this is not the TRP or goodwill on part of the management of our channels, but the handsome revenue which these channels will earn by airing this program. Totally Right! it is a program sponsored by OLX, means a paid program rather than any initiative of a channel.
Baazi Off Road Ki (بازی آف روڈ کی) is a travel show which will focus some prettiest locations of Pakistan like Deosai located in the Gilgit-Baltistan region. The show will be hosted by Nomi Qamar and directed by Yasir Nisaar. Nomi Qamar has been a leading model of our country who have also hosted a talk show All About Men on Style 360.The show will be aired in coming weeks.
Jawani Phir Nahin Aani is a film released on Eidul Azha on 25th September 2015 and distributed by ARY Films. The film also has few preview shows on 24th September 2015 at selected theaters. 25th September 2015 has passed and now the statistics of revenue earned by JPNA are being consolidated.
Normally in Pakistan distributors and producers of Pakistani films seldom make the earning of their film public. All the figures and statistics which are quoted and maintained are unofficial based upon the figures shared by different multiplexes. However a rare occasion, the distributor of JPNA i.e. ARY Films have officially shared the business of the film on the opening day in a tweet.
As per the tweet JPNA has earned 20.7 million rupees (2.07 crore) on its opening day, which is a record opening day business for any film in Pakistan. Before JPNA, the highest opening day business was 20.5 million rupees (2.05 crore) by the Hollywood film Fast & Furious 7 released in April this year. Hollywood films are released on latest technology screens like IMAX and 3D and therefore that ticket price is quite high ranging from 700 – 1500 or even higher. So the high price of tickets results in high revenue collection of Hollywood films even if a Hollywood film is released on less number of screens. As compared to Hollywood films tickets of Bollywood and Urdu films start from 200-400 rupees.
Here are the top 5 films with their opening day revenue.
Analyzing these statistics it is quite obvious that before 2015, Bollywood films were ruling the charts with highest opening day collections proving the widespread appeal of Bollywood films among Pakistani cine goers. However in 2015, Furious 7 took over the chart. Furious 7 tremendous success is mostly attributed to the untimely death of its leading actor Paul Walker.
Just few weeks ago (September 4th to be precise), another Bollywood movie Welcome Back received a grand reception and the film also jumped in the list of top 5 films. Now JPNA which is the first local film to appear in the top 5 list has jumped to the No. 1 spot.
The next record which JPNA might break is the highest collection on a weekend (Friday, Saturday and Sunday). Currently the record is also with Furious 7 with an earning of 7.25 crores.
JPNA is also released simultaneously in many countries like UAE, UK and USA. On the whole it is an encouraging sign for Pakistani film industry that cine goers are now also watching local Urdu films in huge numbers, along with the routine of endorsing Bollywood films.
The market of Hindi/Urdu films in Pakistan is limited to the provinces of Punjab, Sindh and Federal capital Islamabad. In the other two provinces namely Balochistan and Khyber Pakhtunkhwa only Pashto films are released due to limited demand of Hindi/Urdu films.
Halla Gulla is an Urdu film released on Eidul Azha Friday 25th September 2015. Termed as romantic comedy the film stars many new and relatively un-famous artists in its cast. The tagline of the film is “Pakistan first solid entertainer”. The film is produced in Karachi (Karawood).
Starring: Javed Sheikh, Ismail Tara, Ghazala Javed, Asim Mehmood, Muneeb, Sidra Batool, Ashraf Khan ,Zara Gul Jasmeen Adil Wadia, Maryam Ansari, Hina Rizvi, Hunain Maniar, Bilal Yousufzai, Jasmeen
Director & Screenplay: Kamran Akbar Khan
Writer: Raheela Mushtaq Shah
Producer: Hamid Mohammad
Designer: EDGE (Men)
Composer: Saahir Ali Bagga
Studio: MFN (VFX Director-1stop Studio)
& Social Media
DOP: Asif Khan
Editor: Nasir Inayat
It is the story of Saahil (Asim Mehmood) who is the son of the a Don named Golden Bhai played by Javed Sheikh. The second hero Udaas (Muneeb Butt) is stuck in a problem which is the cliched theme of two weddings (do shadiyan), both his wives (Zara Gul and Jasmeen) are unaware of each other’s presence and thus Udaas is getting more udaas (sad) due to this. Both heroes are linked via the heroine of Saahil (Asim Mehmood), Muskarahat (Sidraa Batool) who is the sister of Udaas (Muneeb Butt). The tussles and friendship of Udaas and Saahil and settling of their issues is the whole story of the film. In between their are also sizeable performances from veterans Javed Sheikh and Asim Mehmood.
The film has a total of five songs. Out of these four are item cum dance numbers. Infact all four can be classified as item numbers. All the four songs are filmed on a different artists. The film starts with a steamy performance, ‘Zero Meter‘ shot on artist Rubab. Apart from zero meter the other item/dance number are filmed on Mahnoor (song: Thumka), Rachel Gill (song: Halla Gulla) and Mariam Ansari (Ishq Kamla). The dance of all the artists was mostly in sync with the music.
The only soft song is Suroor De in the voices of Rahat Fateh Ali Khan, Afshan Jawwad is filmed on the heroine Muskarahat (Sidrah Batool) and Saahil (Asim Mehmood). Suroor De though pleasant to ears, is the most weak song in terms of performance in this film.
Seeing this film reminded of Urdu films made in 1990’s like Munda Bigra Jaye, Muamla Garbar Hai, Miss Istanbul. The Urdu cinema declined in 1980’s while Punjabi and Pashto cinema progressed quite steadily.Thus the majority of few Urdu films made in 1990’s were made by the producers of Punjabi films and the Punjabi touch or influence of Punjabi cinema was also reflected in these films be it dressing or dances. Till 1980’s Urdu cinema had a clear distinction from Punjabi cinema. Even the actors of Urdu and Punjabi cinema were separate. While Sultan Rahi/Anjuman were hit in Punjabi films, Nadeem/Shabnam and Babra Sharif were the leading stars of Urdu cinema. Films of both language have visible differences in songs, dressing, story, dances (Urdu films have very few dances) and performance.
But in 1990’s the distinction gradually faded, the artists of Punjabi films started working in Urdu cinema like Neeli, Reema, Saima, Shaan. So in many Urdu films of 1990’s it was common to see the daughter of an urban Seth wearing traditional punjabi laacha kurta. Also dances of Urdu films became more and more sleazy like Punjabi films, while acting got louder and louder like Punjabi films. But that was a memory of the past which has passed a decade ago. Seeing Halla Gulla reminded me of the same feel of the Urdu cinema of the 1990’s which infact was the lowest point of Urdu cinema in our cinema history. Despite produced in Karachi, the film has a feel of Urdu film produced in Lahore in the 90’s.
Though I watched the film in a multiplex, the film suits more for the audience of traditional single screen cinemas. So it might do well in the single screen cinemas, as compared to Multiplexes.
Here are the high and low points of the film.
Highs
The picture quality or the production quality of the film is quite good. Different locations of Karachi are shot skillfully.
The music of the film is also a plus and consists of five songs. Suroor De in the voices of Rahat Fateh Ali is soft and pleasant to ears. While the rest of the four songs which all are dance numbers are also well composed.
The film has four item/dance numbers, and dances on these songs is another highlight of the film. Anyone fond of loud dances on silver screen will like these performances. (Especially the followers of dance perfomances in Punjabi stage shows). Also as compared to the item/dance numbers released this year like Selfiyan (in Wrong Number shot on Sohai Ali Aabro), Tooti Frooti (in Karachi Se Lahore shot on Ayesha Omar), Jawaani (in Jalebi shot on Zhalay Sarhadi), dances here are in sync with music.
The film has many new faces, introducing young blood in the films is a couragous act which should be appreciated. It is the first films for Sidrah Batool, Muneeb Butt, Marium Ansari, Rachel Gill, Hina Rizvi and many others.
Veterans Javed Sheikh and Ismail Tara have performed well as usual and tried to add life to the film, despite weak script.
Lows
The backbone of a film is its script, and it is the weakest point of Halla Gulla. The plot of the film is supported by a disjointed and crippled script which in turn badly impacted the performance of the artists as well. The dialogues are also lifeless not providing the desired comic feel.
Major attention or budget of the film is spent on filming the songs, similar attention on the script and screenplay could have also provided a better cinema experience to the viewers.
There are far too many characters in the film, which appear and disappear without leaving any impact. At times even the leading characters feel as side characters.
The dances which I have mentioned as a high point of the film are also a low point of the film for anyone not a fan of Punjabi cinema styled dances. As the songs Zero Meter and Thumka have the influence of traditional Punjabi film. The latka, jhatka and thumka a signature trademark of Punjabi cinema and stage shows is also in these songs.
Performance wise, all the new comers despite their efforts are not able to leave any impact. The moment your are out of cinema, their performance is also out of your mind like the money you spent on the ticket is now out of your pocket.
