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No one invited to visited Pakistan says Lata Mangeshkar

Bulbul-e-Hind (Nightingale of India) Lata Mangeshkar the legendary voice of indian sub-continent has turned 85 few days ago. Talking to reporter Khalid Mahmood of Urdu Daily Jang, Lata told that no one has invited her to visit Pakistan in past twenty-six years. “It is an irony that I have never visited Pakistan. I eagerly look forward to visiting Pakistan.” Lata further told once she was scheduled to tour Pakistan however it was cancelled just one day before departing to Pakistan. As per Lata, under General Ziaul Haq (former dictator who ruled from 1977-1988) government a cultural organization in Pakistan arranged the visit, however it was cancelled at the very last moment. As per Lata she will happily accept any formal invitation to visit Pakistan.

Lata has a strong bonding with Madam Noor Jehan another legendary artist of Indian sub-continent who migrated to Pakistan after partition in 1947. She was in contact with Madam Noor Jehan till her death in 2000. Lata is amazed that a website consisting of her early songs is prepared and operated from Lahore, Pakistan.

Full content from Urdu Daily Jang (25 September 2014)

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Rashid Nazir Ali

Are you excited for O21?

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O21 is Pakistan’s first spy-thriller movie. directed by Jami, co-directed by Summer Nicks and produced by Zeba Bakhtiar & her son Azaan Sami Khan.  The word spy-thriller is enough to be excited for it but there are many other reasons as well:

 It is the first Pakistani film to be released in 22 countries simultaneously including the United States, United Arab Emirates and United Kingdom.

1. Experienced actors:

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The actors are experts in their fields. We have seen them setting the screen on fire before, specially Ayub Khoso and then Shaan whose Waar was a super-hit, will return to the silver-screen.

 

2. Shan-Shamoon duo:

This duo was at its best in Waar. Their scenes were a treat to watch and there was a really good chemistry between them. Shamoon’s Ramal was a very interesting villain different from the regular ghundas we get to see.

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3. The trailers:

The promos are exciting and full of thrill. They, thankfully, did not disappoint me. The promos have definitely increased my interest. The editors did a good job by giving us the complete essence of the movie.

 

https://www.facebook.com/video.php?v=349430165189971&set=vb.534632663243664&type=3&theater

 

https://www.facebook.com/video.php?v=848756291831298&set=vb.534632663243664&type=3&theater

 

5. The storyline:

I will not give away anything here. The story involves Afghanistan and the turmoil it is facing. There are some alliances and some discord along the thrilling action-packed path which is, Operation 21.

The CIA factor is also compelling me to watch the movie.

 

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6.  The posters:

One word for them. Awesome! Just by looking at the posters you can realize how deep the characters are. The color combo is perfect and so is the wardrobe.

 

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We’ll get to see some new actors as well.

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7. The promotional pictures:

 

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Just 3 days left until O21 releases. It will be released on first day of Eid-ul-Azha.

 

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Areeba Mohsen

 

 

 

 

Fahad Mustafa’s yet another Taunt on Amir Liaquat

In response to Inaam Ghar by Amir Liaquat on Geo-TV. ARY launched a show few months ago called Jeeto Pakistan which is currently ON-Air and is being hosted by Fahad Mustafa. Jeeto Pakistan gave some serious set backs to Inaam Ghar and Amir Liaquat.

When Geo Entertainment received ban from Government just before Ramzan, Amir Liaquat had no choice but to join Express Entertainment to carry out Ramzan Transmission. Despite being hosted by Amir Liaquat Express Entertainment Ramzan transmission “Ramzan Pakistan” received less viewership from audience and Jeeto Pakistan was on top.

The frustration of less viewership had led Amir Liaquat to taunt on Fahad Mustafa. His wordings were “Pyaray Bachon jisko jo karna tha karlo kynke abu arhe hain”

In a latest promo of special Eid episode of Jeeto Pakistan Fahad Mustafa finally taunted back on Amir Liaquat. Click on a link below to see what Fahad Mustafa said.

Peer e Kamil (S.A.W) sequel will answer your questions!

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Umera Ahmed’s hit novel Peer-e-Kamil (S.AW) was the story of *spoiler alert*  Imama who accepted Islam and faced a lot of criticism from her family. It was the story of Salar and how Islam changed the life of a person like him who was drowning in sin.  Moreover it was the story of how both of them were meant to be.

Umera Ahmed’s unique style of story telling is appreciable. I fall in love with the way she narrates. The characters are well etched out and the story progresses at a steady pace.

Peer-e-Kamil was a novel which had everything you can expect from Umera Ahmed.  Readers fell in love with it and now a sequel to Peer e Kamil (S.A.W) is here. Whoever had questions about Imama and Salar’s happily ever after will be satisfied.

I am already waiting for the book form!

 

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Areeba Mohsen

Mausam Last Episode- And They Lived Happily Ever After!!

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Mausam tu badalte rehte hei Saman, zindagi ke mausamu ki tarha….The Khizan ka mausam finally came to an end with this last episode; Hashir and Saman both got their much deserved happy ending and they entered into the spring of their lives. Both these characters went through so much pain in this drama that it actually was very gratifying knowing that all their troubles had finally come to an end. There couldn’t have been a more perfect ending to the play. This last episode definitely fit the bill in all ways possible. Even after all the plotting and planning Shazia could not get her heart’s desire because Hashir and Saman both realized that they had to put their own happiness first. The change in Saman’s personality had to be the best aspect of these last few episodes. Saman decided to gracefully exit from Shazia and her phupo’s life because she did not want to be a burden. Even after Saman left Shazia kept on feeling insecure just the way a person does when they try very hard to own something which belongs to someone else. Shazia learnt her lesson well and I am glad that her mother realized that she could not continue supporting her daughter’s outrageous desires.

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Mausam was most certainly not the best play of this season but all the tracks of the story were nicely wrapped up in the last few episodes. Faisal’s exit from Saman’s life and the way Shazia’s true intentions were revealed to him and Saman couldn’t have been done in a more convincing manner. The way Saman realized that she did not want to let Hashir go and that she deserved better was also done in a subtle way. Until the last episode I could not imagine Saman having a change of heart but the way it happened was very believable. Now only if the writer had the same grip on the story right from the start too then Mausam could have been a very good play. Unfortunately, the story was stretched to the limit because there wasn’t enough substance in it to cover twenty episodes. The characters were too black and white which was the primary reason why most of the viewers found it very hard to relate to them. If the drama started with the same pace with which it ended then it could have been a very engaging play even though the script had nothing new to offer.

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I must confess though that even with all its flaws the fact is that viewers who followed this play throughout and watched Mausam till the end must be very happy with the way it ended. I am sure that many of the popular dramas which were far better than Mausam in every way were not able to give the viewers this kind of ending. This is exactly how everyone wanted this play to end. Mausam was a visual treat, there is no denying that but vibrant colors and good picture quality is not all that viewers want. Although all my sympathies were with Hashir in the end but Ahsan Khan needs to stop playing Romeo ASAP and I hope that Hareem Farooq gets to play a better role in her upcoming projects. The director did the best he could with the kind of script he had to work with. In my opinion the script of the play was its weakest link but I enjoyed the last few weeks of watching the play and reviewing it.

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I want to thank everyone who followed the reviews and especially those readers who took time out to comment. How many of you are looking forward to Sadqey Tumharay?

Fatima Awan

Another singer-turned-actor!

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Farhan Saeed, the former lead singer of one of the most popular and well-liked bands in the country, ‘Jal’ is now following the footsteps of his ex-band mate, Gohar Mumtaz. Seems like he too, is making his debut with Sohai Ali Abro on Hum TV.

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According to some sources, the title of the play is, ‘De Ijazat Mujhe’. Needless to say, it will be a love story with Farhaan Saeed playing the role of a hopeless romantic. Farhan Saaed and Sohai Abro’s couple looks so cute! No matter how cliche the story is, I am definitely looking forward to their play because Farhan Saeed has always been one of my favourite singers :)

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Check out the promos:

http://www.diggvideo.com/farhan-saeed-first-serial-with-sohai-ali-abro-promo_b71f27982.html

http://www.diggvideo.com/farhan-saeeds-first-drama-project-de-ijazat-mujhe_e04ef93ff.html

So what do you think of the promos? Are you waiting for the play?

Meet Abram Khan – Veena Malik’s Son

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Abram Khan is only a few days old but he already has a twitter account which it appears is being handled by his mother Veena Malik. Veena Malik keeps her fans posted about every single detail about her little baby who it seems is having a very fun time in the world until now. He has already gone out for shopping and is spending a lot of time with his father. Abram Khan already has more than 26K likes on his twitter page.

