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Muqaddas – Episode 23-25

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After watching episodes 23 and 24, (despite being in awe of the performances) I felt like the thrill was completely missing. It made me wonder if it would ever return because what kept us all glued to the screen in the initial episodes was guessing who the kidnapper was and what motive he could have. We learned about the identity of the kidnapper a few episodes ago and now we have to find out, what could possibly drive him to do all of this? The 24th episode made me think that the story was being dragged. Muqaddas was still freaking out about her pregnancy and we all were just guessing what motive Aatir could have for wanting to ruin Jahanzeb. After the 25th episode,  a tiny part of the secret was revealed and the whole pregnancy scenario moved a step ahead as well so I breathed a sigh of relief. So let’s start discussing the developments from these three episodes.

Shaukat’s wife, Razia, and her mother miraculously escaped from Akbar’s men, only to be captured again_ this time by Aatir’s guy. Aatir was at peace after being informed about their capture. He could then send them out of the city and this chapter could close forever. As for Shaukat, he gave him the task of spying on Kabir and reporting his every move. Meanwhile, Kabir was busy trying to force Jahanzeb to tell where he went after he came out of the coma and he succeeded.

After Aatir’s reminders to Jahanzeb, of the sins he had committed in the past, Jahanzeb was in deep stress and during his sleep, he kept asking for forgiveness from a woman named Ayesha. Muhib heard this and later when he questioned Jahanzeb about his sleep talk (in the presence of Muqaddas) it was clear that the siblings were familiar with the name because it belonged to their mother. Muqaddas’s dream also showed a woman crying in a corner of a dark house, and she referred to that woman as her mother. So is the woman, whose life Jahanzeb ruined, his own wife? How is she related to Aatir? Aatir has mentioned again and again that Jahanzeb ruined his mother’s life. In today’s episode he said that, “Aap ne meri maan ki zindagi barbaad ki, Muqaddas ki maa ki zindagi barbaad ki.” I think Jahanzeb destroyed the lives of two different women (because Muqaddas and Aatir’s mothers can’t be same, duh!). Whatever the case is, I know I can’t wait for the background story to be revealed.

As for Muqaddas, she has a lot on her mind right now:

a) she has yet to tell Aatir about the pregnancy (which we know won’t be a problem for him. but she doesn’t know that!)

b) she saw her mother in her dream and then her father told her that he treated his wife unfairly

c) she can’t even trust the love of her life completely  because she knows that Aatir has been visiting her father without telling her, that Aatir is the man her father visited after the coma ended and that Aatir showed her a “fake” kidnapper (remember Babar?)

d) her brother now knows about her supposedly illegitimate pregnancy

e) her bloodthirsty MIL is after her, has found out about the pregnancy, and is waiting for the opportune moment to strike

Out of these five situations in her life, I want her to deal with (a) first. In today’s episode, she was on the verge of telling the truth to Aatir, twice, but stopped. In episode 24, she was more concerned about what Aatir thought of Zain’s decision to marry Jia and even asked him about his relationship with her! Her question about Jia, however, was spot on! Had she married Aatir, would Jia have faced the same situation ?

These three episodes may not be so thrilling, but were still enjoyable. All the actors are superb and that is why I can connect to all of their characters. The writer, director, DOP, editors and everyone else on the team have done their jobs well. :) But the background music is extremely loud sometimes and I hope that this can be fixed. It’s not just Muqaddas, but most of the Pakistani dramas have very loud background scores.

Did you guys enjoy watching these episodes?

Areeba Mohsen

Mumkin – Episode 18 & 19!

Ohkay so, these two episodes of Mumkin have been great because finally the story moved on. I really enjoyed watching these two episodes & I hope they maintain the same pace till the drama ends. :)

I am glad that Aziz stood up for Mehreen & let everyone know that Mehreen wasn’t involved with him in an affair but was his lawfully wedded wife. Just when I thought he was being serious in his approach, the following scenes suggested something totally opposite. I really didn’t understand why was it so difficult for him to state the obvious that he got married to Mehreen even before Nageen came into his life & after when he decided to come clean about the whole situation, his attempts of convincing Nageen were quite odd too. It looked like Aziz was too tired to even make a decent attempt or have a serious discussion with both Nageen & Natasha.

To be honest, I found Nageen’s reactions quite realistic because the way Aziz threw a curve-ball at her, anyone else would’ve reacted the same way. All her life she has seen Aziz as a perfect husband who was a perfect father to her daughter & now all of a sudden to find out that her perfect husband wasn’t so perfect right from the beginning made her baffled & furious. It is obvious that she felt betrayed & cheated & instead of giving her a proper reason for keeping her in the dark for all these years, Aziz had nothing decent to say to her at all? No decent explanation, nothing at all.

Well, actually, I found Muneeb’s reaction quite odd. He didn’t have to take such a firm hand at Maira but then I think his reactions were pushed a little too much to make his presence felt in the drama because ever since he got married to Maira, he didn’t have much contribution in the drama anyways. So, Muneeb thought Maira was just as blameworthy as Mehreen because she deceived him all this while but how clueless could he be because if Maira had been aware of it all, she wouldn’t be meeting Kamran uncle. I don’t understand why it was so hard for Muneeb to put two & two together. Maira has always been honest & loyal to him, so to see him doubting his wife & not only that, considering parting ways with her makes him a little less likeable then he used to be. Muneeb not only doubted Maira but he chose to believe whatever Natasha & Waleed told him which makes him look like a different person altogether. Muneeb was always the sane one who didn’t care much about what people said because when Maira had doubts about Mehreen’s second marriage, it was Muneeb who convinced her saying that people’s opinions didn’t matter at all & now he was seen complaining about how he would respond to people’s objections & questions?

Of all the people, I really like Muneeb’s mother Hina, she really is a wise person who knows how to handle any sort of situation. I really loved how instead of siding with Muneeb, she blamed him for being unreasonable & unfair with Maira. Her character is such a breath of fresh air because she is not like those typical mother in laws that we get to see on our screen in every other drama. The way she hid the envelop & the way Aziz didn’t allow her to spill the beans, definitely sheds a light on the fact that there’s more to this story & there’s some sort of bigger reason & justification behind Aziz’s decision of getting married to Nageen.

Nageen now has understood that Natasha depends a lot more on Aziz than she should. She is like a spoiled adult-child who chooses not to grow up but I think it would be better for her if she does because then she would be able to handle the truth gracefully about Aziz not being hers but Maira’s real father. Nageen knows how hard it must be for her that is why she tried to tell Natasha to pay attention to her husband but now Natasha will give a hard time to Nageen too. Waleed really thinks he has hit the jackpot because he pretty much talked Muneeb into divorcing Maira & he did all that so that he could demand the business ownership from Aziz as he knows he would do anything to save Mehreen & Maira from facing any sort of brunt. Waleed has turned this fiasco into a golden chance for himself & I so want to see what he will eventually get, probably a kick from Natasha for being such a mean opportunist?

I am glad that Maira got the news that would save her marriage & Hina tried to knock some sense into Muneeb but then, I think he lost his credibility big time by doubting Maira & blaming her for the thing she wasn’t responsible for in the first place. Aziz & Mehreen are out to prove their marriage but looks like they don’t have enough evidence but this brings me to a question that if Mehreen had gotten rid of the pictures, I am sure she would’ve kept her Nikkah-nama somewhere because no matter what happens, no one ever gets rid of such an important legal document ever? Looks like Aziz & Mehreen will have to face a lot of difficulties to make people believe that they got married 20 years ago & Maira is their daughter. The drama has once again become interesting & I hope they take 2 – 3 more episodes to sort things out & wrap the drama up. Please share your thoughts about Mumkin. :)

Keep Supporting,
Cheers,
Zahra Mirza.

Diyar-e-Dil – Episode 20!

Oh My God!!! It was such an intense episode & it kept me at the edge of my seat. I absolutely love the events that are unfolding in Diyar-e-Dil. Usually I always talk about the actors by the end of my review but I am going to change the format this week because I think Osman Khalid Butt deserves a massive shout out for such a brilllliiiiiiiantttttttttt performance & I couldn’t wait to mention it. Hats off OKB! This episode belonged to you!

I know it would sound monotonous as I have said it before a million times that Moeez is despicable but then, when I think about him, no other word seem to personify him that is why I will say that again, Moeez is despicable & quiet an opportunist because the way he wanted Faarah to go to the same doctor that Agha Jaan arranged for her went to show that he didn’t have enough pennies in his wallet to take his ‘beloved’ cousin (as Wali puts it) somewhere else, or to an even better doctor than the one appointed by Agha Jaan. It really shows that even though he may come across as someone who’s genuinely in love with Faarah, he has some ulterior motives too because he has started to push his agenda a bit too much now.

I am glad that they haven’t shown a time lapse in writing but have taken the story forward in such a way that a dialogue or two suggest that a few years have passed by. Faarah is at the brink of completion of her MBBS & that is why it seems that Tajjamul, Zohra & Moeez are playing the final cards because they now know that they wouldn’t have to support Faarah or her education as by the time her divorce will be finalized, she would be done with her studies, so that means they would only have to worry about the bank balance & property she will inherit.