Conclusion
On the whole Halla Gulla, is a weak and unimpressive effort from Kamran Akbar Khan. Advertised as Pakistan’s First Solid Entertainer it is neither solid nor much entertainig. After Dekh Magar Pyaar Se (released on 14th August 2015), Halla Gulla is another disappointment. The claimed budget of the film was 5 crore, which is enough to make a quality entertainer, but Halla Gulla has not justified its budget. The film might attract viewership at single screen cinemas, but will surely face a hard time at the multiplexes.
Pakistani celebrities always celebrate Eid day with zeal and zest. This time too all these celebrities wished their fans in different ways. Imran Abbas and Ranbir Kapoor made a short video in which they wished their fans a happy Eid. The Ho Mann Jahan Team also made a video with Mahira Khan, Shehryar Munawar and Adeel Hussein to wish their fans. Mahira Khan also posted a picture on instagaram in which she wished her fans Eid Mubarak from her film’s team.
Here are how some of the celebrities wished their fans a happy Eid and how they looked on Eid day:
Ohkay so, these two episodes of Mohabbat Aag Si were very interesting as they took the story forward seamlessly & gave an insight into what transpired in the past perfectly too. I really like director’s approach here because the way he has tackled the details of the past & merged them with the happenings of the present makes this drama very engaging & forces us to look forward to the upcoming episodes.
The way the story’s being told, I am sure by the end of the drama Rukhsana would be turned into a victim too but I still feel everything that she has done & all the things she is doing have brought her past the stage where she would be forgiven for how she has ruined the lives of so many people. Yes, I do sympathize with her for the fact that she didn’t get married to her first love but then, she seriously has some psychological issues which deterred her from moving on & she locked herself in that very moment where she made it impossible for herself to recover from a heart-break, which by the way, ain’t that big of a deal. I really am interested to see what events turned a day dreamer; a young girl like Ruksana into a villain because as far as we know about her, she was just a girl-next-door whose only motive in life was to get married to the guy she loved but the flashbacks do tell us a story of how she landed herself in deep trouble but I wonder instead of becoming humble & regretful, what made Rukhsana so arrogant that she started playing with people’s lives?
Rukhsana’s Arshad has once again entered her life & the way Rukhsana lost control of herself let us know that she still is very much in love with Arshad & hasn’t not grown out of that connection she once had with him. The day dreamer in Rukhsana is still alive because the way she speaks to her love on the phone, the way she adorns herself & the way she converses with him over a meal showed that it was Arshad who she used to think about because it is pretty clear that Arshad was the one & only person that she has ever loved & she never allowed anyone else to enter her life. Bee Jee is aware of every little detail of Arshad & Rukhsana’s lives that is why she dreaded seeing Rukhsana approaching Arshad so fearlessly. Bee Jee already dreads that Rukhsana will create a whole set of difficulty for herself but Rukhsana doesn’t want to think rationally when it comes to Arshad.
It was interesting to see that as much as Rukhsana loves Arshad, he loves her till date too. He referred to Fareeda as just a wife which was pretty self explanatory that his marital life isn’t as perfect as it may seem. Going by the opinions Arshad’s mother had of Rukhsana, it is obvious that Fareeda was Arshad’s mother choice & he had no say in choosing his life partner because his mother had very high standards & unfortunately Rukhsana didn’t fit the bill perfectly. Another thing that unraveled in this episode was about the girl that Rukhsana met the other day when Saba followed her around; Sidra. Even though initially it was hinted that Sidra isn’t Rukhsana’s daughter, the things she added later on made it a bit fuzzier & it still can’t be said with surety that Sidra isn’t Rukhsana’s biological daughter. The way she decided to let go of Sidra that too at the moment when Arshad showed up shows that Rukhsana needs & wants something as a reminiscence of the past because when Arshad wasn’t around, she was holding onto Sidra & using her to keep her mind diverted but now when she saw her first love, she easily walked out of her fixation with that young child. I am sure Sidra is one of the deepest darkest secrets that are buried in Rukhsana’s heart.
Coming towards Saba’s front, she actually caught me off guard when she spoke to Rukhsana like she was a nobody but then I think she actually underestimated Rukhsana’s prowess of creating lies out of thin-air. The way Ruksana dealt with the whole situation & got herself a chance to blackmail Saba showed that she is one good player & she won’t be easily defeated. It takes a lot of present-mindedness to turn the whole situation around because the secret that Saba picked wasn’t nominal & it was enough to shake the ground for Rukhsana but the way she didn’t even stutter showed that she is very inhumane & has no heart actually because where she should have at least lowered her eyes, she stood still with her head held high claiming that she did nothing wrong!
Even though I really really like Samia’ character, I still find it a teensy bit odd that she has been living in this house for so many years, yet she can’t sense something suspicious about the way Rukhsana behaves. Samia was herself told by Rukhsana that she shouldn’t inform Saba about the room-swap so why couldn’t she put two & two together when Saba was presented in front of everyone? Rukhsana told Sharafat that Saba knew about it but later she herself testified in front of everyone that Saba was unaware of it, so why couldn’t Samia just point it out even before Rukhsana’s announcement? That I am sure would’ve jazzed things up a bit.
I actually feel bad for Shareefa. She is underestimating herself because she thinks her Arshad is way out of her league but the truth is opposite. Arshad ain’t a saint himself because the way he has Rukhsana’s number on his speed-dial shows that he might create some havoc in her life as he already has a faintest idea of what Rukhsana’s upto. Looks like Shareefa’s Arshad will be introduced to Saba in the upcoming episode & I am interested to see what part he has to play in the remaining episodes.
Without a doubt, Iffat Omar has done a phenomenal job in this drama & everyone else has supported the main character perfectly. The new twists & turns have made this drama a treat to watch & I am eagerly waiting to find out more about Rukhsana’s past. For now even though it may seem quite typical that Arshad’s mother didn’t let him get married to Rukhsana, I am sure there are a lot of interesting details that have yet to be unveiled. Please share your thoughts about these episodes of Mohabbat Aag Si.
Hameed Akhtar (late) was a famous journalist and writer. This article covers the family members of Hameed Akhtar.
Hameed Akhtar Hameed Akhtar was born in Ludhiana, Punjab, British India in 1924. A progressive leftist (communist), he migrated to Pakistan after he independence. He was a close friend of famous Urdu poet Saahir Ludhianwi, who also migrated to Pakistan. Back then in 1950’s and 1960’s it was quite hard time for anyone being communist. So Hameed Akhtar was also arrested and served jailed for 2 years in 1950’s due to his communist views. While Saahir Ludhianwi returned to India to escape the arrest, Hameed Akhtar lived in Pakistan despite facing hardships.
Apart from writing for papers, he also made two films Sukh Ka Sapna in 1962 was based on an Australian novel, Parayee Aag in 1971 was based on an Urdu novel by Hameed Jabeen. Produced by his spouse Saadia Hameed, both the films proved unsuccessful.
Due to his views he also faced restrictions and faced financial hardships. Till his death he was not able to make even a house of his own and lived at her elder daughter Saba’s residence in Lahore.
Hameed Akhtar
Hameed Akhtar passed away in 2011 at the age of 87. He also wrote his biography.
Hameed Akhtar was married to Saadia Hameed, the couple has five kids, four daughters and one son namely Saba, Huma, Bushra, Lalarukh and Umair. Three of his daughters are artists and worked on television. In the late 1970’s PTV banned the daughters of Hameed Akhtar briefly (ten months) under the government of General Ziaul Haq.
Saadia Hameed Saadia Hameed is the spouse of Hameed Akhtar. Saadia Hameed produced two Urdu films. Sukh Ka Sapna in 1962 was based on an Australian novel, Parayee Aag in 1971 was based on an Urdu novel by Hameed Jabeen.
The music of Prayee Aag is quite famous composed by Khawajah Khursheed Anwar. Here is a famous song of Mehdi Hassan, Ae Shaam Gham Bata, Lyrics by Habib Jaalib
https://www.youtube.com/watch?v=EtBTfzHXxoY
Saba Hameed Saba Hameed is the elder daughter of Hameed Akhtar and also the most famous one. A graduate of NCA Lahore, Saba started her acting career in late 1970’s from PTV Lahore center. She rose to fame in 1980’s with the character of Neeli in the drama Saahil. Since then Saba has worked in many television plays and serials. She also regularly worked on commercial theater at Alhamra, Lahore in 1980’s and early 1990’s.
Saadia Hameed, Meesha Shafi, Saba Hameed
Saba Hameed married Syed Parvez Shafi a journalist in 1980’s and continued acting after the marriage. From this unsuccessful marriage Saba has two kids Faaris Shafi (son) and Meesha Shafi (daughter). In 1990’s Saba Hameed also briefly married famous artist Waseem Abbas.