Here are the latest pictures of Abram Khan which will tell you what he has been upto lately!

 



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Mohabbat Ab Nahi Hogi- The end

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Kya rishta tha tumhara uskay saath? Jo rishta tumharey liye Allah ne aasmaanon pe nahin banaaya, koi zaroorat nahin hai ussey zameen pe banaaney ki… All this time, Fizza and Aazar went along with their betakallufi without worrying about the consequences. Fizza experienced first hand that staying alone without a wali made people suspicious of her and they were judging her day in and day out. Fizza never took the time to try and resolve her issues- instead she always acted before thinking things through. Aazar and Arham’s relationship grew even more stressful when Aazar disclosed Arham’s medical reports. At the same time, the news of Fizza’s pregnancy gave way to some doubts in Aazar’s mind because he was sure his brother wasn’t capable of becoming a father. What a big difference a little mistake can make! Aazar’s carelessness over the reports (he picked up the wrong reports) added fuel to the fire and caused Arham to doubt his intentions.

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Aazar finally took the stand to bring Urooj back home in the hope that it would lay Arham’s doubts to rest. Seeing Urooj support him unconditionally made him realize his shortcomings and he worked on improving his marriage. Hum mashriqi logon ka yehi almiya hai…khaandaan mein ek shaqs ko bahar bhijwaatey hain… aur baqi sara khaandaan uskay paison pe aish karta hai… hamaari farmaishon ki lambi list unki jawaani ko nigal laiti hai… Aazar decided to become independent and take responsibility for himself and his family. He felt they had exploited Arham, albeit subconsciously and deprived him of his chance at happiness.

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Uzma, the fasaad ki jarh finally got a much needed reality check- Bhawajo ki taraf ghaur-o-fikar karna chorrdoh…. It was Uzma who started spinning one story after another until everyone started assuming that whatever she was saying was true. The nand- bhawajj equation was shown very realistically. How many times have we seen things blown out of proportion due to such petty misunderstandings?

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Aazar admitted they were both as much to blame for the situation than anyone else- Hum nadaani mein itney betakalluf hogaye ke dosro ki nazron mein khatakney lagey…Har who cheez jo limit se bar jaye aise hi problems create kerti hai… Fizza learnt one of the most valuable life lessons through her experiences- Mujhe pehli baar ehsaas horaha hai ke larkiyon ko kitney mohtaat tareeqay se zindagi guzaarni parti hai… unkey bewaqoofi mein uthaye huey qadam unhey zillaton ke gehraiyoun me giraa sakti hai…

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The story kept me thoroughly engaged- it helped that it aired twice every week but despite that, the pace was perfect and maintained my interest. Every episode had something new to look forward to. In retrospect, there were so many life lessons that this simple gharelu story managed to convey in a span of 17 episodes. Everything had a logical conclusion- Arham apologized profusely for his mistake; Aazar realized he was at fault and rectified his actions; Urooj learnt that patience is a virtue and she got her life back on track; Fizza realized that her life was always beautiful and it took such extreme circumstances for her to appreciate all that she had. I really liked the inclusion of Ashar- very rarely do we come across such a genuinely, selfless friend who took the time to try and reconcile the differences in Arham’s life. The ending was just perfect in every way. This should serve as a reminder to Hum TV and other channels that sometimes it’s the simplest of stories that manage to click with the audience. What started as a drama I started watching merely out of a lack of viewing options, turned into one that I looked forward to week after week. This was not a big budget affair- no foreign locations, no big names associated to the project, yet it delivered exactly what it should. The actors deserve to be applauded for their performance- Armeena suited this role perfectly- it was almost as if this role was written with her in mind. Jibran played his part well. Ali Rehman was thoroughly entertaining and I liked how he took charge of his life. Laila Zuberi is always a pleasure to watch- I especially loved how she wore matching shawls with her outfits. What did you think about the ending?

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Yours in watching,

Kanwal Murtaza

Chup Raho – Episode 7

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Until now I had a difficult time feeling for Rameen’s character but tonight Sajjal Ali’s portrayal of a young vulnerable victim was perfect. Rameen’s mother’s character however is unrealistic to say the least and the fact that the actress playing the role fails to bring out the best in her character does not help at all. I couldn’t help blaming Rameen’s mother for everything that has happened to her daughter till now but I don’t see this woman regretting not believing her daughter the way it should have been shown. I find myself comparing the character and the acting with that of Shagufta Ijaz’s character in drama serial Roag. I could feel the remorse which that mother felt for being careless, she blamed herself and underwent a complete personality change after her daughter was raped. Rameen’s mother on the other hand seems to be causing more damage to her daughter. Rameen was wise enough to call off the engagement with Azar because she was not ready and also most importantly because she knew that once she got married to Azar it might be impossible for her to stay away from Numair. Rameen’s mother on the other hand for some odd reason thought that this marriage was the solution to all her daughter’s problems, didn’t she realize that it maybe impossible for her to protect her daughter once she is married since she won’t have the sort of say in her life the way she had when she was not married? Staying silent is one thing but not being able to put your foot down in order to ensure your daughter’s safety even after everything that happened is a completely different story which I for one cannot relate to at all!

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Rameen’s worst fears seem to be coming true one by one and Numair’s plans appear to be falling into place perfectly. I must say that the most convincing character of this play has to be that of Numair, I am sure non of the viewers have a problem with understanding his mindset. Numair plays mind games with Rameen without any fear, he knows he is in charge when he is around Rameen. Syed Jibran’s brilliant acting makes this character come to life; the first few episodes in my opinion belonged completely to him. He makes you hate his character although I do feel that his hairdo and beard look too made up and at times prove to be distracting! The make up in general is quite disappointing and so is the lighting and picture quality.

Arjumand Rahim has been superb as the trusting wife who thinks that her husband is the best thing that ever happened to her. Azar is young and immature, he might have promised Rameen a lifetime of happiness but I am surprised that he does not even question the big change in Rameen’s personality. We see him getting annoyed with Rameen’s behavior but he has known Rameen long enough to know that she wasn’t always like this so howcome we don’t see him asking her the reason for this sudden change in her personality? Azar’s sister’s character also has an important role to play in the story but the actress playing the character stands out like a sore thumb. Her character is genuine and likeable but the monotone dialogue delivery does not allow you to connect to her character.

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Rameen’s mother’s helplessness is beyond me and I think the writer put in very little effort while penning down the character. This drama has been very “happening” right from the first episode but it is definitely not Samira Fazal’s or Yasir Nawaz’s best work. Why do I get the feeling that Numair’s character alone was the inspiration for writing this story? It does look like the writer did a lot of homework before sketching his character but failed to do justice to some of the side characters. I think it is time to move the story to the next phase. We did see in the promos that Rameen was going to speak up at some point. I want to see how Azar and Manal react once they find out the truth. The question is that will they find out the truth anytime soon? I sure do hope so because otherwise the story will only be going around in circles.

Do share your thoughts about this latest episode.

P.S: Rabia could not continue reviewing Chup Raho because of personal commitments therefore I will be reviewing it from now on:)

Mahira Khan

Fatima Awan

Shanakht – Episode 09!

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Yayyy, I knew it, the thing we wanted to see the most would be covered in this episode & luckily, the whole episode revolved around our favorite Annie & Rohaan, so once again like I always say, I’ll say it again that I enjoyed watching Shanakht tonight. :)

As usual, Rohaan mother continues to be unreasonable because she thinks her son & her DIL (daughter-in-law) are being disrespectful towards her & her feelings just because Annie doesn’t agree on removing her Hijaab & Rohaan supports her. The way Rizwan gave in while speaking to her also went to show that she has always been irrational & just because she has had a submissive family, she has become a control freak who wants to control everything that happens under the roof of her house but little does she know that Rohaan has changed & he will always stand by the right, irrespective of what his mother would want.

On the other hand Huma’s also being stern on Rohaan as well. Till date she thinks he isn’t suitable for Annie & to add to her woes, she saw how Annie was left behind but being a mother I feel all her worries do seem realistic & rational but I also wish that she starts looking at the other side of the picture as well where she understands Rohaan as a person & sees through him keeping his appearance out of her mind because till now, as much as Amjad appreciates Rohaan, Huma still seems a bit uncomfortable at Rohaan’s mention & she still hasn’t come to a point where she’d praise him for all the efforts he has put in.