There was a time when I used to give Ruhina a benefit of doubt & also supported her in a way that she was entitled to take the time she needed to forgive Agha Jaan (even though it wasn’t necessary) but this time around, I have nothing but detest & hatred for her character & I think she really has worked hard to earn that. Ruhina is a shallow being who’s all talk because if she had the nerve to back the words that she used to blurt, she wouldn’t be stooping so low, where at one hand she would be living a luxurious life & on the other, would be cussing the one who was bearing all the burden of her & her family’s expenses. Ruhina is one of those who can never be happy & that in itself is a curse on her.

I am so glad that Arjumand was around all this while, that is why now when she stepped up, it didn’t look forced. She was there in the background, worrying about Wali & Agha Jaan, that is why now when the time was right, she knew she had to do something as she couldn’t tolerate seeing Agha Jaan & Wali suffering at the hands of Ruhina & Faarah anymore. Arjumand’s statements made quiet an impact because they came from a person who wasn’t irrational or wrongfully emotional & spoke when it really was necessary.

I must say, OKB nailed the confrontational scene but before talking about that, I would say that I am still not sure what to feel about Faarah because I don’t see clarity in her character. At one point she will come across as a level-headed girl who knows what she wants out of life & at the other, she will fall prey to everyone’s brain feeding & let them run the course of her life? I don’t really understand why is she so confused? Yes, she has been pretty clear about not wanting to be in a relationship with Wali & also she seems pretty comfortable with Moeez, so even after hearing the conversation between Ruhina & Tajjamul, she chose to go out for a dinner date with Moeez, & just when he proposed to her, she went in a trance where she unwillingly was ready to accept his proposal but made it look like she couldn’t make up her mind. She knows what her family wants from her & she has pretty much agreed on the same lines too, so why all of a sudden it looked like there was some sort of a block on her thoughts that she didn’t know how to deal with?

Well, talking about the restaurant scene, I must say all the dialogues were so well-written & I didn’t mind seeing Faarah getting insulted because this is really something she signed up for. Each & every word that Wali said was spot on because he didn’t just love her but he respected her as well & to see his wife accepting someone else’s proposal made him lose his mind & rightly so, that is why Wali had the right to say whatever crossed his mind. Another best thing about that scene was the way Wali dealt with Moeez & the way Moeez reached for his chair after he got insulted, lol. He is such a chicken I must say. I am so glad that our hero finally made an entry with a bang & he is a force to reckon with, so glad that the Meesna Moeez now knows that Wali is not someone to be taken lightly because he knows how to bring his enemies down.

All this while, Ruhina said she only wanted what was best for her daughter & what more could she have done to prove her love that now she is ready to drag her young daughter in the court, just because her ego is not allowing her to accept the decision Behroz made for Faarah? I really thought Faarah would be able to analyze the situation well but I really find it hard to believe that she gives in every time her mother throws a hissy fit while emotionally blackmailing her. Faarah did understand her mother’s irrationality but looks like in these past couple of years she has become immune to all that jazz herself. Also, I really think it was quite immature of Faarah to doubt Agha Jaan just for the sake of it because she chooses to believe what she has heard from Ruhina & ignore her personal experience with him where he has been showering her with love, care & attention all these years!

Yes, what Wali did was quite intimidating but that doesn’t mean Faarah has to overlook her own mistake & hold him responsible for his rude behavior. All this while we did see Faarah reflecting upon the events that took place in her life, so why is it that she has completely blocked Wali off her mind & she is not ready to give him a chance. Wali has spent a few years with her, taking care of her, being nice to her, so why can’t Faarah see that? I think her decision of filing for a divorce was quite unreasonable as well, yes, she hasn’t accepted Wali as her life-partner but to use one incident against him makes Faarah an even bigger fool & then it reminds me that she is exactly like her mother; Ruhina, because she also took one bitter memory & made all the judgments about Agha Jaan based on that single bad experience.

I love love love the way Arjumand deals with Ruhina & this time around she chose not to stay silent about Tajjamul & Zohra too which was commendable. Being a mother, it is obvious that Arjumand feels for Wali as she knows he is working so hard to provide all the luxuries that Faarah & Ruhina are enjoying, that is why she felt it was her duty to remind Ruhina about it too. I really find it interesting that everyone in Haveli has become aware of Ruhina’s reality & that is why no one really remains silent on this matter anymore. Arjumand & Wali know that Ruhina is exploiting Agha Jaan’s favors & courtesy, that is why they don’t let him speak anymore because they know he will not say the things that are needed to be said.

I absolutely loved this episode & the preview seemed even better. I know Wali’s approach might look harsh but I think this is exactly the way to deal with Faarah to make her familiar with the reality & bring her out of Ruhina’s negative influence. I loved everyone’s acting but Hareem Farooq definitely stood out in this episode, I love how calm & composed she looks even when it is so obvious that she is furious on the inside & now coming back to Osman Khalid Butt again, he nailed every single scene in this episode & I am so glad he has opened up as Wali. OKB has perfectly portrayed all the different shades of Wali’s character to perfection where he can be really polite & sweet but when pushed the wrong way, he can very well intimidate his opponent as well. This episode definitely belonged to Osman Khalid Butt & oh I also loved how Wali didn’t give Agha Jaan the opportunity to speak, Abid Ali looked absolutely adorable when he really wanted to step in to bring everything under control but he couldn’t tame the angry young man; Wali, haha! I loved ittt!!! Please share your thoughts about tonight’s episode of Diyar-e-Dil. :D

Keep Supporting,
Cheers,
Zahra Mirza.

ps: I’d like a cup of Hot Chocolate on Tuesdays too Wali, so that I can enjoy watching & reviewing Diyar-e-Dil even more, haha! ;)

Fahad Mustafa Thinks Pakistani Directors Only Want Heroes With Fair Complexion

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Fahad Mustafa has rose to fame because of his talent but it is also a fact that he groomed himself a lot to make himself more wanted in the industry. Fahad Mustafa’s father Salahuddin Tunio was also attached to the drama industry when it was at its peak but he is seldom seen in plays lately. Salahuddin Tunio was also a very famous actor but he is not very good looking something which fans might think did not effect his career but Fahad’s recent tweet suggests something else.

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Fahad Mustafa has been criticized by many people because he pays too much attention to looking good and now Fahad Mustafa has revealed in some way why looking good is so important in Pakistani industry. Fahad Mustafa’s tweet shows without any doubt that he thinks that Pakistani directors are biased in favor of actors who are good looking whereas Indian directors give more importance to talent.

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Nawazuddin Siddiqui is an Indian actor who has appeared in many Indian films. He is not good looking in the strict sense of the word. Fahad Mustafa mentions “shakal” and “complexion” in his tweet which means that having fair complexion is very important in Pakistani drama industry. Fahad Mustafa got surgery done to make his complexion fair and his statement shows that he had to do that because there was no other way to get recognized in the industry.

Ali Gul Pir Gets Married – Pictures

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Ali Gul Pir is well known for his song which are more often a satirical take on the social and political situation in the country. Ali Gul Pir got married with his childhood sweetheart on the 25th of July. The couple looks very happy in the pictures.

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Here are pictures of the bride and groom on their mehndi and baraat functions:

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Hamayun Saeed & Yasir Nawaz’s Birthday Bash – Pictures

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Hamayun Saeed and Yasir Nawaz celebrated their birthdays in a private birthday bash which was attended by close friends who enjoyed the party a lot. Ayesha Omer, Angeline Malik, Bilal Lashari, Mahira Khan and many other prominent actors, directors and producers were seen at the party.

Here are some pictures from the party:

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Wrong Number, As I see it!

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Wrong No is an Urdu film released on last weekend on the festive occasion of Eidul Fitar. The film is a debut in films for many associated names like
Yasir Nawaz as Director
Nida Yasir as Producer
In Acting following artists are making debut, Sohai Ali Aabroo, Janita Asma, Mahpara, Nadeem Jaffri, Danish Nawaz, Akhtar Hasnain, Shaheen Khan, Sumbal Shahid, Tooba Siddiqi and many others.

The film is running house full and it was not easy to get its ticket right away. In fact I went to cinema for to watch Bin Roye, and ended up buying Wrong Number ticket instead of returning without viewing any film and thus here is my opinion about it .

Wrong Number is a Comedy film with a pinch of Romance and Action. The film is shot in Karachi and Lahore. It is the story of Sallu played by Danish Taimoor son of a butcher Haji Abba (Javed Sheikh) who wants to do something big in life away from the ancestral profession. Haji Abba is the head of an extended family jointly living in a house with his sons, daughter-in-laws and grandsons.

Sallu crafts a plan to avoid his ancestral profession which takes viewers on a roller coaster ride of things that went wrong. The execution of this plan has enough twists and turns to keep viewers hooked to their seats. Being a comedy film, the comic situation is created through situational comedy, dialogs, spontaneous responses, witty one liners, gender and to some really weird aspects of routine life like toilet and genitals.

Without revealing the story I am only highlighting the Good and Bad aspects of Wrong Number. Every project/film has its share of high and lows and Wrong number is also one such project.