Huma Hameed , Saba Hameed
Huma Hameed: is the second daughter of Hameed Akhtar. Though younger than Saba, Huma started her acting career before Saba in late 1970’s. Huma mostly worked in drama series and tele plays. After getting married in mid 1980’s she quit acting and moved to Canad. Huma Hameed made a comeback in acting from the drama ‘Ainie Ki Aayegi Baraat’ on Geo Tv and now seldom appears in dramas.
Huma HameedHuma Hameed, Saba Hameed
LalarukhHameed: is the third daughter of Hameed Akhtar who worked briefly on television in 1980’s. She appeared in PTV play ‘Hazaron Rastay’ in 1986. She quit acting after marriage and now resides in Canada.
Lalarukh Hameed
Meesha Shafi Meesha Shafi is the daughter of Saba Hameed and grand daughter of Hameed Akhtar. Meesha has acted in few plays, but is more famous due to her singing. These days she is more active in singing.
Meesha Shafi
Faaris Shafi Faaris Shafi is the son of Saba Hameed and grand son of Hameed Akhtar. Faaris has acted in few plays and also released few songs in his voice.
Faaris Shafi
Thanks for reading and do share your thoughts on the Hameed Akhtar family.
Sangat continues to be very convincing and engaging. The pace of the drama is just right, it isn’t too fast paced but we see some new development in every episode. The fact that the story has been quite unpredictable till now also makes the viewers look forward to what the writer has in store for us next. All the characters in the play are realistic and definitely not the usual stereotypes we see on television all the time. Character development has also been steady which has to be one of the best aspects of this play so far.
The developments in this episode changed a lot of things for almost all the characters in the play and the story has taken a new turn. Until the last episode the viewers were left wondering if Shahwez was indeed feeling guilty or was he only trying to stay close to Ayesha because of his fixation with her. In this episode we found out that he indeed is feeling guilty to the extent that he cannot seem to get close to any other girl now furthermore he really wants to do something to make things right. Taking a big step like talking to someone about what he had done and then going to Ayesha’s house for an apology went to show that he will do anything to get rid of the guilt he is feeling. We also found out more about the relationship between Shahwez and Salma. Shahwez has gone from flirting with this girl to completely ignoring her because he feels that he does not deserve to be loved or to be around another girl. This is the first time in such a drama that we see the perpetrator of the crime feeling guilty like this and trying to set things right. This story is not about whether this man will be punished or not but more about how the aftermath of this tragic incident will effect everyone’s lives.
Shahwez’s visit to Ayesha’s house has changed everything in her house. Before his visit her mother in law never for a second thought that there could be a man involved in this whole incident. Also, although Adnan has not said anything to Ayesha but he is obviously wondering who this man was. The way he covered up for his wife was very refreshing – definitely not something we see in our dramas every day! Adnan wants this matter to be settled between him and his wife and he does not want his mother to have anything to do with it. The way Ayesha tackled the situation was yet another development which goes to show that Sangat is showing things in a different light. She didn’t feel the need to explain anything to anyone and when she questioned her husband it was yet again a very mature way of dealing with the situation. A part of me felt like Shahwez’s apology to Ayesha has given her some courage to deal with people around her in a different way.
Ayesha’s conversation with the psychiatrist had to be the weakest link of this episode. Nothing that the psychiatrist said sounded like something that was coming from a professional. Ayesha’s answer to her question as to why children will be called by their mother’s name on the day of judgment was very meaningful and touching!
Sangat is going strong so far. Although Mikaal Zulfiqar’s acting in the play has been unimpressive but he looks good with Saba Qamar and they make a convincing on screen couple. Saba Qamar has been flawless throughout the play and her character has been very easy to connect to. Zahid Ahmed stole the show today with his brilliant portrayal of a man who is looking for some peace of mind. Zahid Ahmed plays the most negative characters in such a way that you can’t help but relate to what is going on in the mind of these characters. Kiran Haq as usual was a breath of fresh air in her brief appearance in tonight’s episode and Samina Ahmed stands out as the mother in law who isn’t perfect but who isn’t exactly negative either – a very realistic character which is likeable even with all its flaws.
The preview of the next episode definitely gave me something to look forward to. How many of you watched this latest episode, do share your thoughts about it.
Fatima Awan
PS: A very Happy Eid to all our lovely visitors and lots of prayers for all the readers out there, stay safe and stay happy.
Shahid Afridi a famous sports person, has many endorsements to his name. In another such endorsements, for the very first time Shahid has appeared with his two daughters.
These days, mostly the subjects of the dramas are mostly related to marriage and its associated issues like doosri shadi, talaq, extra marital affair, saas bahu. No channels has dared to experiment with some different genre like action, crime, thrill, biopic, and dozens other such topics. The reason drama makers put forth is the ratings, that drama is only viewed by the females so they only pick the subjects which are popular in the female audience.
PTV our national channel and runs on public funds and therefore has the luxury to experiment with different genre of dramas. In one such attempt an action/crime drama, will be airing soon on PTV. The play stars Shamoon Abbassi as a police officer and is produced/directed by Mohsin Talat. Mohsin Talat has previously directed many dramas including famous play Aasmanon Pe Likha for Geo Tv.
Eidul Azha is a festive occasion in our country. Apart from religious significance it is an event of family gathering and other festivities as well. Traditionally our film makers reserve their premier productions for Eid for which cinema bookings are done months ago. From past two decades local cinema has declined considerably and since 2006 this space is filled by Bollywood movies.
This Eid, a mix of Bollywood (Hindi), Urdu (Karawood, Lollywood), Punjabi and Pashto films are releasing. These films will be released on multiplexes and single screen cinemas across the country.
Bollywood
Any festive occasion without a Bollywood film, is something that seldom happens in Pakistan (like Blue Moon). Due to huge demand of Bollywood films, at-least one Bollywood film is a must release. Only one Bollywood film is releasing this Eidul Azha, like Eidul Fitr. On Eidul Fitr only one Bollywood film Bajrangi Bhaijan was screened, which was allotted the lion’s share in the number of screens to release. The film exceeded all the expectations and has done splendid business and is the most successful film for the year 2015 in Pakistan by earning nearly 22.5 crore (unconfirmed statistics).
This year, a Bollywood film named “kis kis se pyar karoon” is releasing. It stars famous Indian comedian Kapil Sharma. Kapil Sharma’s television show is quite popular in Pakistan and the film is expected to do well like any other Bollywood film released in Pakistan.
Urdu Films
A total of three Urdu films are releasing on this Eid produced in Karachi and Lahore
Karawood
Both films produced in Karachi are commercial films of comedy genre. On Eidul Fitr, another comedy film Wrong No, also produced in Karachi proved quite successful. Wrong No. is the most successful Urdu film of the year and so as per unconfirmed reports has earned more than 14 crores.
Both Urdu films produced in Karachi are releasing in multiplexes as well as single screen cinemas.
Jawani Phir Nahin Aani
A comedy film with a star cast.
Cast: Humayun Saeed, Hamza Ali Abbasi, Ahmed Ali Butt, Vasay Ch, Aisha Khan, Sarwat Gillani, Mehwish Hayat,Sohai Ali Abro, Javed Sheikh, Bushra Ansari, ZQ, Ismail Tara Directed by: Nadeem Baig
Producers: Salman Iqbal, Humayun Saeed, Mohammad Jerjees Seja & Shahzad Nasib
A comedy film with veteran comedians like Ismail Tara, Ashraf Khan and a relatively young cast.
Starring: Javed Sheikh, Ismail Tara, Ghazala Javed, Asim Mehmood, Muneeb, Sidra Batool, Ashraf Khan ,Zara Gul Jasmeen Adil Wadia, Maryam Ansari, Hina Rizvi, Hunain Maniar, Bilal Yousufzai
Director & Screenplay: Kamran Akbar Khan
Writer: Raheela Mushtaq Shah
Producer: Hamid Mohammad
Designer: EDGE (Men)
Studio: MFN (VFX Director-1stop Studio)
& Social Media
DOP: Asif Khan
Editor: Nasir Inayat
Lollywood
The traditional hub of film making in Pakistan is the Lahore based film industry. Only one Urdu film produced in Lahore is releasing on this Eid.
Sanam
Directed by Syed Noor, it is a film completed twelve years ago but was not released then. Starring Babar Ali, Saima and Reema the film is shot on old cameras of 35 mm and can only be released in a traditional single screen cinema. Sanam is only releasing in Punjab.
Punjabi films
Two low budget formula Punjabi films are lined up for this Eidul Azha. Formula Punjabi films have their own dedicated circuit, and normally they recover their cost easily. Like a routine Punjabi formula film both these films are full of similar stuff like violence, steamy dances, loud dialog. Punjabi films are only released in traditional single screen cinemas. The name of the films are Sohna Gujjar (starring Moammar Rana) and Ishq De Qaidi.