I must say the best part of the whole episode for me were the little conversations Annie & Rohaan had with each other. Even though it was obvious that Annie will never speak up for herself but at least what surprised me the most is that when it comes her Hijab, she does share each & everything with Rohaan about what she feels, how she doesn’t mind people’s comments & what’s going through her mind. I also liked to see how Rohaan is constantly being attentive towards his wife & making sure that she feels comfortable. Even though Annie doesn’t say much to him regarding the behaviour of his family but the way he apologizes to her for the things she has to face goes to show that deep down he’s well aware of the fact that his mother’s being rude for no good reason but all he can do for now is to stand by his wife & be patient at his mother’s irrationality.

Even though I am glad they didn’t delay the story by unnecessarily focusing on Kashaf’s wedding, but the opinions of Annie’s in-laws did contribute to the story as they clearly seemed ticked off as to how Kashaf was having a grand wedding whereas Annie didn’t, but just because Rohaan took all the blame on himself, it shows that Annie doesn’t need to worry much about what her in-laws think because now she has Rohaan’s back & he’ll support her no matter what.

Few of the bits that I enjoyed particularly were the way Annie got awkward when Huma directly asked Rohaan about the honeymoon plan. It was really cute followed by another perfect scene where Rohaan & Annie openly discussed how their mothers are being staunch but they’ll do whatever it takes to change their opinions. I love Rohaan’s easy-going take on such matters because he knows that being rigid would only make things difficult, so all he has to do it work towards it light-heartedly with a lot of patience. This episode gave us a feeling that as much as Annie & Rohaan are getting to know each other, they are respecting each other more. I loved how Rohaan continuously kept on telling her how much he felt sad in her absence. I also loved the conversation where Annie shared the things her father said about Rohaan, it showed that as much as she was thankful for having such a good husband she was proud of the fact that Rohaan’s a great human being too.

I must say even though Rohaan’s sisters didn’t have much to contribute to the story till now; I am glad that the writer/director has used each & every character with a lot of planning where everyone has to offer a thing or two to the viewers. Till now I found his sisters just as fillers in the story but seeing the trouble Zubia got herself in & the way Annie got to see her, I am sure Annie will play some sort of a role that will make Zubia regret what she used to feel for Annie & how she misjudged her.

I also appreciate the director for the fact that even though Hashim, Shireen & Ahmad don’t have much to do now in the story, they always have a scene or two just to show they’re also a part of the play. I am glad that Rohaan called Hashim, which shows that his friendship means a lot to him but I still feel it’s the only flaw in the story that Hashim hasn’t yet found out that Rohaan’s married to his cousin Annie, that too when we know that Rohaan is Rizwan’s son who happens to be a business partner of Hashim’s father. I mean being the only son, Shireen has always shared each & everything with Hashim, so I feel it’s highly unlikely that Shireen didn’t share details with Hashim about who Annie got married to, what was the name of her husband, what’s the guy & his family like, that too especially when they knew Annie was lucky enough to have found a guy who matched her mindset, so all the more reason to be more elaborate about Annie’s husband. Nevermind, other than that it’s a great drama & I want to know what would Hashim’s reaction be like when he’ll return to Pakistan to find out that Rohaan’s the one Annie has gotten married to. I hope the way Huma has such high regard of Hashim, he convinces her that Rohaan’s a gem of a person & Huma gives in.

I think it was once again a mistake on the editor’s part where they kept on showing the mean things Haris would say as the upcoming bit but seems like that scene will be a part of the next episode. I really liked the way Rohaan covered up what Haris said about music. I am looking forward to that conversation for sure. I must say I am glad that Kashaf still has good feelings about Rohaan & she respects him because she knows that Annie’s happy with him.

So, this was it from my side, once again a review full of praises for such a nice drama & a beautifully executed episode. Share your thoughts on this episode please & let me know how much you enjoyed/loved watching it? :)

Keep Supporting,
Cheers,
Zahra Mirza.

Anoushay Abbasi’s Baraat Pictures

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Anoushey Abbasi’s baraat pictures were posted by her brother Shamoon Abbasi on his facebook page so that her fans could see how she looked on her wedding. Shamoon Abbasi also stated that he was very happy for his sister.

Here are the pictures:

 

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Latest Pictures Of Mathira With Her Family

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Mathira’s husband’s identity has been fully revealed now, he is a rapper, singer and music producer based in Dubai. Mathira and her husband have recorded an Eid show for Duniya TV therefore whoever wants to find out more about the couple can watch them on the Eid show in a week or so.

Mathira and her husband have been busy with their baby and also their work. here is a video of Mathira’s husband’s song who is known as FlintJ:

 

 

Here are some latest pictures of the couple and FlintJ with their baby:

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Anoushay Abbasi Dholki Pictures

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Anoushay Abbasi is well known for her versatile acting and she is also related to two very famous celebrities Shamoon Abbasi and Javeria Abbasi. She tied the knot last night with Ainan Arif who is the son of former cricketer Tasleem Arif Abbasi and actress Rubina Arif. The Dholki was a grand affair, here are some of the pictures which Anoushay decided to share with her fans. We will post the baraat pictures as soon as they are posted on the web.

 

 

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Actors Who Overdo It!

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Ohkay so, we; the masoom viewers have been put up with a lot lately so I thought it’s a high time to reciprocate some honest & heartfelt feelings about certain actors who’ve given us a hard time. I have always known that exaggeration is one such thing that will annoy any person therefore I feel before joining showbiz, our respected actors worked really hard & practiced harder; the art of exaggeration that’s why sadly they’ve taken it to a whole new level.

I think it’s about time to dedicate a whole article to the bunch of exagger-actors who love to overdo things that they’re needlessly comfortable in & oh it just hit me that I’ve introduced a new term i-e exagger-actors. Sounds good right? :) I must say recently we’ve seen all the exaggeractors sticking to certain things that made the viewers pull their hair out but unfortunately, every single actor’s so hopelessly & helplessly comfortable in what they’re doing that even after the viewers have given up on them they’re continuously doing what they’re good at. I must say it takes a lot of courage to not budge & be allergic to experimenting. So, there you go:

Mawra Hocane who overdoes crying without glycerin:

Yes, she’s someone who has forgotten that there are some other expressions & emotions that a normal healthy human being is capable of experiencing but seems like by default she’s missing a vein which stirs the expression of smiling on a face therefore all that we see her doing is:

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Sami Khan who also overdoes crying with glycerin:

Not sure who wins the crown for being a rotlu of Pakistani drama industry Mawra Hocane or Sami Khan but seems like they decided that she should be a crying queen while he can be a representative of all those men who love to cry, hence he’s a new-found crying-king.

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Yumna Zaidi who overdoes expressions:

Ohkay, I must say she’s someone who rolls her eyes at a speed of 10000000 rps (rotations per second) therefore it really gets hard to watch her because she can give you an eye-ache.

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Ushna Shah who overdoes asthma:

Looks like the poor girl is suffering from asthma that’s why she frequently runs out of breath while speaking. Can someone please buy her an inhaler so that at least she has enough breath to complete her sentence without shivering?

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Maheen Rizvi who overdoes an accent:

Seems like she chucked a handful of walnuts in her mouth, that’s why she has a hard time delivering her dialogues without faking an accent. Can someone make her barf those akhrots out, please?

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Mikaal Zulfikar who overdoes glutton-ness:

He’s a guy who’d only smile at a dining table. Who’d be seen hovering around food to sniff it, he’s someone who’d be ecstatic at a sight of an approaching food tray. Yes, he’s someone who’d kill for a piece of ROTIIIIIIII, therefore:

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Hareem Farooq who overdoes calcium hydroxide i-e choona on her face:

Yes, I think in the wee years of her life, Casper was the first children’s movie that she saw & ever since she has been so inspired by the character that she feels it’s her duty to become an ambassador of Casper’s fan club in Pakistan.

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Ahsan Khan who overdoes unrequited love i-e nakaam ashiqui:

Yes, he’s someone who just doesn’t believe in giving up on love. He’s someone who’s blessed with a misfortune when it comes to love but he keeps on trying again & again & again & again till the word again doesn’t want to appear again.

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Adnan Siddique who overdoes midlife crisis:

I know the cat’s out of the bag already as Adnan Siddique’s guilty of working opposite the youngest of all female co-actors & then we do get to see him getting a bit too cordial with them unnecessarily. The latest flick was with Mawra where he felt an apple would taste good if he looks at her while eating it, ahem!!!

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Saba Qamar who overdoes the usage of her nostrils:

Yes, even though she’s a great actor, I feel she relies a lot on her nostrils to express herself. I wish she puts her nose to rest & starts using other facial features for expressions. I am sure she’ll be surprised herself.