The Highs
The film starts with the label Made in Pakistan, which is true as all the associated persons are Pakistani be it musician, singers, choreographer or dress designer.
Nearly all the characters in the films are well etched out having distinction of their own.
The plot of the film is interesting and maintains its pace throughout the film.
There are no long scenes, and editing is also fine without any issue with the continuity of events.
Javed Sheikh is phenomenal in the role of a butcher Haji Abba.
Shafqat Cheema has fully justified his inclusion in what otherwise is a routine villain role.
Asim Bukhari and Nayyer Ejaz were also good in the few scenes they appeared.
Mahpara in the side role was also impressive.
Coming to the main protagonist Danish Taimoor, well it is the second film of Danish I have seen this year, Jalaibee being the first one. While in Jalaibee he was too stiff and totally unimpressive, Danish has improved a lot and impressed with his screen presence.
Main female protagonist Janita Asma and Sohai Ali Aabroo proved a mixed package. Janita looked more glamorous and has more screen presence then Sohai Ali Aabroo.
Nadeem Jaffri and Dansih Taimoor in the roles of comic villains succeeded in bringing smile to audience.

Camera work of the film was also good, and Karachi and Lahore are captured beautifully. From inner city areas of Karachi to Port Grand to Sunday Bazaar, everything looked charming on screen.

Some witty one-liners were really funny like
Danish Taimoor: tum nay last konsi film dekhi thi
Janita Asma: mein nay to khuda kay liye dekhi thi
Danish Taimoor: film khuda kay liye nahin apnay liye dekhni chahiye

The Lows
Wrong Number is a comedy film which sounds very positive, but the same factor is the low point of Wrong Number. The film and its story has lot of potential but at many points it goes wrong. At many instances there were glimpses of Namaloom Afraad, especially the theme of earning easy money.

Being not a viewer of Bollywood movies, I am not sure whether any part of Wrong Number was inspired from a Bollywood movie. But at few points the audience in the hall were pointing like same as XYZ Bollywood movie.

Janita Asma surely have looked as glamorous in less revealing wardrobe from the one chosen in the film. Dialog delivery of Janita was quite ordinary while Sohai though performed on a dance number definitely need further improvement in the dancing skills. Though Janita Asma and Sohai are the main female protagonists their presence some how fizzles out in the middle and seem just another character in the film.

Though Wrong Number is a strongly male-oriented story, where presence of female character is created forcefully to fill in the portion of glamour, still both lead female artists can easily have a more stronger presence.

Ending, was quite convincing, but one can easily gets the impression of instantly wrapping up the whole story in one scene.

The film has nearly six seven songs, none of which is worth remembering.

So these were the high and lows of the film as per my analysis. Normally the tale ends here, however Wrong Number have some lowest points as well.

The Lowest
Being a comedy film, it is expected to contain some over the top acting or skits. Unfortunately Wrong Number has far too many jokes can easily be called sexist. There were jokes after joke on toilets and human genitals, that no one can remember the count, perhaps 20 -30 or even more than that. Too much crass language was used, surely a big disappointment. When you have so many senior artist in the cast who can easily share the burden of main protagonist then opting for sub-standard content was totally unnecessary.

Mostly audience of the Pakistani film object to the revealing dressings and vulgar dances, but here it was more about the sub-standard language rather then dances and dresses. The plot and screenplay of the film must have been equally entertaining without all this.

The Conclusion
If you are fond of films which are termed as “Paisa Wasool” then definitely Wrong Number is the one made for you. However if you are looking for a good family entertainer, then it is not a good choice. Filled with crass language and below average humor, it can easily please and entertain the general audience but can also easily raise the eyebrows for those who want to evaluate a film on various scales including entertainment factor.

Despite this anyone want to satisfy his/her patriotic duty towards Pakistani Cinema by watching Wrong Number, is surely welcomed to do so considering it a patriotic gesture.

Being a supporter of local cinema I surely want to thank anyone who invests their money, time and energies for this cause. In this regard, Yasir Nawaz must be praised for taking this initiative. As an audience I am not against any comedy films, such films provide light entertainment and a comic relief to the cine-goers from hectic daily life. However there is a difference between sub-standard comedy and the average/quality one. There are already enough options available for sub-standard comedy in the form of Punjabi stage shows, so please maintain the difference of a Punjabi Stage drams and an Urdu comedy film.

Lastly it is my first review of any film or drama. Just consider it the opinion of another viewer of the film, rather than the one coming out from some established CRITIC which impacts the opinion of its readers.

P.S. Being done with my graduation (BA) in the 1980’s and not much familiar with the latest development in English writing skills, please pardon any grammatical mistakes or wrong usage of vocabulary. But also be open to point out any such mistake (if there is any) as it will definitely improve my vocabulary as well as writing skills.

Thanks for your time.

Rashid Nazir Ali

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Naazo (نازو) on Urdu1

Naazo(نازو)  is a new drama on Urdu 1 starting from Monday 27th July at 8 pm.
Directed by Aabis Raza
Written by Sameena Ejaz
Produced by Fahad Mustafa & Dr. Ali Kazmi
DOP: Faraz khan
Singer: Ahmed Jahanzeb
Big Bang Productions

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Rashid Nazir Ali

Khatoon Manzil (خاتون منزل) on ARY Digital

Khatoon Manzil (خاتون منزل) is a new play on ARY Digital starting from Thrusday, 29th July at 8 PM.

Starring: Hina Dilpazeer, Fazeela Qazi, Irsa Ghazal, Manal Khan, Shabbir Jaan, Muneeb Butt, Qavi Khan, Rashid Farooqi and others
Writer: Faseeh Baari Khan
Director: S. Mazhar Moin
Producer: iDream Entertainment

From promos it looks another Faseeh Baari Khan and S. Mazhar Moeen drama. The duo is famous for covering the stories of lower middle class of Karachi (most of the times, otherwise they have a few plays shot in Lahore as well) with a touch of light comedy as well.

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Rashid Nazir Ali

Wrong Number released in UK

Wrong Number is the first film directed and produced by Yasir Nawaz screened in Pakistan on last weekend on the festive occasion of Eidul Fitr.It is a comedy film and surprised many by the response it is getting on the Pakistani box office.

It has also earned more revenue than Bin Roye the other leading Urdu film released on this Eid. Seeing the positive response of Pakistani box office now the film has also been released in UK.

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Rashid Nazir Ali

Bin Roye, receiving overwhelming response worldwide

As per the English Daily Dawn, Bin Roye released on Eidul Fitr on last weekend is receiving overwhelming reception in different countries where it is released including Canada, USA, UK, Denmark, South Africa, UAE, Bahrain, Oman, Qatar and others. It is the first Pakistani film which is released simultaneously in so many countries. The film is also doing good business in Pakistan along with the other main Urdu film Wrong Number also released on this Eid.

The film is ranked 32 on US box office and 12 on UK box office. Nearly all the shows of this film are pre-booked and in coming days it will also be released in countries like New Zealand, Singapore and Fiji where there is considerable audience of Urdu/Hindi films. The overseas success is attributed to the aggressive marketing campaign by its producers as they held its premiers in Dubai (UAE), London (UK) and Dallas (USA) with all the leading cast members

As per different unconfirmed sources the film has earned nearly 4 crore in Pakistan in one week. As per PakistaniCinema website nearly 20% of the total business of Bin Roye in Pakistan is generated from Federal Capital Islamabad.

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In Pakistan tickets of multiplexes range from 400 – 600, while at single screen cinemas it starts at 100 -150 rupees. Moreover in Pakistan Urdu films are only released in two provinces namely Sindh and Punjab, and one federal territory of capital Islamabad. In the other two provinces namely KPK and Balochistan, mostly Pashto films are only released and market of Urdu films is limited in these provinces. Two other federal territories namely FATA, Gilgit-Baltistan and the semi-autonomous region of Azad Jammu & Kashmir have no major cinema.

Source: http://www.dawn.com/news/1196406/bin-roye-getting-overwhelming-response-worldwide

Rashid Nazir Ali

Mohabbat Aag Si – Episode 1 & 2

I was looking forward to the drama which would replace Alvida more than the one that was going to air at 9pm but sometimes some dramas catch your attention when you least expect it. While the first episode of Tum Mere Pass Raho turned out to be very typical, the first episode of Mohabbat Aag Si was enticing primarily because of the mysterious character of Aapa Ji played brilliantly by the very talented Iffar Omer. The play has been written by Imran Nazir, it has been directed by Syed Ahmed Kamran and produced by Moomal Entertainment.

Mohabbat Aag Si is the story of Aapa Ji who is revered by everyone around her because she is considered to be one of those pious personalities who can change people’s life only by saying a prayer for them. Aapa Ji spends her days clad in a white dress busy in prayer all day long but at night time Aapa Ji is a completely different person. There is a lot more which the viewers need to find out more about her character because the director does not reveal Aapa’s background therefore I am sure many people were left wondering why she had to put up this show and was she ever married or not. Sharifa (Faiza Gillani) the maid is Aapa Ji’s friend and confidant, she is the only one who knows all of Aapa’s secrets but still respects her and is very faithful. Aapa Ji lives with her brothers Sharafat (Tipu Sharif) and Wajahat (Azfar Rehman). Sharafat is the older brother who runs a pharmacy and he like everyone else feels indebted to Aapa Ji and has great respect for her perhaps because she brought him up, we will find out more in the upcoming episodes. Aapa considers Sharaft’s wife Samia (Uzma Hassan) as a “competition” therefore she makes sure that Samia and Sharaft do not have any children and Samia also accepts Aapa’s position in the house without revolting against her.