Pashto films
Pashto film industry is the most successful and vibrant film circuit of Pakistan. In recent years the number of Pashto films have out numbered the Punjabi and Urdu films. Pashto films have a dedicatd circut in the three provinces i.e. Khyber Pakhtunkhwa (Peshawar, Mardan, Swat, Charsadda, Noshehra), Balochistan (Quetta only) and Sindh (Karachi only). Apart from Pakistan the Pashto films are also regularly screened in foreign countries Afghanistan (Kabul) and UAE (Dubai).
On Eidul Fitr, five pashto films were released and on Eidul Azha six pashto films will be screened. The famous artists appearing in these films are Arbaz Khan, Shahid Khan, Ajab Gul and Jahangir Jaani.
The name of the pashto films are Malang Pe Dua Rang, Zoe Da sharabi, Badnaam, Tezaab, iqraar, Janaan
Hollywood films
Like Punjabi and pashto films, Hollywood films also have their dedicated market in Pakistan. Hollywood films are screened in big urban centres of Karachi, Lahore and Islamabad normally in multiplexes. Every multiplex has a dedicated screen equipped with the latest technology like IMAX for such Hollywood films. This Eid two Hollywood films are releasing namely Everest and Dinosaur Island.
Veena Malik Khan gave birth to a beautiful baby girl today. Her husband Asad Bashir Khan posted the good news and pictures of the baby on his Twitter page. Asad and Veena have named their new baby Amal Asad Khan. They already have one baby boy who is one year old.
Asad is especially happy that their baby was born on such a blessed day when the Muslims of the world were busy performing Hajj. Asad Bashir thanked Allah and his wife for this beautiful gift. Veena Malik also posted the picture of her new baby on her Twitter page and she expressed her happiness over her birth.
Here are some pictures of the parents with the baby girl:
Maya Ali is a very talented actress who started her career with modeling but now she is known for her dramas more than any of her other work. Maya Ali is being loved by the viewers in her latest drama Diyar-e-Dil which is airing on HUM TV.
The actress posted a special status update in which she thanked her fans for liking her work. Maya Ali explained that she was busy so she could not take out time to thank everyone involved in the project and also those who are liking the project but she was overwhelmed by the response Diyar-e-Dil got from the viewers.
Diyar-e-Dil is a drama based on Farhat Ishtiaq’s novel. It is getting a very good response from the viewers.
Many Pakistanis have gone to India to work in their film industry but there are very few Indian actors especially the leading ones who have worked in Pakistan or with Pakistani directors and producers. The news is that the very talented and famous Shoaib Mansoor who is well known for films like Bol and Khuda Ke Liye has offered a role to Kareena Kapoor in his next film.
Kareena Kapoor in few of her interviews already stated that she is a big fan of Shoaib Mansoor and she would like to work in Pakistan. In one of her interviews she said, “I really want to work with him. He has made some fantastic content driven films and is a wonderful filmmaker.”
According to the reports by Indian newspaper, Shoaib Mansoor did not want Kareena’s wish to go unheard so he went to India and offered a role to her in his next film. Talking to the media Kareena said, “After 15 years, I’ve done the rounds with all the Khans, and now it’s time to get out of my comfort zone.”
We are waiting to find out more about what this future project will be and how this project takes a final shape.
Fawad Khan is hot commodity in India nowadays. The fact that this young actor has graced the cover of FilmFare Magazine and the cover reads “Fawad Khan – The Cross Border Turk who is giving our heroes sleepless nights” shows that Fawad Khan has made a name for himself in the Bollywood film industry. The magazine with Fawad Khan’s photo shoot and pictures will be released next month but some of the pictures and excerpts from the interview have been doing rounds in the media which the magazine wants people to see and read to promote their next issue.
Fawad Khan has always made it very clear that he is not going to do any intimate scenes in his film. That is why he is asked again and again why he is against doing such scenes, in the interview to FilmFare he said, “Doing intimate scenes is something I’m uncomfortable with . Because it will not appeal to the sensibilities of my audience back home. I have to go back and work there. I won’t be a girgit (chameleon) and change my colours just because I am working here.”
Fawad Khan sports a very rugged look in his photo shoot for FilmFare which has really been liked by his fans. Here is the cover of the October issue of the magazine and some pictures from the photo shoot:
Jawani Phir Nahi Aani is a comedy film which has been written by Vasay Chaudhry it is due to be released on Friday which is also Eid Day in Pakistan. The cast and crew of the film along with the CEO of ARY Digital Network are busy promoting their film because they want maximum viewership of the film. Jawani Phir Nahi Aani’s team went to Dubai to promote their film where it looks like they did not only promote the film but also enjoyed themselves a lot.
Here are some pictures of the team of Jawani Phir Nahi Aani in Dubai, the spouses of some of the actors are also present in the premier. It is good to see the cast and crew excited about the project.
The television viewers criticize Morning Shows all the time too but when a celebrity who has been invited as a guest on a Morning Show does the same then it has a completely different meaning! That would mean that the celebrity is insulting the host in particular who invited him or her to the show.
Komal Rizvi was invited as a guest at the show and after attending the show, this was Komal’s status update:
This statement by Komal shows that she is not a big fan of Morning Shows and she finds them very boring. She also thinks that Geo’s Morning Show has nothing new in it and she found it boring.
Komal Rizvi also posted some pictures from the show:
Ohkay so, shall I say that again? Yes, you guessed it right, I am in loveee with this drama & this episode was equally special. I love love love the way they are showcasing the feelings of all the characters because it makes us connect & relate to them on a very different level. Honestly, to see the ticker of Episode # 28 made my heart sink because it dawned on me that Diyar-e-Dil would be ending soon & I had a little sobbing session too because I just don’t want it to end. :/
So, finally, Moeez Tajjamul Wali ke haathon to nahi lekin Faarah ke haathon zaya ho hi gaya. I couldn’t stop laughing when Faarah was telling Moeez off because one, he deserved it, two, he asked for it & three, it showed how much Faarah’s in love with her husband Wali. All the things that Faarah said to Moeez told the story of how much respect she has for her grandfather & what Wali means to her. I must say I love how the trait of honesty has never been ignored in Faarah’s journey because when her character was introduced, they made sure to let us know that Faarah’s all about being honest & that is why, all the things she said to Moeez were a perfect reminder of that. It takes a lot of courage to accept your faults & even admit your feelings no matter how misleading they were & this is exactly what Faarah did. Without blaming anyone, without looking for excuses & without beating around the bush, she straight away told Moeez that she was never interested in him & didn’t want a relationship of that sort with him too. I think it was very brave of Faarah to accept that she once considered Moeez’s proposal but not anymore because she herself can’t stand the idea of being labeled as someone with a stained character. I loved how Faarah left Moeez speechless & didn’t give him a chance to utter more gibberish because honestly, she has had enough & that is why she reminded him again that she won’t let anyone disrespect Agha Jaan & Wali; her grandfather & her husband. I think Maya Ali was brilliant in that scene because I don’t know why but I feel the love Faarah has for Wali was evident in that scene; through her eyes & her expressions especially, because when she was letting Moeez know that he’s making things difficult for her, it kind of highlighted how eager she is to make things work with her husband, her Wali; the one she loves!
I loved the way Faarah reached out to Agha Jaan for some guidance because after Behroz, it is only Agha Jaan who can comfort her & lead her towards the right path. That whole conversation was written brilliantly where Agha Jaan used his own example to explain what Faarah should do & what approach she must resort to in order to mend her relationship with Wali & Arjumand. The way Agha Jaan put forth his own experience, feelings & his efforts of making things right was a perfect way of explaining things to Faarah. The conversation where Agha Jaan slightly told Arjumand to give Faarah a chance was very intelligent, it went to show that Agha Jaan clearly understood the things that Faarah didn’t even mention because he himself can see how hard she’s been trying to win Arjumand over. I must say I really liked the way Zarmeenay tried to rationalize Faarah’s previous mistakes & behavior in front of her mother as well. Zarmeenay has understood exactly what Wali used to tell her about Faarah that she is under the bad influence of her mother, that is why she is behaving that way & it was very sweet of Zarmeenay to repeat the exact same words because it went to show that she can now relate to what Wali used to say about Faarah before. Even though Arjumand is being a bit too stern but somehow I understand her state of mind. Faarah is the one who caused distress to her beloved son & insulted her father-like Agha Jaan, that is why she is not ready to give her a chance as she accepted Faarah only because of Agha Jaan, Suhaib & Behroz but now when she knows that this is exactly what Faarah demanded, she thinks it’s best to let things be the way they are & she is in no mood to forgive Faarah. I am sure after analyzing the situation herself & after a little push from Agha Jaan, Arjumand will move on but I think she is right in her own accord where she is making it very clear that Faarah has to work hard in order to win her over.