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So, there you have it. My list of exagger-actors who need to either stop what they’re doing or should experiment to sustain in the industry without making their fans too bored with their typicality. Share who do you feel is an exaggeractor & who’s too scared of experimenting. :) Share your thoughts on this please.

Urwa Hocane Wedding

Keep Supporting,
Cheers,
Zahra Mirza.

Lux Launches Its New Bar With Style

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Lux launched its new bar with style in an extravagant event attended by all the famous celebrities of the fashion industry. Fawad Khan and Emaan Ali were the stars of the evening as the focus was on them because they are the new brand ambassadors of Lux.

Here are the pictures from the event:

 

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Shikwa-Episode 21

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Let me start by making an announcement: this play really IS turning into a shukk-causes-destruction drama. The episode literally had ‘been there seen that’ written all over it.

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Anyone watched drama serial, ‘Meri Beti’? You see, thinking of a whole NEW story, and a completely FRESH development is a bit too exhausting, don’t you think? So our dear writer tried to take some ‘inspiration’ from Meri Beti. Samjha karo yaar! Writers bhi thak jatay hain, akhir ko who bhi insaan hain! In order to see her daughter tie the knot, Shariq’s mother wants him to agree to ‘watta satta’. And what amuses me even more-the actress who played the role of Junaid Khan’s sister in Meri Beti is Shariq’s sister in Shikwa too LOL. Shariq and Sidra’s side track was already a complete lackluster and by this obvious attempt of plagiarism, I am convinced that their main aim is to put the viewers to sleep. Believe me-now I can expect absolutely ANYTHING from ARY.

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For a change, Firdaus Aapa was a tad bit tolerable (if not likeable) in this episode. That phone conversation with her son went on to show that even though she doesn’t admit it a loud, she does regard the way Mehar cares for her. Chalo, ek aur taraqqi hogayi! And I also liked the way she defended Mehar in front of Yasir. Haha, I never could have imagined myself using the word ‘like’ for something Firdaus Aapa had said/done :P

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At first, I was getting the impression as if Mehar is deliberately trying to get extra-candid with Yasir but no- even when she went to the beach with Yasir, she made it clear that ‘Mei Mrs. Saqib hoon’. However, I still think going to the beach with someone like Yasir just to ‘kill time’ wasn’t something quite appropriate-especially when Mehar knew what kind of person Yasir is. Apart from getting a job overseas, Yasir’s purpose behind spending time with Mehar was also to make her develop feelings for him (at least that’s what I could gauge).  The only scene I found a ‘bit’ likeable was the last one. Firdaus Aapa and Mehar both gave Yasir a long-awaited shut-up call. By the way, don’t you think the camera focused on his facial expressions for a bit too long in that particular scene? I think Yasir now has some kind of revenge brewing up in his mind OR maybe the way Mateen was pushed out of the picture, Yasir would be gone for good too (I hope so). See, this is what I was talking about-the writer uses Yasir just for the sake of some tension and climax, and that’s about it! Now the only person who concerns me is Saqib. He seemed pretty sure kay ‘Mehar mujhay dhoka day rahi hai’. To be honest, I think the writer is too tired to have a clear plan as to what to do with the story.

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All in all, it was one dull and dreary episode. As much as I enjoyed the last couple of episodes, this one proved to be an uttter disappointment. Did you guys watch the episode? Please share your thoughts on it.

Maryam Mehdi

Samira Fazal In Trouble For “Stealing” A Story

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Until now Pakistanis dramas have only received unprecedented appreciation from the Indians but now it looks like things are about to take an ugly turn. Mera Naseeb, which was a big hit in Pakistan because of its crisp story and sharp direction is now being aired on the Zindagi Channel in India.

Many of the viewers in Pakistan have been saying it over and over again too that this was not an original story but Samira Fazal’s drama Mera Naseeb was based on a story written originally by an Indian writer Chitra Banerjee Divakaruni, this story was titled “Sister Of My Heart”. Until now, many people had a hard time believing that a writer like Samira Fazal will copy someone’s work without asking that person first even though it was mentioned in the credits of the drama that it was an adaptation.

The writer of the original story has spoken up against what happened and she intends to do everything in her power to seek justice.

Here is the status update of Chitra Banerjee Divakaruni:

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Aahista Aahista – BURRRAHHHH!!!!

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First of all, Congratulations to the survivors of the apocalypse named Aahista Aahista. From the bottom of my heart, I congratulate all the viewers who survived through this torture that ended today after 18 weeks. I congratulate every single person who watched this play just to extend a shoulder for others to cry on. I must say, I salute you all because without you beautiful people out there, this wouldn’t have been possible. Congratulations once again to all the viewers & from the bottom of my heart, commiserations to the writer for giving out the Biggest HIT of the year 2014. *coughing sarcasm*

Ohkay so, the epic fail & flop of the season Aahista Aahista actually ended Aahista Aahista where it was hard for me to just sit through the last minutes of this play because I really felt I couldn’t take it anymore but I sat through it for the sake of my awesome readers. The drama has ended & we all saw the note at which it did. So, any surprises there? I know, ZERO!

The guy, who practically had no scenes in the entire drama, covered the whole last episode just to show how ‘important’ he was. Mustafa never really made an appearance in between the drama & rather seemed pretty satisfied by being that random chummy Pakistani bwoy who tries to start a conversation with you for no good reason, but by the end where it was pretty clear that Haya met him just a couple of times that too at Nousherwan uncle’s place so just like that he ended up being someone who was ears to Haya’s problems. She seemed pretty reserved & awkward in front of him but when did it happen that she ended up sharing all her secrets with him? It just doesn’t make any sense, but then, why are we trying to fish for some ‘sense’ in this otherwise senseless drama? Eh!

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I thought the nagging nagin Sofia was over Awazaar as she filed for divorce herself but seems like the writer didn’t want to give the moment of glory to any female viewer by making one single female character stronger to stand up for the right, that’s why she still made Sofia look weak & helplessly in love with Awazaar even after he chucked her out of his life like a tissue with his booger (nasal mucus) on it? She still felt she could fix her hair & that will make Awazaar draw his attention towards her? I mean seriously?

Oh & yes, how can we forget the BEST character ever seen in the history of Pakistani television; Mr. Awazaar, who himself had no energy left by the end of this drama & that’s why he looked bored, indifferent, irritated, lethargic, depressed, forlorn & to sum it all up – AWAZAAR. But like I said, I really feel writer was in love with the fictional character that she created in her imagination, that’s why like a concerned mommy she made sure that he wasn’t left alone & before the drama ended, she wanted to have a sense of joy by making sure she arranged a lifelong paratha supplier for Awazaar in the form of Haya.

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I don’t understand, if Haya had to run back to a spineless man while herself missing a backbone & a necessary thing called brain, then why did she end up dragging the episode with her continuous caterwauling of how much she hated Awazaar, how much she detested him, how he wronged her & how she was NEVER going to forgive him?

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Finally, I still stand by my stand that the writer has no skills whatsoever where she forgot to create some characters & the story but what disappoints me the most is that the sane (?) producers of Hum TV threw in such big budget for such a pathetic drama? What message was the writer trying to give out through this story that no matter who Pakistani man’d marry, he’ll only be loyal to jawaan, gori, lambi, maasi? I mean please, give me a break. The writer should really relax & think about what she was trying to convey & what disaster was churned as a result. I seriously advice the writer to take a trip to America herself, sit by the Golden Gate Bridge & think about some fresh ideas Aahista Aahista.

A big fat thank you to all the ah-mazing readers who supported me through thick & thin while watching this mind-boggling, oxygen-sucking, breath-vacuuming, blood-boiling drama; Slowly Slowly!

Keep Supporting,
Cheers,
Zahra Mirza.

PS: Ye Meinne Sochaaaa, Kabhi Nahi Tha, Ye Drama Dekhne Kiiii, Saza Milegiiii!!!
(Courtesy: Mausam’s OST, another masterpiece written by the same writer – Aliya Bukhari)

The “Sapnon Ki Rani” Spree!

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Mere sapnon ki rani kab ayegi tu! 

The rant of every hero nowadays. Life is so mean to them na!  First they find their girl after so many coincidences and then she is snatched away from them! haww!!

The golden tips (note sarcasm) for finding soul mates are:

 

1.  She’s probably the daughter of your khaala or phuppo.Better pray your cousins are beautiful like Khirad and others.

 

2.  If you are zabardasti-ly getting married to someone, better not protest. That’s how you’ll find your soul mate.

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3. Have your eyes on your cousin? Tell you grandmother or mother or dad to become ill and then call a family meeting in which she will set the wedding date for you two or threaten to die.