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The other track which I think is going to be very important as the drama progresses is that of Wajahat and Saba (Sara Khan). Saba is Samia’s cousin and Wajahat and Samia like each other. Saba’s mother is the only one in the family who knows that Aapa Ji isn’t the sort of person she appears to be on surface. She knows that her outward pious personality is just an act. She also hold Aapa responsible for turning Samia from a happy go lucky person to someone completely different.

The second episode ended with Aapa Ji finding out about Wajaht’s interest in Saba. MAS might sound like just another drama in which one woman is trying to control everyone and everything around her but the characters are intriguing and all the actors are very well-suited for the characters that they are playing. There is nothing brand new about the main plot of the play but the treatment given to it is definitely different. You are left wanting to know more about Aapa Ji’s character and you can’t help but look forward to what would come next. These two episodes were fast paced, very well directed and most importantly highly unpredictable. Iffat Omer and Uzma Hassan are two very powerful performers and watching them in the same play is an absolute delight. Their acting and portrayals are effortless.

Did you watch the first two episodes of Mohabbat Aag Si? Do share your thoughts about them if you did.

Fatima Awan

Mol – Episode 8

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In the midst of plays that vehemently reject the concept of headstrong and intellectual female characters, and continue to thrive on the bechari aurat scenarios, Mol dares to be different. I have to admit that I am watching this show because of the female protagonist – Emaan.

Muhabbat ka naulakha haar meray naseeb mein na tha. Emaan believed that Sheheryaar married her because he loved her and you can’t really blame her – a DC comes to Sukkur, crosses paths with his subordinate’s daughter, asks for her hand in marriage after two to three brief meetings, marries her despite his parents’ strong opposition – no wonder Emaan was certain that Sheheryaar loves her. Sheheryaar, on the other hand, doesn’t mince his words while stating that ‘love’ had nothing to do with his decision to marry Emaan. Emaan came across as someone with a strong sense of self, and he took her for someone who would allow him the ‘space’ and ‘freedom’ he needs to live his life on his terms. He wastes no opportunity to remind Emaan of the fact that no one has the right to challenge his ideas about right and wrong. Be it his belongings, his projects, or his wife – Sheheryaar’s ‘commitments’ matter a lot to him. This is where I feel for Emaan because Sheheryaar’s views against the very idea of love and the way he sees confessions of love as ‘jhootay labels, teenagers ki baatain’ shatter her. No matter how much Sheheryaar lays emphasis on ‘mujhay laga kay tum doosri aurton ki tarah nahe ho’, Emaan, like any woman, longs to be loved. The way Sheheryaar sees this relationship is very different from the way Emaan views it. Emaan is his wife now, but Sheheryaar insists that his marriage shouldn’t change the way he used to live his life, and this is where I find Sheheryaar wrong. I hope he does realize that he’s not single anymore, and now with a wife who makes a lot of effort to make sure that he gets the ‘space’ he is always going on about, he should come to realize that it’s not always about him. Sheheryaar can see that his views upset her but that doesn’t stop him from making it clear that he doesn’t love her, and her absence or presence would make little or no difference to his way of life. In the opening scene, the way Sheheryaar cancelled his official dinner just because Emaan had planned an outing kind of showed that he is considerate of her feelings, but the scenes that followed suggested otherwise. I like how Sheheryaar’s character is not one-dimensional. I haven’t exactly made up my mind about him because though there’s a lot about him that I don’t find likeable, Sheheryaar doesn’t make an awful husband. He is obstinate, brutally honest and a bit insensitive, but is he bad at heart? I withhold my judgment for now.

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Emaan can’t help but question where she stands in Sheheryaar’s life. The women we see on our screens take on different roles; we see them as wives, daughters, sisters and mothers. But it’s strange that our dramas, as female-centric as they are, rarely talk about a woman’s own identity. Much to my delight, Emaan here questions: mein kaun hun? The thing about Mol’s characters (I’m talking about the leads here) is that they are very real, very human. They question the obvious, they voice their fears, and they talk about what’s bothering them. I liked how Emaan asked Sheheryaar why he didn’t tell her he doesn’t love her when they met in Sadhu Bela because things would have turned out differently if Emaan had known that Sheheryaar only ‘fell for her personality’, the way he puts it.

Saas bahu showdowns, dusri shadi, shukki husbands, extra marital affairs – these are the problems onscreen couples usually grapple with, but Sheheryaar and Emaan’s case couldn’t be more different. The clash of personalities and the issues they deal with are a far cry from the ones we see every now on then because their problems are not over the top – they are very real and 21st century-like.

The trip to Sukkur was short and underwhelming. Emaan ‘s mother doesn’t exactly understand what’s bothering her daughter, and her approach is a little superficial; as long as Sheheryaar is taking care of her and coming home on time, there’s nothing to fret about. (Alprazolam) And of course, the ultimate solution to every marital problem – bus Allah Emaan ko aulaad say nawaaz de, sab theek hojayega… Little does she know that Sheheryaar has problems with that too!

Speaking of Hajra and Zareena, this may be harsh, but I can’t stand them! The way the two desperate ladies forced Emaan to come with them despite her protests was actually funny. Emaan respects Sheheryaar’s decisions about his family. Sheheryaar understands his family’s motives better than anyone else, and it is actually very sensible of him to keep Emaan away from these people. The promo tells me that Sheheryaar is very right about his family, and I wonder how difficult it must have been for a man like him to live with a family lost in khandaani riwayaat, rasmain etc.

Rohail and his son’s track is pretty much where it was last week. Rohail has no one to look to when it comes to his child’s needs so Emaan is taking on the motherly duties. I can understand her growing affection for the boy because Sheheryaar just struck her with his anti-love speeches, she is pretty lonely, and spending some time with the kid is the only thing that makes her happy in the true sense. But going by Zareena’s ‘mein ussay chain say jeeni nahe dun gi’ vow, I doubt that her frequent visits to Rohail’s place would win her any points.

Going by the promo, I have a feeling that next week’s episode would have a lot to do with Sheheryaar’s family. Let’s see how the story shapes up. Are you watching Mol? What do you think of the latest episode? Voice your thoughts!

Maryam Mehdi

No censor certificate for Bollywood’s Bangistan

Censor Board has refused to issue clearance to Bollywood’s Bangistan which is due to release on 7th August 2015.  The film is the story of the mission of two suicide bombers one each from the extremist elements of two major religions of India.

The producer of the film in a statement to Times of India has expressed disappointment over this decision of Pakistan censor board, saying the decision is immature and is made merely on the trailer of the film. The actual content of this film is quite different from what is depicted in the trailer. (Meta-Calculator)

This year censor board has refused to issue clearance to few Bollywood films like Baby in February 2015. Such decision of censor board halts the release of the banned Bollywood film in cinemas. However pirated copies of all such banned film are openly aired on local cable networks without any restrictions. All such films are also openly available on DVD as well.

Source: http://www.dawnnews.tv/news/1024290/

Rashid Nazir Ali

Box Office Success of Eid Films

Eid holidays are over now and reports of film business from various sources are publishing in papers. In Pakistan traditionally there is no concrete mechanism to know the exact earning of a film. In traditional single screen cinemas, tickets are issued manually so it is near impossible to estimate the total business generated form a film in such cinema. However with the arrival of multiplexes which maintain the records of tickets sold, now a near estimate of the film total business is easily established. Usually the owner of these multiplexes issue the business generated by a film in their chain of multiplexes, which sums up the total business of the film. This method is not fool proof. Surprisingly for some unknown reason film producers in Pakistan seldom release any statement about the total revenue their film.

This Eid many films were released including Hollywood, Bollywood, Urdu, Punjabi and Pashto.

Hollywood: Minion and Antman
Bollywood: Bajrangi Bhaijan
Urdu: Bin Roye, Wrong Number, Bazaar (Only released in Punjab)
Punjabi: Razia Ghundon Mein Phans Gayi, Gunahgaar (All punjabi films released only in Punjab)
Pashto: Ma Cherra Ghareeb Sara, Daagh, I love you too, Pakhtun Pah Dubai Ke, Khanadaani Badmaah, Maien Kho Lewanai Vee and Sar Tair Badmaash (Released in Karachi, Quetta and KPK)

Various papers (English and Urdu) have published the reports on films business. As per these reports three main films Bajrangi Bhaijaan, Wrong Number and Bin Roye are running full house in all major cities during the Eid Holidays as well on this weekend.

Like always leading the way is the Bollywood film Bajrangi Bhaijaan. Bollywood films have always been the preferred choice of majority of the Pakistani cine goers in any circumstances, a fact proven once again on this Eid. Bollywood films always receive overwhelming reception in Multiplexes (located in posh areas) as well as traditional single screen cinemas (located in old/inner city areas), making them the unanimous choice of all sections of the society. As per press/net reports Bajrangi Bhaijaan is released on a total of 171 (approx.) screens nationwide. In many areas (mostly single screen cinemas) the demand was so high that cinema owners have cancelled the shows of Urdu films Bin Roye and Wrong Number and allotted the same time slot to Bajrangi Bhaijaan. In some multiplexes, Bajrangi Bhaijaan is allocated more shows in the upcoming week replacing the shows of Hollywood’s Antman. The trend is expected to continue on coming weekends until a new Bollywood film is screened to fill the appetite of Bollywood films. Like any other Bollywood film released in Pakistan, Bajrangi Bhaijaan is ahead in the race by a wide margin.