Now talking about the conversation Faarah had with Wali. It was sweet, honest & heartfelt but sadly, the result of that conversation was not what Faarah (& we all) expected. Even though it took a lot for Faarah to muster up the courage & confess that she is ready to give this Nikkah a chance & even though she started off the conversation at a right note, she forgot to add a little detail that she herself has fallen in love with Wali & she wants to stay with him because of ‘him’ & not because of Agha Jaan, Suhaib, Behroz or anyone else. I guess that’s where Wali missed the whole point because he still thinks she wants to stay with him because she now wants to make Agha Jaan happy. I so wish Faarah had straight out told him the truth about how much she respects & loves him but she chose a different approach which Wali misunderstood once again. Wali on his own was right too, he really feels it would be unreasonable & against his dignity to stay married to Faarah when she doesn’t love him & he clearly said what he had on his mind. Wali’s honesty is commendable too, he only wanted Faarah to stay with Agha Jaan & that was the only ulterior motive behind bringing her to the Haveli. Obviously & once again, all the things Wali said to Faarah made her feel even more guilty because she felt bad for misunderstanding him & blaming him for all the things he never was responsible for. I so so so wish Faarah had told him then & there that she has fallen in love with him but I guess they’re saving the best bits for the last. :) It also is so very obvious that Wali still loves his wife; Faarah but he loves her enough to let go of her, for her own happiness & I can’t wait to see how he will realize that she doesn’t love anyone but him!
This episode was packed with a lot of emotions, some very sweet moments & some touching moments too. I can’t emphasize enough on how beautiful & refined Maya Ali looks in Diyar-e-Dil. I think whoever her stylist is; she should hire him/her for the rest of her life because they have done an amazing job on her. Maya Ali herself is really pretty but she has never looked this pretty before. I must say the camera work, the crisp picture quality & screenplay is making Diyar-e-Dil a treat to watch too, I think these are the little details that have given this drama a very unique feel. While watching Diyar-e-Dil, I always feel like a dream is being translated on my screen, it seems so surreal & beautiful. I absolutely love love love this drama & all the characters & actors (a few excluded of course). Osman Khalid Butt has been perfect as Wali & I think no one else could’ve done justice to his character. Hareem Farooq was phenomenal in this episode too because it’s been a while that she got this much screen time, the way she speaks through her expressions is amazing & it shows that she has come a long way in terms of acting too. In my opinion, all the credit goes to the director for bringing out the best in all these actors. Can’t wait for the next episode already & pleaseee share your beautiful thoughts about this beautiful episode of Diyar-e-Dil. :)
Keep Supporting,
Cheers,
Zahra Mirza.
ps: Wishing you all a very Happy Eid in advance & oh, I just feel like mentioning that I typed this review with Henna-clad hands because…you guys are very special. <3 Have a great Eid! :)
Yawn, yawn and yawn!! I have officially given up on this drama after watching this episode. The story is going around in circles; I have no idea where this drama is headed with this constant repetition and I am so not interested in finding out any more too! There has been absolutely no character development since the first episode. Komal remains obsessed with living with her husband only if his mother approves of the idea because making your mother in laws happy is more important than ensuring your own happiness and somehow breaking your husband’s heart and threatening him of divorce is alright too!! The way Komal throws a fit every time Arsalan mentions that his mother is still not happy with their marriage is making me dislike her character even more! I felt for Komal when she remembered her family when she was in her house but even then I fail to connect to her obsession! Arsalan is scared of Komal and his mother like he is a ten year old and Arsalan’s mother is one character I don’t want to see on screen ever again! She is a typical Pakistani saas and there is absolutely nothing fascinating about that!
Like every other episode of Aitraz this one too did not add much to the story except that Komal has started working. The relationship between Komal and Rayna is the only good thing about this play and that too only because of Rayna’s character! I am sick and tired of watching Komal’s sad face right from the first episode. Sana Javed should stop playing the bechari altogether! She has a very cute smile and she knows how to act, I am sure the viewers would like to see her experimenting with the characters more and also with her looks.
Dialogues like “tum achi nahi buhat achi ho” have been done to death, they are so predictable! I hate to say this but after watching 7 episodes of this play I have lost all faith in ARY in particular. Using Imran Abbas and Sania Saeed as a “bait” to make the viewers watch this show was an extremely cheap tactic. It might have worked for ARY this time but it won’t work the next time. The direction of the play is confusing and the story of the play is unimpressive to say the least. It looks like the writer did not put in a lot of thought into writing the script, some of the characters are very clichéd and others are impossible to relate to.
Those of you who missed this episode missed absolutely nothing therefore you shouldn’t waste your precious time tuning into Aitraz this week:)
This is going to be my last review of this play; I gave Aitraz 7 weeks to prove itself but unfortunately it has failed to impress. Is there any drama which you think is worth watching and reviewing? Please give your suggestions in the comments section!
Ayeza Khan has some very different plans now that she is going to restart her career. For the longest time Ayeza Khan was seen in dramas as the damsel in distress. She played roles of women who were victimized in some way or the other. Does Ayeza Khan intend to do more such roles when she makes her comeback? While talking to Beautiful You Ayeza Khan gave a very candid interview in which she talked about her future plans.
“When I was offered the role in Pyare Afzal I did not want to do it because it was a different role but when I got such a good response from the viewers I decided I will never play the role of a bechari again. People take me in bechari roles because of my innocent looks but now I want to play the roles of women who make men cry like my character did in Pyare Afzal,” said the actress.
She also said, “I am very happy with the response I got when I did Pyare Afzal. People gave that drama more attention than my marriage! When I got married everyone was saying that I betrayed Pyare Afzal. Everyone was saying Ayeza does not look good with Danish Taimoor. I warned Danish that such comments were going to come when we get married so he should be ready for it.”
Ayeza Khan in a very candid mood said, “When we got married everyone was saying that now they will make the most of this marriage by minting money out of it and they won’t have any kids anytime soon. I read all these comments on facebook and especially my facebook page. I check my fan page regularly.”
Ayeza Khan’s next interview for the Lux Style Awards 2015 is due soon too.
Jawani Phir Nahi Aani premiered in Karachi yesterday. Many of the stars from Pakistani entertainment industry were there on the premier. All of them showed their support for the film and asked people to come and watch it. Fahad Mustafa said that people should watch Jawani Phir Nahi Aani for Hamayun Saeed because he was the biggest star of present times. Danish Taimoor and Ayeza Khan were also present at the premier where they appreciated ARY for making such films. (armstrongpharmacy.com)
Here are some pictures from the premier of the film:
Lyrics: Mohammad Hanif, Majeed Amjad, Mirza Ghalib and Shiv Kumar Batalvi
Singers: Meesha Shafi, Zebunnisa Bangash, Ali Sethi and Javed Bashir
Cast: Sarmad Sultan Khoosat, Sania Saeed, Qaiser Naqvi, Danyal Adam Khan, Maham Aamir, Neha Aamir, Abeeha Aamir, Nimra Bucha, Saba Qamar, Syed Yorguc, Akbar Subhani, Arjumand Raheem, Ali Shaikh, Shama Askari, Rehan Shaikh, Hina Khwaja Bayat, Adnan Jaffer, Ahtsham ul Haq, Talha Iqbal Mufti, Khwaja Saleem, Mahira Khan, Azfar Rehman, Humayun Saeed, Irfan Khoosat, Nadia Afghan, Sawera Nadeem, Shamoon Abbasi, Yasra Rizvi, Faisal Qureshi, Vajdaan Shah, Suhaee Abro and others.
Review
Manto is intense, gripping, sincere, soul-stirring, deep and unforgettable. Sarmad Sultan Khoosat and Shahid Nadeem have pleaded Manto’s case with the utmost clarity and honesty. Sarmad Sultan Khoosat wanted this film to ‘disturb’ the audience and I must say that those people who were not expecting this film to be this intense were truly disturbed by the experience. I, on the other hand did not expect a film based on Manto’s life and work to be like any other commercial film therefore I was impressed to watch a very well put together introduction to Manto’s writings, why he was not like many other people and writers of his time, an insightful glimpse into his family life and also a deeper understanding of the main motivation behind Manto’s writings. Sarmad Sultan Khoosat has definitely made me understand Manto and after watching the film I am convinced that Manto was just as flawed and as much of a human as anyone else but he was not a hypocrite. He was misunderstood and under appreciated and because he was a very sensitive and expressive person therefore all the ‘shocks’ he was subjected to in life from his childhood till his death were reflected in his writings. The film shows that Manto’s writings were an outcome of his deprivations and the frustrations he faced when people exploited him and others.