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4. If not that, then at least ask her to TALK to your love interest. But NOT in a less dramatic way.

apni-kahani-kese-kahein

 

 

 

 

5. Avoid telling your cousin about him/her. Hide it from your best friend as well. They’ll turn into your worst enemies once they hear about the special one.

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So follow these tips and you’re safe.

P.S: I am not targetting the actors, only the characters.

Areeba Mohsen

 

 

Tonite With HSY- (Maria Wasti & Ayesha Omer)

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Once you see it, you cant unsee it. That’s exactly what happened to me after watching last week’s episode where the uber talented Hamza Ali Abbassi was mimicking HSY. Now every time I see HSY, I can’t help but think out loud “Fabulous”! Moving on, the guests this week were Maria Wasti and Ayesha Omer. Before anything else, I have a bone to pick with whoever is in charge of the wardrobe. You’d think on a talk-show hosted by one of the greatest designers in Pakistan, the guests would make a conscientious effort to look (dare I say it) fashionable? In walks Maria Wasti sporting the most unkempt bangs and a tacky looking top that’s screaming for attention. Fortunately for her, her confidence more than made up for her lack of presentation. Together with her home mate (for a moment I thought he said home-maid), both Maria and Ayesha Omer were engaging, confident and fairly unabashed. Maria admitted having a special man in her life- although she felt she’s still discovering if he’s the one. Ayesha was relieved that for once in her life, she was a free bird and enjoying every bit of her life. These two ladies have been friends for the longest time and living together for over 10 years.

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HSY stated he was way out of his league as he felt a little inundated by their strong presence. The questions seem to be more or less the same in every episode and I think it’s time for a little experimentation. Nevertheless, both ladies kept the conversation flowing and there was not a dull moment which took me by surprise since I’ve never seen Maria Wasti before and I was skeptical of her being on the show. They even had a Meera moment!  Ayesha Omer spoke about her upcoming movies- Yalgaar ans Waar 2. She sure seems to be going places and is committed to breaking free from the image of Khoobsurat from her sitcome “Bulbulay”. She spoke about how critics drive her and all those mean tweets about her music inspired her to do better. Deep down, her passion is painting over anything else- music is simply her hobby and acting is something she enjoys doing. Maria Wasti is contemplating direction since she feels she has plenty of experience under her belt and it’s time to move forward. Speaking of regrets, Ayesha spoke about how she is quick to trust people and a few years ago they became the subject of controversy. As far as I can recall, there were some leaked photos of Maria Wasti and Ayesha Omer holidaying in Thailand. They attribute this incident to their lack of awareness of how popular they were. Since then, they’ve learnt to be cautious and don’t use social media much- Maria admitted she hates selfies and Ayesha added that if you’re too busy capturing the moment, you fail to enjoy the moment.

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Coming to the challenges, I think someone is paying close attention to what the viewers are saying. The sound quality has definitely improved and it made the round Ajnabee Kaun Ho Tum a little more interesting since the callers (Angeline Malik and Ijaz) were loud and clear without any background noise. However, the Love or Don’t Love round fails to strike a chord with me till date. The guests made this episode a fairly good watch. I am curious to know who else HSY has lined up for the upcoming episodes and I hope the show keeps me interested. What did you think about Sheru and his guests? Are you looking forward to more episodes?

Yours in watching,

Kanwal Murtaza

Iqrar, upcoming drama by Geo Tv

Geo TV’s own production house A&B production is coming up with another drama name Iqraar starring Faysal Qureshi, Resham, Shamoon Abbasi and Maheen Khalid Rizvi. The teaser of drama is out and it has the signature feel of A&B production means a depressing story of badnaseeb badqismat dukhhon ki maari aurat who is grateful to a stiff and over emotional Faysal Qureshi for not dumping her despite having some other issues. Not to forget there is a signature depressing OST in the background too.

Here is the first teaser, har pal geo:-)

https://vimeo.com/107193299

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Rashid Nazir Ali

Firaaq-Episode 4

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Now that was one well-directed and fast-paced episode! I thoroughly enjoyed watching the episode because for a change, it revolved around Paymaan and Imroze :)
Paymaan doesn’t believe in herself and the way she dumped her sketches in the trash can, labeling them as ‘Ek pagal larki ki ulti seedhi lakeerain’ went to show her lack of self-confidence and how much she under-estimates her skills and capabilities. The scene in which Imroze scooped up the sketches from the trash can was actually pretty cute :)
Now listen to this: Imroze ko ‘buss mohabbat hogayi’ because just being with Paymaan makes him feel better! At least that’s the way Imroze puts it! The question that arises is: WHY? There’s always a reason why being with someone makes you feel happy, right? You meet people every day and you don’t fall in love with them just like that. Considering what we have seen up till now, I feel the writer didn’t work very hard when he was penning down Imroze’s character. Not much about this guy makes any sense to me :P

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The ‘unique’ proposal scene was well-executed. But I found it slightly unnatural because for a girl who spent her entire life under the shadow of such a conservative and controlling mother, going to a complete stranger’s house all alone and allowing him to hold your hands is a bit hard to digest. But other than that, it was brilliantly directed and it was a treat to see how ‘thoughtfully’ Imroze had arranged Paymaan’s sketches. Paymaan was obviously taken aback when he proposed her, but ‘thank you-mujhay itnay unique tareeqay say propose karnay kay liye’ went to show that Imroze’s sudden confession didn’t come across as a negative surprise to her. Paymaan has developed feelings for Imroze and her feelings are justified and understandable because no one ever made her feel special the way Imroze did and she admitted it aloud too-‘aap mujhay itna special feel karatay hain’. Paymaan too wants to start a new life with Imroze.
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But then again, things don’t always go as you planned. Shams and Sara are keen to see Paymaan and ROOMI as a couple. It’s crystal clear that Roomi doesn’t harbour any special feelings for Paymaan because when Sara asked him what he thinks of Paymaan, he did NOT give a green signal. Neither did he nor Paymaan give any wrong indication to Sara but God knows why she told Shams that Roomi and Paymaan are interested in each other and what’s more-the duo are now planning their wedding?! Paymaan should have clarified the misunderstanding but like any mashriqi, seedhi sadi larki, she remained silent.

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And yes, we got to see more of Tabassum-she wants the world to know (her children, in particular) that she is hatti katti and doesn’t need anyone by her side. In fact, she is determined to prove that she is better off without them! Shams ‘explained’ his decision of taking Paymaan away by saying ‘aap nay mujh say meri maa cheeni aur mei nay aap say aap ki beti-hasaab barabar.’ I really want to see how they wrap up this track.
I let out a huge sigh of relief after seeing the next episode’s preview-seems like Roomi will come to the rescue and clear up things. But Sara’s role seems a bit fishy. What are her true intentions? Only time will tell ;)
Did you watch the episode? What do you think of it? Please share your thoughts.
P.S: As you folks must have figured out, I am covering up for Fatima. I hope you guys like the review, because Fatima herself is a flawless reviewer :)
Maryam Mehdi

Bashar Momin – Episodes 18 & 19!

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Ohkay so, surprisingly the recent twists & turns in the drama were unpredictable. I don’t know why but I kind of have mixed feelings about the play because if all this had happened at the right time, with a margin of rectifying Rudaba’s status, then all this would’ve made the drama a lot more interesting but for now, in my opinion, it’s coming across as a stunt for prolonging the drama & delaying the ending.

Bashar thinks he played the game well & because everything fell into its right place, he has now disclosed what his real intention was. Bashar has finally let go of the big secret that he never planned on getting married to Rudaba & he just used her as a pawn to get Tayyaba what she wanted; which was Buland. Very conveniently Bashar thought backing out from this commitment would be easy because he never took Adil seriously as he knew Adil was enslaved by all the favours Bashar has done & has been doing for him. As usual, he used Saira to manipulate Rudaba so that she could talk her out of this relation but to her surprise Rudaba’s mentally prepared for a lifelong commitment because of the principles her father has taught her. I must say this was a good move on the writer’s part but if we think of it, it doesn’t look as convincing as it would have, if, Tayyaba & Buland had not gotten married & there was still a chance lurching for Rudaba & Buland’s reconciliation.