Following Bajrangi Bhaijaan after a big gap, are the two Urdu films Wrong Number and Bin Roye which are on second and third place respectively. Wrong Number is slightly ahead of Bin Roye in terms of number of screens and business. Wrong Number was released on 87 (approx.) screens while Bin Roye is released on 81 (approx.) screens nationwide. In comparison Bajrangi Bhaijaan is released on more screens (171) alone than the combined total (87 + 81 = 168) of the two Urdu films Wrong No. and Bin Roye indicating the massive appeal of the Bollywood films among Pakistani audience.
As per the English Daily The News, Bin Roye is leading in Islamabad, while in Karachi Wrong No. is ahead. An interesting general analysis is that men are loving Wrong Number and hating Bin Roye, women are loving Bin Roye and hating Wrong Number.

The healthy trend on this Eid is that the audience have also endorsed Pakistani Urdu films while supporting Bollywood film. Both the Urdu films Bin Roye and Wrong No, are running full house during the Eid holidays in whatever space and time is allotted to them. As per Nadeem Mandwiwala, the head of Mandwiwala Entertainment the success of Pakistani films is attributed to the aggressive marketing campaign rather than the content of these films.

The Punjabi films have done average business. Four out of the seven Pashto films released are declared hit while rest are doing average business.

Here are the news reports/excerpts which are the basis of this post.

English Daily The News
Box office success for the trilogy of Eid films

Running House Full: Bajrangi Bhaijaan, Bin Roye and Wrong Number have all resonated well with Eid audiences.

Salman Khan has been forgiven his sins. He must have worried how his May conviction and sentencing to 5 years in prison for a 2002 hit-and-run homicide might have dampened the prospects for his movie. But like India’s courts, the country’s movie going audience gave the megastar a stay of appeal, supporting Bajrangi Bhaijaan with the biggest opening weekend ever for Khan and the 3rd biggest in Indian box office history. According to cinema owners in Pakistan, the film has resonated just as well with the Pakistani public, threatening Ant Man with an early exit. The good thing is, local releases Bin Roye and Wrong Number have been running just as successfully as Bajrangi Bhaijaan.

“An extraordinary audience turns up over Eid and all films are running full house,” Film producer, distributor and cinema owner (Atrium in Karachi and Centaurus in Islamabad) Nadim Mandviwalla shared with Instep. “Wrong Number is doing better in Karachi and Islamabad has shown a higher demand for Bin Roye. But this is a result of marketing hype not content. The Eid influence remains 9 days, which we see in advance booking, and we’ll see full effect of all films by Monday.”

An interesting general analysis is that men are loving Wrong Number and hating Bin Roye, women are loving Bin Roye and hating Wrong Number whereas Bajrangi Bhaijaan has shown universal appeal.
– See more at: http://magazine.thenews.com.pk/mag/detail_article.asp?id=11290&magId=11#sthash.EHQpfNei.dpuf

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Rashid Nazir Ali

Jugnoo – Episode 15!

Ohkay so, to be honest, as much as I take Jugnoo as a light hearted entertaining drama, I really think they need to move on. I am sure they might be having some new things to offer but they are now making it look like they have run out of story & are now just dragging the drama for the sake of reaching the 20 episode mark. I have always enjoyed the spontaneity of this drama but to be honest, last few episodes have offered us nothing new. All the episodes seem to have a similar pattern, where Jugnoo tries hard to be with Zulfi, Zulfi is being brain-fed, Tanveer & Baba Sahab are planning & plotting, Kissho is whining & in the end, we get to see some supposed comical scenes where Jugnoo’s putting up a show at Zulfi’s house, that’s it but to be honest, even those scenes have started to look forced because they don’t stir a laughter anymore. I really think they need to move things on because the drama has started to lose its charm & it ain’t fun watching repeat telecast of every previous episode, every single week.

Looks like Kissho is about to have a baby because a lot of their conversations are revolving around that subject. They think they might not have one but eventually this is what will happen to bring both Rafique & Kissho together. I loved the way Rafique gave a piece of his mind to Kissho & her sisters. To be honest, I find him right this time because he actually tries to make things right but Kissho doesn’t want anything good to happen to her. I have started losing the sympathy that I once used to have with her because looks like she herself doesn’t want her life to be smooth & she invited all these problems in her life herself.

Zulfi really needs to get a life or sleep a deep sleep because he is so brain-dead that it’s not even funny. Looks like he can process things rightly but he doesn’t want to & I have no idea why everyone is fixated with him. What’s the point of undoing something that Zulfi has been done. Yes, Baba Sahab & Tanveer are blinded by the rage & their egos but then, I find their dialogues so monotonous that I know I don’t even have to listen to what they are saying because there’s nothing new in it.

Of all the people, Zulfi annoys me the most. He not only is spineless but he has no brains as well, that is why he chose to believe what Tanveer said & even followed his command & started doubting Jugnoo, how stupid is that? As much as I love Jugnoo’s character that she is tackling everything on her own, I really don’t think there was a need to make Zulfi’s character so spineless. I think our writers need to find a perfect balance because normally, if a guy is too head-strong, the girl is brain-dead & in this drama, it’s the opposite. I feel the writers overdo the extremity in the characters which they should avoid because only then people can enjoy the situations both the main leads are involved in.

The preview of the next episode suggested that Ayesha is talking about how Zulfi doesn’t support & stand for Jugnoo, then I need to ask, when she knows Zulfi in & out, why did she want her younger sister to get married to such a guy? In the initial episodes we found out that Tanveer wants Zulfi to stay at some distance because he didn’t want any partner in the business, so why is he so focused on parting Zulfi from Jugnoo? Isn’t it an ideal situation for Tanveer to just let both Zulfi & Jugnoo be, because that way, Zulfi will remain too distracted to even think of joining the family business? Anyways, I really hope the story moves on & if not, then the drama ends within next couple of episodes. Share your say with us please.

Keep Supporting,
Cheers,
Zahra Mirza.

Farwa Ki ABC – Episode 1

The promos of the play suggested that this was going to be a play different from what we are all used to watching in primetime since Farwa Ki ABC is a light comedy but something tells me that it will give us something to remember. I must say that at this point any drama that does not involve run of the mill family politics of any kind would have caught my attention but other than that this first episode of Farwa Ki ABC gave me a reason to watch and review it mainly because of Sonia Hussain and Adnan Jaffar because it looks like their characters and their relationship would be something to look forward to. The drama has been written by Amna Mufti, it has been directed by Sohail Javed and produced by Sadia Jabbar.

This first episode of the drama introduced us to the main characters. Farwa (Sonia Hussain) is a girl in her teens who failed in English and now she has to give the exam again so that she can at least be BA pass because as Farwa’s mother (Irsa Ghazal) told her that it is the only way she will get a decent rishta!! Farwa could not care less about her studies in fact for the past few years she has tried every trick in the book to convince her parents that she cannot study further but her parents obviously insist that she should get a decent degree. Farwa wants to get married and every time she sits down to study, she doses off (something which I am sure many students could relate to;). Farwa’s cousin Asma is completely opposite to her, she passed the exam with flying colors and is an exemplary student which is exactly why Farwa is not very fond of her because opposites don’t always attract!

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On Asma’s recommendation Farwa’s father (Khalid Anum) asks a reputable English teacher (Adnan Jaffar) to help his daughter with her English. Farwa’s father’s positive state of mind went to show that he had a very solid relationship with his daughter. It is only after hearing that Farwa is Asma’s cousin that the teacher is willing to tutor her and the first day of tuition sails by smoothly but with Farwa even more determined to get herself out of the situation. That is where Changez comes in – he is someone Farwa talked to on a crank call but now she is turning to him for bailing her out of this situation.

My apologies if the summary of this first episode was too long but I think many people out there must still be thinking whether they should watch this play or not or what it is about therefore this summary will help them understand the plot and the characters better.

This first episode belonged to Sonia Hussain every step of the way which is actually good because if the lead character and especially one like Farwa is played well then it will definitely effect the entire feel of the drama. The OST of the drama suggests that Farwa will undergo a lot of personality changes and her teacher will have a big role to play in her life. And it looks like Yasir Mazhar’s character will be playing the main lead with Sonia Hussain although his character did not get a lot of screen time in tonight’s episode. This first episode was definitely one that gives you a very good reason to look forward to more. The preview of the next episode showed that Farwa will do whatever she can to get rid of her new teacher and I am waiting to see what she has in store for us. Farwa’s character is fun and interesting. I loved the picture quality of the play, the production values were spot on and I guess we shouldn’t expect anything less than the best in that department from Sadia Jabbar now after watching MNYH! I must say that there were few bits in the drama which were over done like the driver/cook dancing on the song and the scenes between Changez and his friend.

Anyone out there who is looking for a fun comedy and especially all those out there who like Sonia Hussain should definitely watch this first episode. You will not be sold but you won’t be disappointed either.

Did you watch this first episode? Do share your thoughts if you did.

Fatima Awan

Saba Qamar To Play The Lead In Younis Butt's Upcoming Sitcom "She"

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Saba Qamar has worked with the best directors and producers of the country. She has been part of many hit dramas and she has shown her versatility by playing different kinds of characters. This time after working with Dr. Younis Butt in “Hum Sub Umeed Se Hein” and Geo TV”s sitcom “Miss Fire” which aired in 2013 Saba Qamar will be seen playing the role of a strong woman who is not influenced by anyone in the sitcom “She”.