The first half of the film is not as intense as the second half. Manto’s sense of humor, his ties with Noor Jahan and the time he spends with his family gives you some light moments and introduces you to Manto as a person. Manto’s conversations with his alter ego at the end of the film however were the highlight of the film for me. That is where the writer and the director conclude the message of the film beautifully. Manto’s alter ego (played brilliantly by Nimra Bucha) proves to be the main driving force behind his writings apart from his real life experiences. People criticize Manto for being a pervert but the truth is that everything that he has written is not fiction but it is an outcome of his own personal experiences with people.
The film starts right after partition of the subcontinent therefore all of Manto’s writings at that point are heavily influenced by what he saw during the course of partition. The atrocities he witnesses jolted him completely; being a very receptive person he failed to forget everything he witnessed and as a result he ended up in the mental asylum. When the authorities of the asylum saw him as a ‘threat’ they decided to discharge him. Manto’s story couldn’t have been told in a more fitting manner. His admission that he did indeed feed the poisonous snake which ruined him in the end and his last words about himself went to show that Manto did not believe in lying to please anyone – not even his own self! He did not want to justify his drinking or smoking but he did want the world to understand that his writings were not what they were made out to be. The film makes you wonder what ‘normal’ really is!! There are times when Manto’s friends in the mental asylum seem more normal than the people in outside world who believe in exploiting a man who is desperate to save his daughter’s life!
All of Manto’s stories which have been narrated in the film have been translated on screen in an impeccable manner. Every single narrative is touching and different from the other. Most of them focus on men and women’s relationships with each other and how society perceives women. There is a good reason why it took Sarmad Khoosat two years to edit this film – Manto covers every aspect of Manto’s life.
Manto is a very bold film which you should watch only if you are willing to be ‘disturbed’. It is a beautifully penned down film with some remarkable performances, a stellar cast, flawless direction and it won’t fade away from your memory once you leave the cinema hall. It will make you want to know more about Manto – which basically means that Sarmad Sultan Khoosat has managed to achieve what he worked so hard to accomplish. Although this film has a very long list of cast, all of whom did complete justice to their respective characters but Manto and his alter ego along with his wife Safia (Sania Saeed) had more of an impact on me than any other character. The film would’ve been picture perfect if it was cut short especially in the end. The conversations between Manto and his alter ego were definitely a treat to hear and watch but there were some parts like Manto’s stay in the hospital and perhaps some time with his friends that could have been chopped down.
Overall Manto is pure genius; it deserves to be watched over and over again. All the songs in the film have been beautifully sung and composed and have some relevance or the other to the happenings in the film. All these songs are a tribute to some of the most admired poets in Urdu literature. This film was definitely worth the wait!
I must applaud the producers and Geo Films in particular for investing in a project like Manto and for giving Sarmad Sultan Khoosat the time he needed to finalize this masterpiece. The wardrobe, make-up and the direction of the film takes you back to the 1950s and you can’t help but see the actors you have been watching on screen for such a long time in a very different light. It was refreshing to see new child stars playing the role of Manto’s daughters. Sania Saeed’s effortless portrayal of a brave woman who stood by her man but never really understood him is absolutely brilliant. Nimra Bucha outshines as Manto’s alter ego which keeps on motivating him to get up and write! Arjumand Rahim makes a big impact although her character gets very little screen time. No one could have played Noor Jahan’s character better than Saba Qamar. Sarmad Sultan Khoosat has brought Manto to life on the big screen in a way that leaves you feeling for him more than anything else; he owns the character all through the film.
On a side note it was wonderful to see jam packed hall even 10 days after the film was screened in the cinema. The fact that the national anthem of Pakistan was played before the film started and everyone in the hall stood up in respect added to the charm of watching a Pakistani film in the cinema. However, it was odd to see children in the cinema hall and when the film ended there were few who were complaining that the film was depressing and they would have much rather watched a comedy!! So yes, do not tag your ten year old with you if you go to watch this film and it is not a comedy movie;)) Watch Manto for Manto; he tells his story in a way that will make you connect to his character without even trying and rest assured his story deserves to be heard!
If I were to pick one play that’s been the toughest to review out of all the dramas I have reviewed to date, I think I’d pick Mol, and that’s because the characters are so complex that it is difficult to make sense of their actions. Normally, complex characters are fascinating as they continue to intrigue the viewers. But, in this case, Emaan’s character is complex in a way that’s far from interesting – it’s just complicated.
Imtiaz Sahab had to talk his daughter out of her decision and he did just that. About the confrontation between Emaan and her parents, I have to be honest here – I didn’t quite get the part where Emaan explained the rationale behind her demanding a divorce. It is after Imtiaz Sahab’s emotional blackmailing that Emaan ‘decided’ that since she can’t leave Sheheryaar, she should get him married to Sajal; the talaaq ka mutalba is a thing of past now and the real deal here is Sajal and Sheheryaar’s shaadi. The conversation between Emaan and Sajal was supposed to answer our questions and clarify why Emaan wants Sheheryaar and Sajal to get married, but it didn’t feel convincing – it just left me confused and utterly disappointed. Yeh tou khudgharzi hui na, kay mein sirf apni wajah say, Sheheryaar say juray har rishtay ko dukh deti rahun. The previous episodes have only emphasized the fact that Emaan is crazy about Shahnaam and that she’d do whatever it takes to be with him, but in this episode, we are expected to believe that everything Emaan was doing all this while was because she ‘loves’ Sheheryaar too much to see his loved ones suffer? Sheheryaar’s family needs a waaris and since she can’t provide them with one, she wants Sheheryaar to marry Sajal. I think by now by we are perfectly aware of the fact that Sheheryaar and his family never see eye to eye, but Emaan is certain that ‘jald ya dair say, Sheheryaar ka faisla wohi hoga jo un ki family ka hai.’ This doesn’t even make sense! I have seen quite a few plays where the infertile first wife asks her husband to go ahead with dusrishadi for the sake of a waaris, so if that’s how Mol was supposed to shape up, why did we have to put up with the ‘mujhe talaaq chahye’ fiasco? The way Emaan’s prospective sautan puts it,‘Sheheryaar bohat lucky hain kay un ko tum jesi biwi mili hai.’ Now we are supposed to praise Emaan for being an awfully selfless and self-sacrificing wife. Great. I’m impressed.
Jora badalne ki baat mat karna kyunke yeh humari khandaani riwayat hai! Does it look like this is coming from the suited and booted man of the house? Humayun Aunty, there’s no hope for you! I know it will sound weird but for some strange reason, I kinda pity Sheheryaar’s family – becharay khud hi jora dhoondte hain, khud hi tayaar hotay hain, khud hi anghooti pehnatay hain, khud hi mubarakbaad exchange kartay hain, aur phir khud hi apna sa mun lekar rehjatay hain. Poor souls. If Sajal does feel that she’s being treated like a ‘grocery item’, I’d have to ask her why does she allow her family to treat her this way over and over again? It sure seems like she was simply waiting for Emaan to give her the green light and once she was assured that Emaan wants her to marry Sheheryaar, she decided to give the nod. Can she take a decision on her own and stick to it without letting Emaan or Zareena or anyone else for that matter talk her out of it?
Muhabbat aur jang mein sab jaiz hota hai. Yeh jang nahe, muhabbat hai. Is it just me or Sheheryaar actually conveyed a lot by saying this? I would have liked Emaan to realize that she does hold a special place in Sheheryaar’s heart and that he does love her, but much to my dismay, what followed next was: kaash Sheheryaar aap mujh se muhabbat karte tou shayad mein itni kamzor na parti.
I’d like to hear more about how you guys make sense of the conversation between Emaan and her parents. What do you guys think about the latest episode of Mol? Feel free to voice your views.
Murree is a famous and popular hill station and tourist destination in Pakistan located in the north of Punjab.
Like every city Murree also had few cinemas, however due to the decline of film and cinema industry the last cinema was closed two decades ago. Now a new cinema is Murree is ready to welcome cine-goers.
Here is the what is reported by English Daily The Nation
Cinepax, Pakistan’s favorite cinema chain, today announced the opening of 9th cinema in Pakistan, and the first one in Murree. Cinepax Murree, has a single screen with a capacity of 300 and promises to offer the visitors signature Cinepax experience comprising impeccable customer service blended with digital movie screening. Cinepax CEO Hashim Raza shared his feelings about the addititon of this new cinema, “Very excited to open Cinepax, a name that is synonymous to quality family entertainment all over Pakistan. In Murree it will not only entertain Murree and surrounding area residents but will also delight tourists vacationing with families. Millions of people from all walks of life and from all over Pakistan visit Murree, and with the Cinepax Murree their travel experience can now include watching the latest Pakistani and international releases, in addition to the city’s various tourist attractions.
Cinepax in September opened it doors to its seconds cinema in Lahore with a 300 seat multiplex. Cinepax Lakecity and in the next 12 months plansto open five more cinemas across Pakistan.
Cricketer Ahmad Shahzad has married his cousin Sana today in a formal wedding ceremony in Lahore today. Ahmad Shahzad is known for his obsession with selfies also posted a latest selfie with Shahid Afridi on this occasion.