I am glad that Adil has mustered up enough courage & is taking control of the situation which he should’ve done way before. To my surprise, Adil decided he wouldn’t let Bashar walk over him & Rudaba anymore even if it meant sacrificing his own marital life. I think this is what Adil should’ve done ages ago when he himself was aware of Rudaba’s pain but just like others, he chose to trust Bashar more & that’s why he thinks it’s about time he undoes the damage caused to his sister by all these conniving people because Adil has pretty much understood that Saira was also a part of Bashar’s strategy, which to some extent isn’t true as she herself wasn’t aware of the fact that Bashar never loved Rudaba. I think Adil feels burdened by the guilt & that’s why he took such a stern decision without even worrying about his daughter because otherwise a guy who’d agree to a proposal of Bashar & Rudaba for the sake of 25% raise in his pay, nothing else could’ve forced him to take such a strong stand.

Seems like Buland was quite settled with Tayyaba in his life but he returned at the right time to pick some gruesome details about his life & wife. I think by now he should die of shame for being absolutely brainless & to have believed in everything but the truth. Fortunately, Ramzan Chacha told him everything that he needed to know but sorry, I didn’t even feel an ounce of sympathy for him because he himself ruined his life as he clearly had trust issues. Now even if he decides to cry buckets, nothing will undo the embarrassment Rudaba had to face because of him time & again.

The recent episode was really slow with all those flashbacks & as usual long conversational scenes but I must say, Bashar’s media interview didn’t really make sense because he’s a supposed don & probably no one interviews such people that too where the focus is more on their personal life or how nazuk & andhi their prospect wives should be. I really wish if they wanted Adil to find out about Bashar’s true feelings for Rudaba, they should’ve done it some other way where may be Adil had eavesdropped on him talking on the phone to Tayyaba or something but to show an interview of Bashar wasn’t the right way of progressing the story. I also feel Buland’s return didn’t help the story in any way because they showed he’s pretty settled with Tayyaba so to make him aware of how he was treated as a stooge didn’t really affect the story much. & oh yeah, there was a lot of debate on Rudaba & Tayyaba’s same bridal dresses & luckily for us all, that issue was sorted because Tayyaba & Rudaba got the same things for their wedding. To see Buland getting swayed thinking about Rudaba while speaking to Tayyaba in that scene was ridiculous. I really wish he takes some time out & goes to a good psychiatrist because he doesn’t seem normal to me at least.

At this point we can’t be so sure about the ending & this uncertainty definitely stirs the sense of curiosity for which I am definitely tuning to this play next week to find out how things unfold. Share your thoughts on this week’s episodes of Bashar Momin.

Keep Supporting,
Cheers,
Zahra Mirza.

6 Tasty Ads to Increase Your Appetite This Eid!

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   One thing that makes my day is good food and dieting , for me, is like lame dramas. Can’t stand it! What I love the most about Pakistani ads is that they never disappoint me when it comes to showing the tastiest foods ever. Whether it be Shan or National, Sprite or Coca Cola, they’ll show foods that will increase your appetite.

With Baqar Eid around the corner I thought I’d compile a list of ads that make waiting for Eid the hardest task ever. They’re just so tasty!

 

1. Coca Cola TVC (2-3 years old)

This was Sana Javed’s first commercial and this one tops the list for two important reasons.

1. Amazing food.

2. Amazing camerawork. The skill with with the camera was used amazed me! There were so many colours everywhere that no matter now many times I saw this ad, I was stunned!

 

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Snaps of the food:

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SANAM BALOCH

 

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http://domaze.net/watch?v=D16vWWOcKxk

 

2. National Ketchup TVC:

This one gets second place as it is the tastiest one after the Coke ad.  There are three different parts of this ad. The first part shows school kids, the second one shows a beach party and the third one shows a house party.

 

I’ve already told my mother  to save some eid wala gosht for the pizza :D

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3. Sprite (Mirchi par lagao sprite ka tarka) TVC:

 

So many kebabs *___*

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4.  7up (Mana lo food ka love) TVC:

 

 

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5. Shan BBQ range TVC:

 

MAHIRA

 

Mehwish Hayat in various expressions

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6.  Shan Masala Range TVC (Several years old):

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Areeba Mohsen

Fawad Khan offered a new Bollywood film

Fawad Khan’s first Bollywood film Khoobsurat has released on 19th September and now he is receiving further offers of Indian films. As per famous Indian film magazine filmfare, Fawad is offered a a film to be directed by Akshat Verma who also directed a film named Delhi Belly.

Here is what filmfare is saying

Looks like the Pakistan heartthrob has hit the right chords in B-town. After wooing the audience (especially the female audience) with his Prince Charming avatar in Khoobsurat, Fawad Khan is all set to sign his next biggie. He’s in talks with the writer of Delhi Belly, Akshat Verma for his upcoming directorial venture. Apparently the actor has read the script and is very excited to be a part of the project but hasn’t signed anything yet, since he’s currently in Pakistan. The same source confirms that the film is an intense drama with comic touches, will have an ensemble cast and is set to go on floors in November. And even though the makers had the actor in mind for quite sometime, they were waiting to see what kind of a response his first Bollywood films get.

Source: http://www.filmfare.com/news/fawad-khan-to-sign-his-next-bollywood-film-7288.html

Rashid Nazir Ali

The Kazmi Family

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Rahat Kazmi and Sahira Kazmi are prominent names in the history of Pakistan showbiz particularly television. Both have proven themself in this field. Though both of them are not much active for more than one decade, their work is enough to provide them ever lasting recognition like drama Dhoop Kinaray which was directed by Sahira Kazmi, while Rahat Kazmi played the role of Dr. Ahmar.

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Sahira Kazmi, Rahat Kazmi

This article is a brief summary of contributions by three generations of this family.

Shyam
Shyam was an artist of pre-partition sub-continent who remained in India after partition in 1947. Shyam’s full name was Sundar Shyam Chadha and he was born in Sialkot, Punjab in 1920. Shyam’s family was basically from Rawalpindi but his father was a serving army officer stationed in Sialkot at the time of his birth. After partition in 1947 the whole Chadha family migrated to India like the rest of Hindu/Sikh population of West Punjab due to severe riots. Shyam was a close friend of famous urdu writer Saadat Hassan Manto.
Tall and handsome Shyam started his career as film actor from films produced in Lahore before 1947. Then Lahore along with Kolkata(then Calcutta) and Mumbai (then Bombay) was a prominent film center of British India. One of his earlier film in Lahore is Gawandi (1942) produced in Lahore. Shyam later moved to Mumbai and became a prominent name of Indian cinema. Shyam passed away in a tragic incident in 1951 during the shooting of film Shabistan. He died after falling while riding a horse.
In Lahore Shyam had a serious love affair with a local artist named Mumtaz Qureshi who was famous as Taaji. Both got married after moving to Mumbai. The couple had two children a son named Shaakir and daughter named Sahira. Shyam’s name was widely discussed in press due to scandals with various female artists which also disturbed his marital life.
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Shyam

Mumtaz Qureshi (aka Taaji)

Mumtaz Qureshi also known as Taaji belongs from Lahore, Punjab. Mumtaz along with her elder sister Zeb worked in few films in minor roles in British India. Both sisters started their career from Lahore and later migrated to Mumbai. Mumtaz married famous Indian artist Shyam in Mumbai and the couple had two children. The daughter Sahira was born in 1946 while the son Shaakir was born in 1951 few months after the death of his fatherShyam.
After tragic death of Shyam , Mumtaz with her two kids migrated back to her home town Lahore which was now part of newly created state of Pakistan. Few accounts say she already decided to move back to Pakistan due to scandals of Shyam. In Lahore, Pakistan the local film industry was still in infancy and Mumtaz had a chance to restart her career as an artist. However Mumtaz remarried a Pakistani entrepreneur with the surname Ansari and lead a low profile life away from media. The children of Mumtaz and Shyam means Sahira and Shaakir grew up in Pakistan and earned prominent positions in their respective fields as well. Both Shakir and Sahira ammended their surnames and became Shakir Shayam-Ansari and Sahira Ansari. Mumtaz Qureshi passed away in mid 2000’s in Karachi.
The story of Shyam and Taaji is also mentioned by Saadat Hassan Manto in his sketch of actor Shyam who was his close friend.
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Shyam, Mumtaz Qureshi(Taaji)

Zeb Qureshi

Zeb Qureshi was elder sister of Mumtaz Qureshi who also worked in films in Lahore and Mumbai in supporting roles. Zeb also returned to Pakistan after the death of Shyam in 1951 along with her sister. In Pakistan Zeb also married and lead a private life. Not much is publicly known about Zeb Qureshi afterwards.
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Zeb Qureshi