Saba Qamar will play the character of Baji Rao Mastani who is a police オンライン カジノ officer. According to the Geo TV website Saba”s character will be “Baji” for people who are good and she will be “Rao” for evil people and as a whole her personality will be that of a “Mastani”.

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Ayesha Khan Will Only Work In Bollywood If It “Respects Her Choices”

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Ayesha Khan has been a part of Pakistani television industry for the longest time now. She recently started working in Pakistani films and even now is seen playing the lead role in many dramas. While talking to Express Tribune about her intentions to work in Bollywood Ayesha Khan said, “Acting is my passion. I’m willing to prove my acting abilities anywhere, but there are some issues with Bollywood…..I hail from a very conservative family that doesn’t promote dancing, on-screen intimacy and even wearing sleeveless outfits. Bollywood must respect my choices. Otherwise, there are plenty of options to pick from in Pakistan.”

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Ayesha Khan is also part of the upcoming Pakistani film Jawani Phir Nahi Aani which stars other famous stars like Hamayun Saeed and Hamza Ali Abbasi. Talking about the film Ayesha Khan said, “It’s a genuinely funny film. Very classy and shooting it was so much fun.”

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Talking about the rumor that she and Hamayun Saeed are secretly married the actress said, “Apparently, Humayun and I are married, although we’re just friends. In fact, I’m probably closer to his wife Sameena than I am to him.” Ayesha says that if she ever falls in love she will be the first one to tell the world about it. “I might hail from a conservative family, but my parents are very accepting of love marriages. So, why’d I ever hide it?”

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We wish Ayesha Khan all the best.

Top 5 Celebrities Who Look Great In Western Outfits

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Pakistani female celebrities who are working in the field of showbiz are dynamic and talented. They have proven their mettle in Pakistan and in rest of the world because of their talent and hard work. What these celebrities wear and most importantly how they wear it is also an important part of their public image and personality. All of these females adorn Western outfits along with the Eastern ones but not all of them look good wearing these clothes. Some celebrities do not look as good as the celebrities on this list in Western clothes because sometimes the clothes that they wear are not the best choice. Wearing Western clothes doesn’t mean that clothes should be revealing. The celebrities on this list wear Western clothes that look very stylish and decent on them because they make the right choices and carry them like they should be carried.

Here are the top 5 female celebrities who look great in Western outfits:

Sohai Ali Abro

Sohai Ali Abro has a very cute face and she is very well groomed. She looks good in Eastern dresses too but she is very comfortable wearing Western outfits and she always wears outfits which suit her personality.

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Mehreen Syed

Mehreen Syed is the queen of catwalk, she has been the showstopper on many fashion shows and she has worked with the best designers. Mehreen Syed looks amazing in every Western outfit from just plain jeans to dresses and hats. This stylish lady can pull everything off.

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Meesha Shafi

Stylish, trendy and motivated, these three traits explain Meesha’s personality more than any other. Some people have to work to look stylish but Meesha Shafi is not one of those ladies because style comes naturally to her. She will look good in any outfit at all but she most certainly knows how to carry Western dresses.

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Amina Sheikh

Amina Sheikh is another model and actress who looks very stylish in Western clothes. Her good taste in clothes along with her good sense of style makes her a winner.

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Syra Shehroz

Syra Shehroz is one of those celebrities who even look chic and stylish when they are wearing a plain t-shirt and a jeans. We have never seen Syra’s sense of style going wrong. Her perfect choices joined with her very own style make her look good in everything.

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Can you think of any other Pakistani female celebrities who look great in Western dresses? Don’t forget to share your opinion.

Saud

Ishq Parast – Khatam Shud

I am struggling to find the right words to describe what just happened here, but quite frankly, I am blank! This episode was so difficult to watch that I am not sure how to discuss it. And now that I come to think of it, the four (yes, FOUR! :D) thappars Hamza received were perhaps the only bits that actually made sense and gave me a kalejay-pay-thandak-parnay-wali feeling, but the whole episode was so horrible that I think I am running out of words to express my contempt. All I can think of is: yeh bhi koi ending hui, bhai?

First things first, allow me to rant about Zohaib! Ever since his parents died, he assumed the responsibility of running the household. He was the sole bread winner of the family. And if my memory doesn’t deceive me, he was Arsala’s ammi, abu and bhai – three in one package, right? A man of the house is supposed to make a lot of decisions, but the latest episode convinced me of the fact that Zohaib actually lacks the ability to make decisions, and quite conveniently, he does what other people tell him to do. Khaala asks him to give Arsala her share and lo and behold! Zohaib shows up with a check. When that doesn’t work, Dua, who was definitely the last person I expected to talk sense, actually comes up with the only sound solution: Arsala ko Hamza ki haqeeqat batadain! It is after Dua’s little speech that it dawns on Zohaib: I shouldn’t keep my sister in the dark, I should fetch some khula papers too, and while I am at it, I should think of some clever comebacks to wipe the smirk off my behnoi‘s face because he is outwitting me with his falsafa on ishq, junoon or whatever you call it! The only time Zohaib actually made me proud was when he slapped Hamza, not once, not twice, but THRICE! Zohaib’s thappars were the highlights of the episode and even if you didn’t follow the whole show, I have to say that you shouldn’t miss the three tareekhi thappar!

You might be wondering about the fourth thappar I mentioned earlier on. Well, this one came from Khaala, and though I am proud of Khaala for slapping Hamza, I still have many issues with Khaala and her presence in the play. I think Khaala enjoyed more than her fair share of airtime throughout this play so I would have liked the last episode to be a little less Khaala-centric. Well, let’s just say that the writer and I don’t exactly see eye to eye so this episode had a lot to do with Khaala, and this time around she even recounted her tale of misery – did I mention that I couldn’t care less?

And of course, allow me to rant about Dua! Dua, Dua, Dua – now where do we start? The story started to go downhill when Dua couldn’t bring herself to tell Zohaib that Hamza is her junooni ex. Had Zohaib been one of those typical judgmental husbands, I would have understood, but the fact is that Zohaib accepted her with her past, and always reassured her of his constant support. And in this episode, I was taken aback by Dua’s guts when she began to harangue Zohaib about not supporting her when she needed him. I agree that Zohaib should have been by her side and all, but Dua seems to forget that it’s because of her that Zohaib is in this mess and his sister is living with a rapist, so I think she should have been the one apologizing to him and consoling him. And hey, what’s with the time lapse? I had no idea that she spent a good six months at her mother’s?

If the talaaq kay badle talaaq dialogue, coupled with that check-tearing action was supposed to look ‘cool’ and ‘thrilling’, I hate to disappoint: it wasn’t! I didn’t exactly get the point of that fiasco because the ending didn’t have much to do with it. Zohaib and Arsala had finally made up their mind that they are going to tell Arsala the truth, but they couldn’t utter a single word when Arsala stormed into the house to tell Zohaib off for giving those khula papers? And had Zohaib been sensible, he would have talked to Arsala about Hamza before handing over the khula papers. You see, this is how confusing and clumsily written and handled this whole episode was.

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The writer relied on two famous last episode features: a) eavesdropping b) death. I said this about Khaala and I have to say the same about her bhaanji that in logon kay kaan ‘normal’ nahe hain because it wasn’t humanly possible to overhear the conversation between Khaala and Hamza from Arsala’s room. Also, I was left dumbfounded when Arsala didn’t react! I understand that she was in a state of shock because after losing her one in a million brother, the comfort and luxuries of her home, she only had Hamza to fall back on so the revelation that Hamza was using her all along struck her pretty bad, but I was expecting some sort of reaction, what about you guys?

As all last episodes go, the bad guy is supposed to get his comeuppance so Hamza’s death was obviously something I was looking forward to, but Arsala’s death is beyond my comprehension. We are expected to believe that while Hamza claimed to be ‘ishq parast’ which he clearly wasn’t, Arsala belonged to the lot of ishq parasts as well because Hamza was her ishq? If this tragic ending was supposed to strike a chord with the audience and make us shed tears, I hate to break this to Team Ishq Parast that this ending didn’t move me at all – it simply left me with a really bad aftertaste!

Jab insaan kay saaray saharay khatam hojatay hain tou who samajhdaar hojata hai. Arsala’s transition has been convincing and real. When I started watching this play, I was not very fond of Arsala. Spoiled by her doting brother and Khaala, and with no one to admonish her for her eccentric, extraordinary ways, only a few could find that ‘we can relate’ factor when it came to Arsala’s character. It is after Zohaib and Dua’s marriage that I actually took a liking to Arsala. I was thinking that Arsala, like any insecure SIL, would give Dua some tough time, but she actually proved to be a cool and friendly nand. I loved Arsala and Zohaib’s bonding, but needless to say, Hamza’s entry changed everything. On the face of it, Hamza was a loving and sincere husband so obviously, Arsala fell in love with him and couldn’t stand anyone doubting his character. Her decision to move out, managing on her own, and her brother’s apparent aloofness changed her, and the once bubbly, tantrum-throwing Arsala was replaced with someone very mature and level headed. Arsala meant no harm and her character was one of the good things about this play so I wish I could ask the writer what on earth was he thinking when he decided to kill Arsala?