Ahmed Shahzad, looked quite angry throughout his wedding ceremony.
Hamayun Ashraf is a relatively new actor who has been seen in many plays on all the leading channels in our country. He has never been a part of any controversy before but now it looks like he has landed himself in a big problem. One of the directors Asad Malik posted a picture of Hamayun Ashraf with a spot boy who was badly bruised and in the status he said that Hamayun Ashraf had beaten up this spot boy because he did not place his shirt down properly.
Nadia Jamil also condemned this act by the actor. She said that the actor should be punished for what he did but someone said that he apologized to which she said that an apology wasn’t enough.
People have been criticizing the actor for what he did. He has said nothing in his defense uptil now.
Vasle Yaar is a new drama on ARY Digital starting on Monday 21 September 2015 at 9 PM, replacing the recently concluded Woh Ishq Tha shayed Cast: Shahzad Sheikh, Ayesha Khan, Maha Warsi, Hassan Niazi, ZQ and Others
Writer: Aamna Riaz
Saqib Sheikh has passed away few weeks ago. Saqib Sheikh has worked across various mediums from radio, theater to radio and films in supporting roles. There is a long artists, who have never worked in a lead role and kept on playing supporting roles, yet they are admired for their contributions. In Pakistan we have many such remarkable artists like Qavi Khan, Mehmood Ali, Jamshed Ansari, Samina Ahmed, Zaheen Tahira, Badar Khalil, Subhani Bayounas, Akbar Subhani to name a few.
Saqib Sheikh also belongs to the same category, he never appeared in a leading role and appeared in the supporting roles in career spawning over five decades.
Saqib Sheikh
Saqib Sheikh belongs from Karachi. He worked on radio and theatre, and rose to prominence from a side role in the evergreen PTV Play Khuda Ki Basti in 1970’s. Through out 1970’s, 1980’s and 1990’s Saqib worked in many television dramas. Another notable appearance was in drama Tappish in 1989. Since mid 90’s Saqib worked in few projects that too after a considerable gap. His last prominent projects were Meri Laadli on ARY and Zeeros on Hum Tv.
Saqib Sheikh in Khuda Ki Basti in 1970s
Saqib’s kids have also acted in various dramas. His daughter was a prominent child artist in late 1980s to mid 1990s but never pursued acting as a career afterwards. However one of his son and daughter in law are quite famous.
Saqib Sheikh with Aarzoo, in a PTV Drama of 1989s
Ayesha Saqib
Ayesha Saqib is the only daughter of Saqib Sheikh. She worked as child artist in few plays of PTV. Like in Tappish in 1989, she was the younger sister of Jamal Shah. In Nijaat in 1993, she played the role of younger sister of Huma Nawab, who ends up being the victim of underage marriage. Ayesha Saqib also appeared in few episodes of drama series Pas-e-Aina in late 1990’s in teenage roles. However she never pursued acting as a full time profession.
Ayesha Saqib in PTV’s Play Nijaat in 1990sHuma Nawab, Ayesha Saqib
Salman Saqib (Maani)
Salman Saqib as known as Maani is the son of Saqib Sheikh. Maani is a famous host, and mostly acted in comic roles in sitcoms. As an artist, Salman has earned more fame then his other family members i.e. his father and sister. Salman has graduated from National College of Arts Lahore. His first major appearance was in the sitcom College Jeans in early 2000’s. Since then Maani has worked in many sitcoms apart from hosting various shows.
Maani is married to Hira who is also a host and actor. The couple have two sons Muzzamil and Muddassir.
Maani and Hira
Hira Salman
Hira is the spouse of Salman Saqib (Maani) and daughter in law of Saqib Sheikh. A talkative lady, Hira has co-hosted many shows with Maani on various channels. Hira has also acted in sitcoms and drama serials mostly with Maani.
Muzzamil Salman
Muzzamil is the elder son of Hira and Maani and grandson of Saqib Sheik. Muzzamil has appeared in few sitcoms as a child artist mostly with his parents i.e. Hira and Maani.
awwani Phir Nahin Aani (جوانی پھر نہیں آنی) is an upcoming film scheduled to release on Eidul Azha this year. Its theatrical trailer is launched today. The film is shot in Bangkok, Thailand and Karachi. As evident from its name it is a comedy movie.
The highlight of the JPNA is the film debut of seasoned artist Bushra Ansari.
Cast: Humayun Saeed, Hamza Ali Abbasi, Ahmed Ali Butt, Vasay Ch, Aisha Khan, Sarwat Gillani, Mehwish Hayat,Sohai Ali Abro, Javed Sheikh, Bushra Ansari, ZQ, Ismail Tara Directed by: Nadeem Baig
Producers: Salman Iqbal, Humayun Saeed, Mohammad Jerjees Seja & Shahzad Nasib
The promotional activity of the film is in full swing from past few weeks. The music videos of various songs are also launched.
2015 is the year, in which our Censor Board has banned quite many films. First it was Bollywood’s Baby (February 2015), then Bangistan (August 2015). Both movies were refused censor certificates for their objectionable content. In August 2015, another Bollywood film Phantom was banned by Lahore High Court.
The story not ends here, few Pakistani films are also banned. First the Central Borad for Film Censors (CBFC), refused to issue screening certificate to Swaarangi saying the film portrays Pakistan in a negative way. Ironically the same film was issues censor certificate without any cuts by the Punjab and Sindh censor boards. Swaarangi was released on 11th September 2015 in Punjab and Sindh, however it was not released in the Federal terrorities (Islambad, FATA, Gilgit-Baltistan, Azad Jammu Kashmir) and the Cantonement areas in all the cities.
After Swaarangi, now another film Abdullah – The Final Witness has also been banned by Central Board for Film Censors (CBFC). The twisted “gol mol” logic stated by censor board is “the topic is controversial in the current security situation of the country”.
In response to this argument of CBFC, Hashim Nadeem the producer and director of the film has also written a letter to the CBFC. Interestingly it was the first major Pakistani film screened at Cannes Festival. However CBFC, considered it unsuitable for screening in Pakistan.
Abdullah – The Final Witness is written, produced and directed by Hashim Nadeem. Sajid Hassan, Hameed Sheikh, Imran Abbas and Saadia Khan are in the lead roles. Hashim Nadeem is a famous fiction writer and his drama Khudda Aur Muhabbat also featuring Saadia Khan and Imran Abbas was quite famous.
Hashim Nadeem hails from Quetta, the capital of Balochistan and the film is also based on the incident of 17 May 2011 happened in Quetta. The incident is known as Kharotabad incident in which five Russian and Tajik citizen (men and women) were killed by Frontier Constabulary (FC) claimed to be as terrorist at the check post of Kharotabad. The incident was filmed by a journalist and later media aired same videos claiming all the killed ones were innocent citizen. The then Chief Justice of Pakistan took sou motto notice of this incident, and a commission was asked to prepare the Kharotabad Inquiry Report. The findings of the inquire were never made public and the case is still unresolved. A key witness of this incident was murdered in Quetta in December 2011.
Ohkay so, on a scale of 01 to 10, this drama scores 100 points for being cringe worthy. I really thought by this time HUM TV admins would’ve understood that this drama is not a perfect idea of viewers’ entertainment but sadly, they continue to disappoint us. I really hope that the moment some good drama is ready to be broadcast HUM TV puts it on this slot & shifts Tumhare Siwa to some other time slot where it doesn’t bother anyone.
To be honest, this drama is full of glitches & if you’re doing some personal pampering like foiling your nails or in a mood to give yourself a pedicure, you can let Tumhare Siwa play in the background because it doesn’t require your utmost attention to understand what they’re up to & what turn the story’s taking because they have no story to begin with actually.
So well, the only topic that was discussed throughout this episode was how Arsal & Samra are na-mehrams & how it isn’t appropriate for them to live under one roof & guess who was the one most concerned about this whole fiasco, yes you guessed it right, it was Tania who has no life whatsoever & who isn’t even friends with Samra & Arsal as well. At least, I was relieved to hear the word ‘iddat’ being mentioned in the right context but then as much as iddat is important to be observed, I guess Samra’s treatment is equally important too & that brings me to this question that when Samra fainted, the doctor suggested them to take Samra for the treatment without a further ado so then how come getting her divorced from Arsal, waiting for Iddat & then getting her married to Aazar seemed like a brilliant idea to all four of these not-so-intelligent people? I mean every single minute which goes by without Samra having herself treated is a minute wasted so why are they ready to wait for 3 months till she gets married to Aazar & gets her medical covered because if I remember properly, the remaining time span that the doctor predicted that Samra had was only 2 months? It just doesn’t seem right, does it? That is why I believe that this drama is full of glitches & the writer had no grounds to introduce the dusri biwi scenario but he just went ahead thinking people won’t try to fish out for some sense in this senseless story but sorry to be bursting the bubble here Mr. Writer, we wouldn’t just let it slide so easily if every time a so-called writer tries to insult our intelligence.