Shakir Shyam-Ansari

Dr. Shakir Shyam Ansari is son of Mumtaz Qureshi and Shyam. Shakir is a psychiatrist by profession and lives in United Kingdom.
Sahira Kazmi
Sahira Ansari the daughter of Shyam and Mumtaz Qureshi started her acting career from PTV’s Rawalpindi center based in Chaklala, Rawalpindi in mid 1970’s. Parchhayian and Teesra Kinara are her famous dramas where she was paired with Rahat Kazmi who was a famous star by then. Sahira and Rahat married in late 1970’s as well thus Sahira Ansari became Sahira Kazmi.
Later Sahira joined Pakistan television Karachi centre as a permanent employee and worked as director/producer. She directed many notable dramas like Tappish, Dhoop Kinaray, Aahat, Hawwa Ki Beti, Nijaat and Zaibunnissa. Dhoop Kinaray is the most famous play of Sahira Kaazmi. Apart from Dhoop Kinaray all famous plays of Sahira are based on socio-political issues, Tappish was the story of a student leader; Aahat, Nijaat, Hawwa Ki Beti and Zaibunnisa dealt with multiple issues like plight of women, domestic violence and poverty. After Nijaat in 1993, there is a gap of few years after which she returned to direction with a play named Tum Se Kehna Thaa a fantasy story inspired from English film ‘While you were sleeping’. Afterwards she directed Zaibunnisa which was her last famous drama. Sahira also directed many tele films, like the classic ‘Rozee‘ starring Moeen Akhtar, Zikr Hai Kai Saal Kaa starring Rahat Kazmi and Attiqa Odho
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Shafi Muhammad, Sahira Kazmi, Rahat Kazmi – a scene from PTV’s drama

As a director Sahira totally overshadowed her acting career. She is definitely one of the leading directors in the history of television in general and Pakistan Television in particular. Sahira Kaxmi is known for her innovative work. She also produced few music programs from PTV Karachi centre. Alamgir’s famous song Dekha Na Tha Kabhi Hum Nay Yeh Saman was produced by Sahira Kazmi. Sahira also surprised the audience with the song ‘Tere Ishq Mein Jo Bhi Doob Gaya’, which was a fusion of Sindhi and Urdu starring legendary folk singer Allan Faqeer and pop star Muhammad Ali Shehki.

Sahira and Rahat live happily in Karachi. The couple has two children Ali Kazmi (son) and Nida Kazmi (daughter).
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Sahira, a scene from PTV’s drama

 

Rahat Kazmi
The heartthrob of 1970’s, Rahat needs no introduction. Rahat has a passion for fine arts, and by profession he was a civil servant. Rahat joined civil service after passing the Civil Superior Service (CSS) in late 1960’s, he also pursued acting on television and theatre. Rahat has participated in stage dramas since college days at Government College Lahore and later at Punjab University. Being stationed in Islamabad, he started his television career in late 1960’s from PTV’s Rawalpindi centre as actor and host. Then all three centres of PTV i.e. Lahore, Karachi and Islamabad were not inter-connected and in 1973, all PTV centres were connected via a nation wide network through a series of boosters. To overcome this every PTV centre runs local programs, while few programs were recorded on tape and ported to other centres via Pakistan International Airlines. Even speeches of then rulers and current affair programs were recorded during day time in Islamabad and then sent to Lahore and Karachi to be aired in evening transmission.
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Rahat Kazmi

In early days of PTV Rawalpindi center Rahat worked in many dramas like ‘Goongay‘ in 1967. In ‘Koltaar’ in 1968 he acted opposite Nayyar Kamal who was a popular television artist of that era. ‘Koltaar’ was followed by another successful drama named ‘Anarkali‘ and later ‘Auraaq‘ written by Fatima Surrayia Bajiya sealed Rahat’s name as a leading performer. In the meantime Rahat also hosted a television show named Rahat Kazmi show. In 1973 all centres of Pakistan television were connected on a nation wide network. So now audience in Lahore can see a program telecasted from Karachi or any other centre. This nation wide network started a new era of popularity of television. Television stars became household names like film stars. Rahat Kazmi is indeed a leading contributor for the success of television in that era.

Despite working in few successful serials Rahat earned nationwide recognition with a superhit drama serial named Qurbatain Aur Faaslay. Qurbatain aur Faaslay in 1974 was widely successful in which Rahat was paired with Sahira Ansari. Qurbatain aur Faaslay was based on a russian novel ‘Father and Sons’ by Ivan Turgenev. Rahat and Sahira married in 1974 the same year Qurbatain aur Faaslay was aired. Regardless of the on screen tragic end, the off screen end of this drama resulted in Qurbatain of main pair.
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Sahira Kazmi, Nida Kazmi, Rahat Kazmi

 

Qurbatain aur Faaslay, followed by another hit named Perchaiyan written by Haseena Moeen. Parchaiyan was also based on a English novel ‘Portrait of a Lady’ by Henry James. Rahat and Sahira were in lead roles along with Javed Sheikh, Talat Hussain, Shakeel. Teesra Kinara in late 1970’s is another such drama where Sahira and Rahat again worked together. Teesra Kinara was also written by Rahat Kazmi, it was directed by Rahat’s close friend Shahzad Khalil.
Meanwhile in mid 1976’s Rahat had resigned from civil service to pursue the acting as full time career. The same year Rahat also started his film career. He worked in about fifteen films most of which were successful, but surprisingly he opted out of films despite having success. Mehmaan (opposite Babra Sharif), Khandaan (opposite Najma) are his famous and success films.
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Teesra Kinara, poster of PTV’s drama

On television after in 1980’s Rahat appeared in few selective dramas. Sahira Kazmi quit acting in early 1980’s, Teesra Kinara in 1981 was her last major serial. After Teesra Kinara the next major serial of Rahat was Ehsaas a mini serial (six episode) in mid 1980’s again directed by Shahzad Khalil. Rahat appeared opposite a new comer named Marina Khan. Ehsaas was successful but further success for both Marina and Rahat was yet to come. In late 1980’s, Rahat and Marina starred in an all time classic named Dhoop Kinaray, directed by Sahira Kazmi. The play instantly achieved the status of classic and was the height of popularity of PTV drama. Marina never achieved that much success afterwards, however Rahat appeared in another powerful role in drama Nangay Paon in 1993. In Nangay Paon, Rahat brilliantly performed in the role of Azeem an egoistic and influential businessman opposite Saba Hameed.

Nangay Paon was last major drama of Rahat Kazmi. Afterwards he appeared in few tele films like Zikr Hai Kayee Saal Kaa opposite Attiqa Odho, written by Anwar Sajjad, directed by Sahira Kazmi. Rahat Kazmi now works at National Academy of Performing Arts (NAPA) as a teacher.

Nida Kazmi

Nida Kazmi is daughter of Rahat and Sahira Kazmi. Like her parents and grand parents she also acted, though unable to attain the same heights. Nida Kazmi started acting as child star from PTV Karachi center. Hawwa Ki Beti in early 1990’s was her first major play as child star. Her only notable appearance is in drama Zaibunnisa in 1999, opposite Adnan Siddiqi. Zaibunnisa was also the last major play directed by Sahira Kazmi. Nida Kazmi appeared in few tele-films after Zaibunnisa and eventually quit acting after marriage.
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Nida Kazmi as Zaibunnisa

 

Ali Kazmi
Ali Kazmi is son of Rahat and Sahira Kazmi. Ali started his career as child star from PTV Karachi center. Ali’s first notable appearance as a school going lad was in tele-film Zikr Hai Kayee Saal Kaa. The telefilm was directed by Sahira Kazmi and Rahat Kazmi also worked in it. Afterwards Ali appeared in many dramas in supporting roles, none of which was noticed. Ali also worked in many commercials. Recently Ali Kazmi has worked in drama Jackson Heights after a long gap.
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Ali Kazmi

Wrapping up this article, here are few songs from famous movies of Rahat Kazmi also featuring Rahat Kazmi

 

Credits:
Song: Hamain Gham Mila Hamesha
Singer: Naheed Akhtar
Film: Mehmaan
Composer: M. Ashraf
Artists: Babra Shareef, Rahat Kazmi, Nayyara Sultana and others

http://www.dailymotion.com/video/x1tbz1g_noor-jehan-ae-ho-abhi-betho-tu-sahi-khandan-1980-urdu-song-lollywood-hit-pakistani-song-old-is-gold_music

Credits:
Song: Ae ho abhi Betho to Sahi
Singer: Madam Noor Jehan
Film: Khandaan
Music: Khalil Ahmed
Artists: Najma

https://vimeo.com/107326983

Credits:
Song: Tum bhi khafa ho
Singer: Mehdi Hassan
Film: Khandaan
Artist: Rahat Kazmi, Najma
Music: Khalil Ahmed

 

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Rahat Kazmi and Sahira Kazmi
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Nida Kazmi with daughter

Thanks for your time. Do share your thoughts and memories regarding the Kazmi family.