And on this sickening note, Ishq Parast comes to an end. I can’t believe that the characters we’d grown to love were reduced to senseless beings we could barely even recognize. I would like to talk about Hamza’s character here. When I started watching this play, I was looking forward to seeing how Hamza’s character shapes up because our plays don’t usually discuss the plight of people coming from broken homes, so I was thinking that they would show something real and relate-able, something that breaks the stereotypes, but I hate to say that nothing of that sort happened. The least they could do was keep his character grey-shaded; they could show that though he is insecure and aggressive, he is caring and sensitive too. I feel sad that Hamza’s character turned plain evil and had nothing to offer except for dhamkiyan, saazishain, and of course: a splitting headache!

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What obliterated this play was definitely the rape. I hadn’t given up on this drama before that because I was hoping that they would show Hamza falling in love with Arsala and letting go of his thirst for revenge, but that one ‘twist’ totally ruined it for me. It’s no news that the subject of rape is becoming increasingly common in our plays. Speaking of the topic of abuse, there’s no doubt about the fact that sweeping it under the rug won’t make it disappear, and it’d be insensitive of the literate lot to turn a blind eye to this glaring reality, but our drama makers must pause and ask themselves: are they raising awareness the way they proudly claim to, or is this subject being embellished to no end? Let’s get one thing straight – you can’t just dish out an abuse-based play in the name of ‘entertainment’. The viewers are not shallow at all, and yes, we do crave entertainment, but that doesn’t stop us from watching dramas that speak about real life, taboo topics because had that not been the case, plays like Pani Jaisa Pyar, Mora Piya, Roag would have failed to garner favorable reviews. Abuse-based plays should ONLY deal with abuse – the physical and psychological impacts of abuse on the victims, how they deal with this trauma, how they pick themselves up and how the perpetrators of this heinous crime are punished in the end. I strongly believe that an issue as sensitive as rape should NEVER be used as a plot point to move the story forward or excite the audience. Coming to the play in question, Ishq Parast was supposed to be a ‘family entertainer’, it was supposed to focus on a bunch of grey shaded characters with their share of flaws and strengths, and it was supposed to make us smile and feel good by the end of the day, but I’m afraid that team Ishq Parast failed their audience.

Talking about performances, Ahmed Ali and Syed Jibran were the stars of the show. I first saw Ahmed Ali in Dusri Biwi, where he played a supporting character,  a junooni, psycho fiancé (how can I forget his trips to the jail). Here again, he played a similar role, and I have to say that he is a talented newbie, especially when it comes to such roles. Syed Jibran was impressive as always. Armeena is beautiful, and she acted well in a few scenes, but her performance, on the whole, left much to be desired. I think she should work on her dialogue delivery and expressions. Arij Fatyma was totally convincing as Arsala, and I loved her performance in the last episode!

How many of you followed Ishq Parast? What do you think of the ending? Voice your views .

P.S: I would like to thank all my readers for their regular comments and appreciation. I don’t know where I’d be without you guys! Sabahet, AW, Hira, Silver Eyes, Kiran Akhtar, Nida, Kunwal Javid, Asma D, Candle, Amirza, Naveed, Sara, Najla Rafique, Roxy, Smmn, thank you so much for being a part of the discussions – the best part of watching Ishq Parast! I thank all my silent readers for following the reviews. Do share your thoughts with us!

Maryam Mehdi

Ali Zafar Wins The Hearts Of People

Ali Zafar has always been known for his liberal stance in public and lately he has done some very admirable things like making that memorable song for the Peshawar victims and participating in some other such projects in his country.

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Junaid Jamshed on the contrary is someone who has lately been in public eye for giving controversial statements against women and confusing women’s role in Islam. Ali Zafar asked Junaid Jamshed directly on Twitter what his take on status of women in society and Islam is. Junaid Jamshed said that women were equal to men and they could anything men can do.

Ali Zafar also suggested that both of them join hands to sing a song that would show the elevated status of women and also to give them respect.

Here is the exchange of tweets between the two celebrities:

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Ali Zafar is being applauded by all for taking the bull by the horns!

Vogue Declares Fawad Khan As The “Most Beautiful Man” In India!

The sixth Vogue Beauty Awards were held in India this week and it does not come as a surprise at all that the dashing Fawad Khan wont the “Most Beautiful Man” award even though he had a lot of competition!

The Indian viewers and filmmakers love this talented and good looking man from across the border. Fawad Khan has signed some very promising projects with the best producers and directors in the country. His exit from the film “Battle of Bittora” was the talk of the town because many people wanted to see the “Khoobsurat” jodi on the big screen again. While there was news that Fawad Khan refused the project because of some scenes he wasn’t comfortable with shooting some intimate scenes but the Indian Express reported that while talking to the media at the Vogue Awards Fawad Khan told that the real issue was different. He said, “The biggest hurdle was the timelines which couldn’t coincide. Sonam was busy in her own projects. Rhea (Kapoor) is working on another pet project called ‘Saat Hindustani’. Amidst all this, even I got involved with some work. Rest everything is all conjecture.”

The actor also said, “I have all the love and respect for Anil sahab and the whole Kapoor family. And I’d love to work  with them whenever the opportunity comes next.”

Here are some pictures of Fawad Khan from the Vogue Awards 2015:

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We wish him all the best in his career at home and abroad.

 

Syra & Shehroz Celebrate Nooreh’s First Birthday – Pictures

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Syra and Shehroz are undoubtedly one of the most loved young couples of our drama industry. They look very cute together and have a very adorable little girl Nooreh who looks a lot like her beautiful mother. Syra and Shehroz celebrated Nooreh’s first birthday in style. Everyone from the family and friends were present at the birthday bash. Alishba Yousuf was also seen at the party with her daughter.

Here are the pictures of the event:

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Diyar-e-Dil – Episode 19

This episode had so many good scenes, that it’s hard to choose one of them. Diyar-e-Dil has us all gripped and this grip only hardens after each passing episode. Now we understand these characters very well and all that’s left for us to see is our lead pair in love!

We saw Tajammul’s true face in the previous episode and this episode only made us hate this family of opportunity seekers only more! There are many ways in which Ruhi and Zohra are alike. Both are manipulative but Ruhi obviously has a low I.Q level which is why Zohra succeeds in manipulating her every time. Whether it’s Tajammul ke doston ki daawat or Tajammul’s daughter’s shopping trips, Ruhi is ready to waste Agha Jaan’s money for these people. She doesn’t have a brain to understand the people around her and find out what their true intentions are. It is so clear that Tajammul and Zohra just want her money but she fails to get that. On the other hand just one moment with Agha Jaan, two decades ago, makes her believe that he is a hypocrite. Agha Jaan has apologized for his behaviour several times but she still thinks ill of him.

“Ek taraf daulatmand dada hai aur ek taraf mohabbat karne wali maa” Ruhi has filled Farah’s mind with hate for Behroz’s family. Now that Farah is questioning Tajammul and Zohra’s intentions, and slowly (really slowly) realizing what a great person Agha Jaan is, Ruhi has increased her dosage of manipulation. This dialogue of hers made me cringe! As if that wasn’t enough, when Agha Jaan came to visit, Ruhi tried to make him believe that Farah didn’t want to meet him and blamed him for her father’s death. Fortunately, Agha Jaan is intelligent enough not to believe her.

Farah sahiba is too busy with her studies and too manipulated by her mother to see how wrong she is. Today, for the first time, I was angry at her because she is not thinking clearly at all! She can see how much Wali and Agha Jaan care for her. She is always rude to Wali and he deals with her politely. Ruhi is the brainless one, not Farah, so she better use that brain. Maya Ali acted really well today. While watching the previous episodes, I felt like her dialogue delivery was not good enough but today it was as good as her expressions.

Wali and Agha Jaan edure everything with so much patience that not loving these characters is impossible. Osman Khalid Butt and Abid Ali are doing such a good job! Agha Jaan promised himself that he would deal with Ruhi and Farah with kindness and that is exactly what he is doing. He called Farah even after everything Ruhi said to him. That scene was really cute because Farah was talking to Behroz’s picture and saying that she was helpless but Agha Jaan comforted her. After the second call, when Farah told him she wasn’t feeling well, the way he immediately arrived at her house to see if she was okay or not was really cute as well. However, the cutest scene from tonight’s episode was Agha Jaan and Wali’s discussion. Agha Jaan also realizes now, how much Wali is in love with Farah.

Arjumand and Ruhi’s discussion was the highlight of the episode. Ruhi has no shame whatsoever. Calling Agha Jaan a munafiq and Wali badtameez in front of Arjumand was something expected from her but the way she reminded Arjumand of her and Behroz’s engagement was cringe worthy. However, Arjumand’s comeback was fantastic! “behroz jesa selfish insan mujhe deserve hi nahi karta, woh jisko deserve karta thha usse wohi aurat mili” Ruhi thinks so highly of herself, but Armujand reminded her of her true place! Farah will definitely hate Behroz’s family more after that conversation though.

So, did you guys enjoy watching this episode? What do you think will happen now?

Areeba Mohsen

P.S: I am covering for my dear friend Zahra Mirza who is on vacation :)

Tum Mere Paas Raho (تم میرے پاس رہو) on Hum Tv

Tum Mere Paas Raho (تم میرے پاس رہو) is a new drama starting from Wednesday 22 June 2015 at 8:00 pm on Hum Tv. Bushra Ansari is playing the role of a kharrant saasu maa  in this play like Mera Naseeb and Kabhi Kabhi.