The most hideous bits of this episode were the conversations that the so-called innocent kids Neni & Dani had with each other, where they went ahead & discussed details like sleeping patterns of their parents. Which kid does that because if you guys know any such kid, you should talk to their parents for not raising them properly? I really am so ticked off to see how they try to emphasize the fact that the kids are very innocent, yet they depend on them heavily to take the story forward by having them discuss such serious issues like divorce & difference of opinion that a couple often has which leads them to have a fight or two. The details Nani Jaan Neni & Dada Jaan Dani discussed were gruesome & to hear such words from kids of their age made it even more disgusting. I really hate to say the way they use Namoona Numair as a goon is ridiculous too. I think this is going to be the pattern they will stick to, Neni & Dani will get a good beating by Numair after every 3 – 4 episodes & Tania will get even more coverage than she deserves. Also, had someone actually figured out the role Babar has in this serial, because as far as I could understand he has nothing, absolutely nothing to do in his life but still he talks big trying to make himself seem useful than he actually is.
It is ridiculous how Rania is ruling Arsal & Samra’s lives. I think instead of focusing on how to built a wall between Samra & Arsal, they should just let her be because the mental trauma that they are causing her can push her to death as well & Samra was right in stating that too. Instead of going to such lengths to save her life, they themselves are shortening it by depressing her even more. The promo of the next episode suggested that Aazar & Samra are going to get married but I really don’t understand how Samra’s still going to be alive if 3 months have passed already & she didn’t even get started with her treatment? Oh, also, they will show that Aazar hasn’t even gotten married & the Sautan in Rania has already been born, how exciting & new right? LOL! Anyways, share your thoughts about this masterpiece please.
I was completely bowled over by this recent installment of Farwa Ki ABC because this episode had everything which I had been missing in this play so far. The serious element that helps you connect to the characters was missing from this play until tonight. We saw a more serious and sensible side of Sir Mustansar who refused to believe everything Asma had to say about Farwa although he likes Asma a lot but he can also see that there are times when she can make wrong judgments as well because she is too keen to prove herself right. Sir Mustansar’s faith in Farwa and later on his conversation with her showed that mature side of him which many of us have been wanting to see for a very long time.
The way Farwa broke down and cried for the first time when she heard her own mother telling her how she wished Farwa wasn’t her daughter also added to the emotional touch in tonight’s episode. Although Farwa was hurt but she also knows that she is that ‘toota huva bazu’ which her parents are tired of mending so they would much rather just not have her in their lives. There are times when Farwa proves to be more sensitive and human than all the other intelligent people around her. Unlike her parents she is willing to see things from their perspective; her parents on the other hand are clueless when it comes to understanding their own daughter. They are too busy wishing that they had a daughter like Asma. Farwa’s parents cannot do much to help their daughter because they have never been able to accept that their daughter is not like other girls and she is most certainly not Asma Ghaznavi!
It was wonderful watching Asma proven wrong but even then Farwa’s parents’ opinion about her did not change much. People like Asma live on negativity and it was good to see that at least two characters in the play have been able to see that. I never really understood why Tanvir was always given so much screen time but now we know what role he had to play in the story. I actually felt for Tanvir when he was ‘framed’ , although right till this point I never felt anything for his character. All that screen time made Tavir an important part of the household and watching him being ridiculed like that made me feel for his character.
Changez’s dialogue and his character as usual were the funniest part of this episode. The dialogue in which he tells Farwa that he was so happy with her that he wanted to make a star on her cheek was innocent, cute and funny! Farwa and Changez are still bent on being together and the only way to make that happen is to make sir Mustansar leave Farwa.
The acting by all the actors was absolutely remarkable in tonight’s episode just like all the other episodes. The conversations were very interesting and this particular episode was very well directed as well. Ahmed Hassan and Sonia Hussain stole the show as usual and I must say that I absolutely love the perfect portrayal by the actress playing Asma’s character. Yasir Mazhar has translated his character on screen flawlessly. It is refreshing to see all the stars in this show doing something entirely different from what they have done so far in their career yet we see them nailing every single scene.
Will Sir Mustansar’s ‘friendship’ with Farwa make her fall in love with him? When will Farwa’s parents accept and love their daughter for who she is? And most importantly when will everyone see that Farwa is a far better person than Asma?
Looking forward to the next episode! Do share your thoughts about this latest installment.
Ohkay so, not sure why but this week only one episode of Mohabbat Aag Si was aired. I really hope that we get to see this drama twice a week because if HUM TV would broadcast it once, I am sure it will take away the charm & would drag things a lot. It is better off when we get 2 episodes per week because it keeps things interesting & happening.
Sadly, now when Samia’s off Apa Ji’s target & she can’t seem to do much about Samia’s condition, Apa Ji has directed her attention at Saba. Apa Ji is trying hard to deter Saba from becoming a mother too because now when Samia has dodged the bullet, Apa Ji doesn’t want Saba to have that glory because she feels her power & position will be shaken in her household. Apa Ji has a strong urge to control things around her that is why even now when Samia is expecting a baby; Apa Ji is trying to come up with something that will make Samia lost it. It is really hard to understand that a person who ‘acts’ to be so God fearing can actually have no fear of God. I really don’t understand what is it that has stopped Apa Ji from being humane because the things she preaches really don’t have any effect on her, making her a perfect embodiment of hypocrisy.
Saba actually understands that something’s definitely wrong with Apa Ji, that is why she is suspicious of everything she says & does. I think it was very clever of Saba to send the juice for lab test because this shows she has started to understand the lengths Apa Ji can go to in order to achieve what she wants. On the other hand, it was good to see Saba & Wajahat working on their marriage & trying to strengthen their relationship.
The flashback showed that Apa Ji herself fell pregnant once in her life but she was seen quite worried after she found out about it. I am sure Apa Ji must’ve landed herself in a deep trouble that is why the news of her baby didn’t bring happiness to her & now she is after every single married woman in her home. I think Apa Ji doesn’t want Samia or Saba to have a baby because for the rest of her life, she can’t live with the reminder of what’s missing from her own life.
I really thought after the news of Samia’s pregnancy, Sharafat will do things that would benefit his wife the most but it was sad to see him not depending on doctors & going by what Apa Ji tells him to do. Yes, as much as I do understand his simple nature, I really think it is immature of him to think that Apa Ji has all the solutions to Samia’s problems. Yes, Sharafat can really believe that Apa Ji has some spirituality to her but he can’t be so absent minded to mistake her spirituality with the knowledge of a doctor. I think if Sharafat keeps this up, he will lose their baby because this is exactly what Apa Ji wants but only for Samia’s sake, I hope Saba proves her point quickly because that would save a lot of lives especially the life of a baby that Samia has wished & waited for so long.
The way Apa Ji tried to involve Dai Sughra in all this matter was quite shocking too. I really wish Shareefa tells about it to Saba so that Saba can save the day. As much as I dislike Apa Ji for her hypocrisy, there’s something about her that makes me believe she herself has been a victim & that is why she has turned so negative & bitter that she can’t control it now. I think the life Apa Ji got was completely opposite to how she imagined it to be & that is why she can’t stand seeing anyone else happy too. No matter how strong she tries to portray herself but the way she often cries remembering the old times tells that there’s something broken inside her that she hasn’t been able to fix till date but having said that, I still think all that she has ever said & did is unforgivable because if her own life is miserable, it gives Apa Ji no right to destroy the lives of her brothers & their wives, also Apa Ji has no right to play with the feelings of so many people by fooling them into believing she is something which she is not.
I really wished they had showed 2nd episode this week too because the promo seemed quite interesting & made me look forward to it but too bad. I really hope they get back to their schedule next week & we get a lot more content to talk about. Please share your thoughts about this episode of Mohabbat Aag Si.
Item numbers and dance numbers with scantily dressed women are becoming a part of Pakistani films now. These dance numbers or song videos are released for public viewing months before the films are released so that people who are interested in such dance numbers will know that the film contains such songs.
Zhalay Sarhadi talked about her dance number in the film “Jalaibee” when she was invited as a guest to Bushra Ansari’s Morning Show on Geo. First of all she said that her dance number was not meant to be an item number but it was shown merely to show the background of her character. Bushra Ansari commented that people said that this was a very decent dance number to which Zhalay Sarhadi replied, “We decided we were not going to promote the film based on showing women’s skin.” She further said, “There were people who I know from the industry who questioned me because I was wearing so many clothes in an item number. They said that if I was going to do an item number I should’ve gone all out and done it!”
Zhalay said that people like and respect me and she wants to be known as a drama actor because Pakistan dramas are much more popular than any other in the world. She said that Indians can do whatever they want to in their films because that is their culture but Pakistanis have a different identity.