References
Mentioned date of births are taken from Wikipedia

Some information about shyam and mumtaz qureshi is  taken from this article http://apnaorg.com/articles/ishtiaq-20/

Rashid Nazir Ali

Aik Pal – Upcoming drama of Hum TV

Aik Pal is an upcoming drama of Hum TV produced by Abdullah Kadwani and Asad Qureshi and directed by Sirajul Haq, starring Affan Waheed, Sumbul Iqbal, Areej Fatimah, Danish Taimoor, Mohsin Gilani and others.

Here are few clicks from the sets of this drama.

 

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Rashid Nazir Ali

Ten Minutes of Happiness!

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Hmm so let’s see; a typical prime-time play has the following features:
a) It is 20 to 25 episodes long.
b) The holier-than-thou people suffer throughout the play and enjoy hardly ten minutes of happiness that too in the last episode’s final part. Nothing goes according to their plans, no matter how truthful they are, they will be ignored and all the tears they shed for their ‘loved one’ go to waste.
c) The most wicked and selfish people stay happy throughout the serial and barely suffer the consequences of their evil deeds in the second half of the last episode. The odds are always in their favour, everyone trusts them blindly and yes: they get away with everything simply by being labeled as,’bewaqoof’.
Do our writers and drama makers not realize that by showing the evil lot leading a successful life, and the pious and compassionate people weeping and sobbing, they are kind of giving the wrong message? Our writers have mastered the skill of penning down conspiracies, but sorry to say, very few know the art of balancing good and evil. This is the very reason why I don’t think any of our plays these days offer a REAL message. As far as I can recall, perhaps ‘Durreshahwar’ was the last play I watched that actually conveyed a positive and inspirational message that too in a beautiful and realistic manner.

 

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Here’s a list of plays in which the ‘real’ or ‘central’ message was conveyed in the final few minutes of the last episode, and due to the VERY late timing, it lost its essence.

• Ek Tamanna Lahasil Si
To begin with, this play didn’t even HAVE a message. After all those tears and ‘Chachi jaan mera yaqeen karain’ wali rutt, in the very LAST minute of the final episode, they showed Mawra with tomato red lipstick, thinking as if THAT would make up for the torture she (and the unfortunate viewers) went through. Throughout the play, the tyrant MIL and SIL were successful in brewing conspiracies, no one raised their voice against them and even though their so-called ‘anjaam’ was merely ‘bad’, the underlying theme of the play did not seem to be: ‘Goodness can conquer the world’. Instead, it was more like: ‘Ways to make your bahu go through living hell’.

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• Adhoori Aurat
Think of ALL the bad-no, WORST things that can happen to an individual. Sadist in-laws, spousal abuse, terminal disease, spouse’s infidelity, yateemi and you name it-ALL of this happened to our heroine but she endured it patiently, made endless sacrifices and look what happened to her- her own daughter turned against her because of the new-found love and respect for her father. And our holier than thou heroine enjoyed ten (I think less than that) minutes of happiness in the last episode.
• Maat
My God! Yahan tou hadd hi hogayi! Saman-the evil, selfish gold-digger made life miserable for everyone around her and in the end, they showed her ‘anjaam’ by a mere teary phone call? And the selfless and devoted sister was showed homeless till the second half of the final episode! After showing the endless suffering of the kind-hearted person, what message did they intend to convey: ‘Achay logon ka zamana nahe raha’?

 

                                                             Ten Minutes of Happiness!
• Zindage Gulzar Hai
This play did have a strong message and it was conveyed beautifully too. However, there was one thing I found a bit inappropriate (I know ZGH fans will be a bit irritated but please trust me-I am NOT jalous LOL :P). Throughout the serial, we saw Kashaf ranting and complaining about how God didn’t love her and her zindage is a complete mess. Now after listening to her ungrateful rants (though they were justified at times), I was expecting the transition of Kashaf from an ungrateful being to a grateful one to be showed in a more ‘detailed’ manner. I mean, her grateful side was revealed and portrayed in the last few minutes of the final episode. I distinctly remember that Fatima too pointed out the same thing in her review for ZGH’s last episode and I agree with her a hundred percent. But to all ZGH fans out there: please don’t be offended, this was one great play and no doubt about that, okay? ;)
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My point is-why exaggerate and prolong the bad/unpleasant bits and rush to the good/pleasant bits? Why show a constant pained expression on the innocent protagonist’s face and an evil smirk on the antagonist’s face THROUGHOUT the play? Why wait till the LAST few minutes of the final episode to show the good guy’s good anjaam and bad guy’s bad anjaam?
I know you all have a dozen names to include in my short and precise list, so please share your thoughts. I am looking forward to them :-)

Ushna Shah Abuses Pakistanis For Being Hypocritical

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Ushna Shah is well know by now for using abusive language against people who criticize her in any way. Not only this even if someone does not agree with her point of view she has a very blunt way of telling them off. She says herself that she is very popular for giving people a tough time when they do not act professionally.

Ushna Shah has been updating statuses on her FB page which basically show how annoyed she is with Pakistanis because according to her Pakistanis judge women by what they wear but happily look at foreigners wearing the same clothes.

 

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An Interview with the Prestigious Umera Ahmed

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Umera Ahmed has become quite popular in India after the airing of two her popular shows, Zindagi Gulzar Hai and Maat. In an interview with the Jaskiran Kapoor of Indian Express, Umera talks about her work and inspiration, along with a few things about herself.

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Your dramas- Maat, Zindagi Gulzar Hai and Behadd (on Zee’s Zindagi) – have been making waves on Indian television, and focus on man-woman relationships. Is that a conscious choice of a genre for you?

Man-woman relationships naturally intrigue me. And I’ve been exploring it ever since I started writing 15 years back. The intricacies, problems, trials and tribulations of their relationships inspire me to give words to their journeys.

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What inspires you as a writer?

Life. It’s the primary motivator as there is a story everywhere. My roots play a huge part too. I come from the small town of Sialkot in Pakistan, a town that during pre-Partition had the highest literacy rate among women, the city of Iqbal, and now people say it’s the city of Umera. My drive also comes from the creative freedom and opportunities I get in my field where women like Haseena Moin rule.

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Writer, thinker or philosopher? What describes you the best?

Although I’m a popular fiction writer, I take it as a compliment when someone calls me a philosopher. I’m also an Agony Aunt constantly giving relationship advice, but tragic love storeis do get on my nerves sometimes. Because I write on subjects that deal with day-to-day life, I end up giving food for though to the audience. While critics have also described my writings as bhashan, I write about what I want and people see, hear and appreciate it.

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Which characters from the serials describe you the best?

According to my friends, it’s Kashaf Murtaza from Zindagi Gulzar Hai. I am traditional in my appearance like her, strong, dedicated and committed too, but I am not ungrateful or bitter like her. Like her, I am unromantic whereas my husband is exactly like Zaroon, in civil services, romantic, more expressive, although he has never read or seen my work.

Zindagi… interestingly was also the first story I wrote 15 years back for a magazine, and it is still relevant today.

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What about the men in your stories? Is it a challenge to not be biased towards women?

I don’t pander to the Mills & Boon romance. Having said that, male characters are pivotal, but have to be real too. For instance, Zaroon in Zindagi Gulzar Hai is every bit a man — chauvinist, good looking and intelligent. But when he meets a woman, who challenges and changes him, there is friction as it is not easy for a man to keep his ego aside, accept and change.

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Is it heartening to know your work is changing perceptions about Pakistan?

Certainly. I am delighted because the Pakistani woman’s image internationally is perceived to be regressive. It is not true. Hamari khawateen ka rehen-sehan azaad hai. Second marriages are looked down upon and a man has to give explanations for it.

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Are there lessons for Indian television programmers to learn from Pakistan TV dramas?

While we are catering to two different markets, for us content is king. In Indian dramas, emphasis is on costume, glamor and locations. Take these out of the equation, and there is nothing to get hooked to. I always believe in chasing a story.

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Will you be working on any projects in India?

I don’t write constantly. It’s two serials, and a novel a year. Right now, I am writing my first Urdu feature film. As for India, I would be willing to work, but the demand for 100-plus episodes scares me. If a channel has the courage to do a 20-episode show, then I am game as I have not patience to stretch story beyond it.”

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Let me know your thoughts in the comments below.

-H.S