Starring: Bushra Ansari, Zahid Ahmed, Arij Fatima, Amna Ilyas, Hassan Niazi and more.
Weriter: Inam Hassan Khan
Director: Saife Hassan

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Rashid Nazir Ali

Kesay Tum Se Kahon (کیسے تم سے کہوں) on Hum TV

Kesay Tum Se Kahon (کیسے تم سے کہوں) on Hum TV is a new drama airing from Sunday 26th July 2015 at 8 pm.

Starring: Saba Qamar, Adeel Chaudhar, Farhan Malhi
Writer: Maha Malik
Director: Faheem Burney
Producer: Faheem Burney, Concepts

 

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Rashid Nazir Ali

Tumhari Natasha (تمہاری نتاشا) on Hum tv

Tumhari Natasha (تمہاری نتاشا) is a new drama serial shot in Dubai, airing from Friday 24th July 2015 at 9 pm on Hum Tv

Starring: Sohai Ali Aabro, Azfar Rehman, Farhan Malhi, saba hameed, Waseem Abass, Asma Abass, Tariq jamil ,Asad Mahmood malik and others….
Director: Fahim Burney

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Rashid Nazir Ali

Akeli (اکیلی) on Hum Tv

Akeli (اکیلی) is a new soap drama on Hum Tv starting from 21st July 2015 at 7:30 pm.

Writer: Nuzhat Saman
Director: Nain Maniar
Producer: SM Abbas

 

Rashid Nazir Ali

Ishq Ibadat (عشق عبادت) on Hum TV

Ishq Ibadat (عشق عبادت) is a new half hour soap play of Hum Tv started from Tuesday 21st July 2015 at 7 pm. Though the month of Ibadat of our entertainment channels is over its effects are reflecting in the name of this drama.

Starring: Annum Fayyaz and Inayat Khan
Writer: Seema Ghazal
Producer: Faheem Burney, Concepts
Director: Faheem Burney

http://www.dailymotion.com/video/x2ysj26

Rashid Nazir Ali

Duaa (دعا) on Geo Tv

Duaa (دعا) is an upcoming drama on Geo Tv. In recent times Duaa on Geo Tv instantly reminds of Aamir Liaqut Hussain who has performed very well in a series of Duaa arranged during past week and months earning huge ratings as well. This time though the name is the similar but performers are different.

The lead performers in this drama are Ushnah Shah, Dainal Raheel, Zainab Ahmed and Junaid Khan. As per its FB page, it is the story of four friends.

No further description is available on its FB page so here are few posts from its FB page which might describe this drama.

“4 dost, 4 Khubsoorat rishtay, 4 Khush Zindagiyaan …. Per kaisi hai yeh Bad duaa?”
“Ghuntoon Baatien karna…. Chup Chupkay ik dosray ko dekhna… Dostoon Ki mehfil mai milna … Kiya piyaar mai esa hi hota hai?”

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Rashid Nazir Ali

50’s filmstar Sheila Ramani, passed away

i1950’s filmstar Sheila Ramani passed away on 15th July 2015 in India. Sheila was a Parsi born in Sindh in British India. After the partition in 1947, Sheila migrated to India and worked in many Indian films including Taxi Driver (1954) and Surang (1953).

As an Indian citizen, in 1956 Sheila visited Pakistan to work in few Urdu and Sindhi films produced in Karachi on the request of her Uncle residing in Karachi. Among them Anokhi (1956) is still remembered for its melodious song of Garri Ko Chalana Baabu (گاڑی کو چلانا  بابو)

Here is the song of Garri Ko Chalana Baabu (گاڑی کو چلانا  بابو) in the voice of famous singer Late Kauser Parveen featuring Sheila Ramani

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Rashid Nazir Ali

“Everything that happened was a conspiracy against me” – Ayyan Ali

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Ayyan Ali is out of the jail and feeling very thankful for all those people who supported her when she was in her most difficult time. Now that Ayyan has the opportunity to tell her side of the story she told her fans and anyone who would listen that she was innocent via twitter. Ayyan said that everything that happened was a conspiracy against her.

 

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Ayyan has also been busy meeting her friends. She also posted her first selfie in four months which was with non other than Waqar Zaka who himself has been part of many controversies.

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Why Bajrangi Bhaijaan is not a pro-Pakistani movie?

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Bajrangi bhaijaan was released a few days ago. As was expected from our emotional and Bollywood obsessed nation we rushed to our cinemas to watch it without even giving a thought towards supporting our own movies. Bajrangi Bhaijaan lies in the category of the ‘feel good’, self-glorifying movies made in India. These movies are basically about how Indians are really nice and are misunderstood by Pakistanis who have the emotional and mental capacity of an 8 year old. Veer Zara is a prime example of it.

Bajrangi bhaijaan is basically a movie about a speech-impaired Pakistani child left behind in India and how a kind and devout Hindu who is nicknamed Bajrangi bhaijaan takes her under his wing and takes her back to her family in Pakistan. On the surface this might seem like an innocent even noble gesture however as we watch the movie closely we’ll find a great deal of ridicule for Pakistanis not to mention the usual stereotypes perpetuated against Pakistanis.

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Here are some parts and scenes I found highly offensive.

1) The flabby policemen showed at the border.

2) The usual stereotype of Pakistan as some backward rural area. They couldn’t have depicted Karachi, Lahore or even Peshawar and Quetta, no it just had to be a village!

3) The Indian shown as the good guy trying to help and the Pakistanis as morons who get fooled by our glorious hero.

4) The usual parade of Burqa wearing women, Mullahs etc.

5) The idea that an Indian can basically sneak into Pakistan anytime.

6) The outdated formal Urdu. For God’s sake no one says Adaab or uses Janaab in the end of sentences in Pakistan. Urdu is evolving, ever-changing and fluid. I’m pretty sure that even In Lucknow people don’t speak the way they show Pakistanis to be speaking.

7) The idea that basically Pakistanis don’t know what is good for them and must be guided by an Indian.
Reminds me a lot of the white savior complex.

One more thing I read a review of this movie by a Kashmiri and he was brilliant in analyzing this emotional claptrap. The girl was a Pakistani Kashmiri and Kashmiris would be more likely to help one another in these situations. Infact in my opinion the girl who is a Kashmiri probably has relatives living on the other side of LOC who would be more likely to help her. He also criticized director Kabir khan for exploiting Kashmiris for this movie what with hiring seven thousand extras for a shoot in snow. According to him the poor extras hired for this movie had no choice but to silently nod and smile on whatever story the writer forces over them.

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What is sad is that Pakistanis are forgetting that just recently Bin roye was banned in Maharashtra and even more importantly that this movie basically stole an iconic and classic Pakistani qawwali sung by Great and late Aziz mian qawaal. To add insult to injury they had this sung by notorious turncoat Adnan Sami. I have forgotten the number of times Indians have used his example i.e. his desperate attempts to acquire Indian nationality to humiliate Pakistanis on Facebook. By the way why was he singing an Urdu Qawwali in a Kashmiri dargah?

To all the pseudo-intellectual Pakistanis bashing Bin roye online I just have one question. You would gladly watch any cheap masala Indian film but have suddenly acquired high-brow tastes when it comes to a Pakistani movie? Pathetic. As for people saying that at least it’s a start and this film is NOT AS BAD AS THE PREVIOUS MOVIES! I would just like to say have you heard the fable of the coffin thief and his son? May God give our people the strength to find some self-respect and national pride.

I rate Bajrangi bhaijaan 1 out of 5 stars and hereby formally nominate this movie for ‘Black Award for Emotional Blackmail’ category in Indian golden kela awards which ironically are themselves are a copy of the golden raspberry awards. LOL.

Talha Rizvi

Junaid Jamshed Clarifies The “Controversy” Against Him

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Junaid Jamshed has been under a lot of criticism once again because of his statement regarding women in his Ramazan show which has went viral on social media. Everyone including some celebrities were shocked how carelessly Junaid Jamshed gave a statement regarding a religion which gives women so much respect. People also made fun of him by making memes that proved that Junaid Jamshed discriminated against women.

junaid jamshed

There are of course also many people who think that some people are after Junaid Jamshed for no reason and they take everything he says in a wrong way.

Here is what Junaid Jamshed had to say about the whole issue:

http://www.dramasonline.com/junaid-jamshad-clarification-his-controversial-statement-against-womens/

 

Hamza Ali Abbasi Not Happy With Ayyan’s Bail

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Hamza Ali Abbasi keeps on sharing his opinion about everything that is hyped up by the media or is of importance for any reason despite of the criticism which he very often faces for having this habit of something to say about everything. Hamza Ali Abbasi thinks that social media is “not a place to show off what outfit i am wearing today or what kind of food did i have for lunch, infact, social media is a place to share opinions and ideas.”

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He also says that in our society sharing your opinion or having an opinion different from others is considered a taboo so he is working to break free from this taboo by giving people an open forum to disagree with him.

Ayyan Ali was recently bailed from court. Hamza Ali Abbasi thinks that it is very sad that the court let her go like that and he also does not like the way in which Ayyan Ali was given so much attention by the media.

HAA

Here is what he had to say about Ayyan:

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